The summer I turned twelve, we moved into my great-aunt’s house in the hollows of West Virginia, a place she’d left to my mother in her will. It was a sprawling, Victorian thing with peeling wallpaper and a turret that seemed to lean against the sky, and I was thrilled. My older brother, Daniel, was not. He’d wanted to stay in our cramped apartment with his friends, and he sulked through every room we explored, muttering that the place felt like a tomb. I ignored him. I had my own room for the first time, a high-ceilinged space with a window seat overlooking the overgrown garden, and I was determined to love it.
But by the third night, I started to notice things. It wasn’t just the usual creaks of an old house; it was the sound of soft, rhythmic scratching behind the walls, like something with long nails trying to get out. And sometimes, when the wind died, I’d hear a faint giggle, high and childlike, drifting from the hallway. I told my mom, but she laughed it off, saying my imagination was running wild after the move. I hated that. I knew what I heard.
The strangeness escalated in the following weeks. The air in my room always felt cold, no matter how high I turned up the radiator, and I couldn’t shake the feeling of being watched, even when I was alone. My shadow would lag behind me, always a half-step late, as if it were reluctant to follow. But the most unnerving thing was the vanishing objects. I’d set down a spoon while baking with my mom, and when I reached for it, it was gone. We’d search everywhere, and then, hours later, I’d find it in the most absurd places—inside a jar of pickles, wedged behind the toilet, or once, suspended from a cobweb in the pantry. My mom started to worry, thinking I was becoming forgetful or absent-minded, but I knew better. Something was playing with me.
One rainy afternoon, I decided to get to the bottom of it. I had just lost a butter knife while slicing bread, and I watched it clatter to the floor, only to vanish when I bent to pick it up. I froze, staring at the empty linoleum. Then I heard that giggle again, closer this time, right behind me. I spun around, but the kitchen was empty. The only sound was the drip of the faucet and the drum of rain on the roof. I made a decision: I was going to find the source.
I started by rummaging through the basement, a dusty cavern of old furniture and boxes. In the far corner, behind a stack of mildewed magazines, I discovered a small door I’d never noticed. It was locked with a rusty padlock, but the lock was old and gave way when I yanked it. The door swung open to reveal a cramped, musty crawlspace. I crawled in, feeling along the damp floor until my hand hit something cold and metallic. I pulled it out: a tin box, covered in rust, with a faded label that read ‘MARGARET’S THINGS.’ Inside, I found a tarnished locket, a handful of marbles, and a child’s diary, the pages yellowed and fragile.
I opened the diary and began to read. The handwriting was neat, childish. The first entries were mundane—school, chores, her pet cat—but as I read on, the tone grew darker. ‘I can hear them scratching in the walls,’ she wrote. ‘They want to play, but I’m afraid. I hide my things, but they always find them.’ The last entry was dated 1952, a month before my great-aunt Margaret passed away. It read: ‘They come out of the shadows. They want to take me. I’m going to hide in the root cellar, but I think they know. If you find this, don’t let them take your things.’
A chill ran down my spine. I slammed the diary shut, my heart pounding. I had to get out of there. But as I scrambled back, I saw something in the gloom: a row of small, dark shapes on a shelf I hadn’t noticed. I crept closer and realized they were baby dolls—dozens of them, their glass eyes staring blankly, their porcelain faces cracked. And each doll was missing a hand or a foot, or in some cases, its head. I stumbled backward, my breath catching. The giggle rose again, echoing from all around me, and the cold intensified. I scrambled out of the crawlspace, but I felt something brush my ankle. I kicked out, and it was gone.
That night, I couldn’t sleep. I lay in my bed, listening to the scratching, which had grown louder, closer. I stared at the window, where my shadow was cast by the dim moonlight, and I saw it—my shadow was not moving with me. I lifted my hand, and my shadow’s hand stayed still, then slowly, deliberately, rose on its own, as if waving at me. I screamed, and my mom burst in, flicking on the light. ‘What is it?’ she demanded. But all I could do was point at the wall, where the shadow had been. It was gone, replaced by a normal, obedient shadow.
My mom sighed and told me to go back to sleep, but I couldn’t. I grabbed a flashlight and crept to the root cellar, where I’d seen the dolls. The door was ajar, and I pushed it open. Inside, the room was cold, and the air was thick with the smell of earth and decay. In the center of the dirt floor, there was a pile of objects: spoons, knives, marbles, a locket, and a doll’s head. And there, sitting on an old crate, was a figure—a little girl, pale and hollow-eyed, wearing a tattered dress. She looked at me, and her mouth stretched into a wide, unnatural grin. ‘You found my things,’ she said, her voice like wind through dry leaves. ‘Now you have to play.’
I tried to run, but my feet wouldn’t move. She reached out a hand, and I felt my own hand rise, as if guided by an invisible force. She took my hand, her skin cold and papery, and led me to the pile. ‘Drop it,’ she commanded, and I felt my fingers unclench, and the flashlight clattered onto the pile. Then she smiled, and the room grew darker. ‘Now you’re one of us,’ she whispered. I saw the dolls begin to move, their heads turning, their limbs twitching. I thought of my brother in his room, his shadow lagging, and I realized I had to warn him, but I couldn’t speak. My mouth wouldn’t form the words.
The next morning, my mother found me in the cellar, sitting in the center of the floor, surrounded by the dolls, clutching the diary to my chest. I was covered in dust, and my eyes were wide, unblinking. I told her about the girl, but she just held me, saying I’d had a bad dream. But I knew it was real. I never played with dolls again, and to this day, I never put anything down in that house without watching it, because I still see my shadow lag behind, and I hear a faint giggle when the wind blows through the hollows. And sometimes, when I look in the mirror, I see the pale little girl standing just behind my shoulder, her eyes following my every move, waiting for me to drop something she can take.