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A lonely thirteen-year-old girl, neglected by her absentee father, seeks refuge in a fragile friendship with a disabled teenage magician. As their bond deepens, a sinister local neighbor begins to circle closer, his predatory intentions hidden behind a disarming facade. The girl’s tentative trust and the magician’s quiet devotion become her only defense against a creeping dread that tightens around their small world. This 1976 psychological thriller unspools with an unnerving quiet, where every glance and gesture carries a hint of menace, building to a climax that lingers long after the credits roll.
Little Girl
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Frequently Asked Questions
What is Little Girl about?
A lonely thirteen-year-old girl, neglected by her absentee father, seeks refuge in a fragile friendship with a disabled teenage magician. As their bond deepens, a sinister local neighbor begins to circle closer, his predatory intentions hidden behind a disarming facade. The girl's tentative trust and...
When was Little Girl released?
Little Girl was released in 1970.
Where can I stream Little Girl?
Check local streaming services and digital release platforms for Little Girl availability.
User Reviews
RetroHorrorNerd – 7/10
“A slow-burn gem that relies on atmosphere over jump scares. The young lead is unsettlingly good, and the tension between her and the neighbor is palpable. Not perfect, but definitely worth a watch for fans of subtle dread.”
CreepyCorner – 6/10
“I appreciated the psychological depth and the creepy vibe, but the pacing dragged at times. The magician subplot felt a bit underdeveloped, though the final act made up for it. A decent effort from the 70s.”
SuspenseSeeker – 8/10
“This one got under my skin. The way it builds the predator's threat through small, innocent moments is masterful. I loved the haunting ending—it stayed with me for days. Highly recommended for those who like their horror nuanced.”
GrimFilmGuru – 7/10
“Not the scariest movie, but it's a well-crafted thriller with a chilling sense of realism. The performances are solid, and the director knows how to use silence effectively. To me, it felt like a precursor to modern slow-burn horror.”
