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All the Colors of the Dark

All the Colors of the Dark

Year R 1h 35m

After surviving a car accident that claimed her unborn child, Jane begins to unravel as terrifying visions and nightmares plague her waking life. Desperate for solace, she seeks help from her sister, only to find herself drawn into a sinister web of black magic and devil worship. With her sanity slipping, she must uncover the truth behind the coven’s obsession with her, or become their next victim. A hallucinatory journey through 1970s London, where reality and nightmare blur, and the color red becomes a symbol of terror.

Frequently Asked Questions

What is All the Colors of the Dark about?

After surviving a car accident that claimed her unborn child, Jane begins to unravel as terrifying visions and nightmares plague her waking life. Desperate for solace, she seeks help from her sister, only to find herself drawn into a sinister web of black magic and...

When was All the Colors of the Dark released?

All the Colors of the Dark was released in 1970.

Where can I stream All the Colors of the Dark?

Check local streaming services and digital release platforms for All the Colors of the Dark availability.

User Reviews

SleepyHollowSam – 7/10

“It felt like a fever dream from start to finish. Edwige Fenech's performance really carries the psychological descent, and the atmosphere is thick with dread. Not perfect, but definitely a standout giallo with a supernatural twist.”

GialloGoblin – 5/10

“I appreciate the hallucinatory style and the occult themes, but the plot can get overly convoluted. It's got some genuinely creepy moments, but the pacing dips in the middle. Worth a watch for genre completists.”

BloodyBrunette – 8/10

“This one really got under my skin. The mix of psychological trauma and Satanic cults is so unsettling, and the dream sequences are beautifully nightmarish. The final act is a wild ride that left me shaken.”

VHSVampire – 6/10

“I dig the trippy visuals and the groovy 70s vibe, but the story feels a bit like a convoluted mess at times. Still, it's an interesting precursor to later 'possession' films. Not the best Martino, but definitely memorable.”

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