The shift at the canning factory had been brutal, the kind that left your ears ringing and your hands smelling of brine and metal. I got home to my basement apartment on Delancey Street a little after five, too tired to even think about the pile of dishes in the sink. I kicked off my steel-toed boots and collapsed onto the futon, the springs groaning under me. The only light came from the flickering neon sign of the laundromat across the street, casting a sickly green glow through the grimy window. I fell asleep almost instantly.
I woke to the sound of a soft ticking. It was a rhythmic, deliberate sound, like a metronome or an old clock. I blinked, my eyes adjusting to the gloom. On the stool by the kitchen counter, a figure sat hunched over, its back to me. It wore a dark, hooded raincoat, the kind you’d see on old fishermen, and its head was bowed as if studying the floor. I assumed it was my roommate, Sal, who was a night owl and often had odd friends over. ‘Sal, that you?’ I mumbled, but the figure didn’t move. The ticking grew a little louder. I closed my eyes, willing the sleep to return, but the cold was seeping into my bones. I pulled the thin blanket up to my chin and eventually drifted off again.
When I woke next, the apartment was empty. The only evidence anyone had been there was the stool, which was now pushed in against the counter. I chalked it up to a vivid dream, a side effect of the factory’s heavy fumes. I made myself a bowl of instant ramen, watched some late-night TV, and tried to shake the unease that clung to me like the smell of fish. By 1 a.m., I was back in bed, the TV muted on a static-heavy channel.
I was in that twilight state, that limbo between wakefulness and sleep, when the cold hit me. It was not the cold of the night air, but a deep, penetrating chill that seemed to come from inside my own head. I felt a pressure on the edge of the bed, as if someone had sat down. Then came the pokes—insistent, prodding fingers on my shoulder, then my hair being gently tugged, then a sharp pinch on my arm. I tried to move, to speak, but my body was made of lead. A voice, soft and hushed, like the sound of a distant radio, whispered, ‘Don’t you remember me?’
I forced my eyes open. The figure from the stool was now at the foot of my bed, still in the raincoat, still hooded. But now I saw a glint of metal at its wrist—a watch, bright and polished, like it had been kept pristine for years. The ticking was coming from it. The voice spoke again, ‘I’ve been waiting so long. It’s time to come with me.’ I screamed inside my head, a silent desperate plea for Sal to hear, for anyone to wake me. But the figure only leaned closer, and I could see beneath the hood: a hollow, dark space where a face should be, and from it, the faint smell of salt and rust.
Suddenly, the watch on its wrist began to glow with a faint blue light, and the ticking grew erratic. The voice turned pleading: ‘Please, I don’t want to be alone anymore. You said you would stay.’ My heart hammered against my ribs. I thought of my grandmother, who had died in this same apartment years ago. She had a habit of tapping her watch when she was impatient. She used to say, ‘Time is a heavy thing, dear. It pulls on you.’
I managed to whisper, ‘But I’m alive, and you are…’ The figure recoiled as if I had slapped it. The watch shattered, the glass exploding into a thousand shards that dissolved into the air. The cold lifted, and I shot upright, gasping for breath. The room was silent, save for the hum of the refrigerator. But on the floor by my bed lay a small, brass pocket watch, its face cracked, its hands frozen at 1:00. I didn’t touch it. I left the apartment the next day and never returned, but sometimes, in the quiet of the night, I still hear that ticking, and I feel the weight of that watch on my arm, as if it’s telling me that time is running out.