Ingrid is a ghost in the world of contract killing: efficient, precise, and utterly invisible. She operates alone, leaving no trace, her past a mystery even to herself. But when a job goes wrong and a stranger recognizes something in her eyes, the walls she’s built begin to crumble. As she’s drawn into a cat-and-mouse game with her own shadowy past, Ingrid must confront the terrifying possibility that the hunter may be the hunted. A slow-burn descent into paranoia where every silence feels like a threat.
User Reviews
“I went in expecting a simple hitman thriller, but 'Una ballena' slowly got under my skin. The atmosphere is incredibly tense, and the lead's cold performance really sells the isolation. It drags a bit in the middle, but the final act is worth it.”
“For me, this was more of a character study than a horror film. I appreciated the moody cinematography and eerie silence, but the pace was too slow and the scares were mostly psychological. If you're into arthouse horror, give it a shot; otherwise, you might be bored.”
“It's a beautifully shot film with a haunting score, but I felt the plot was too sparse. The premise of a contract killer with a mysterious past is intriguing, but I wanted more depth. The psychological tension was there, but the payoff left me wanting.”
“I loved how this movie made me feel just as paranoid as Ingrid. The sound design is genius—every creak and whisper had me on edge. It's not a jump-scare fest, but the slow unraveling of her past is genuinely unsettling. One of the best atmospheric horrors I've seen this year.”






























































