The Red Door at Number 14

6 min read

Story Premise 6 min read (1,182 words)

"The day my marriage ended, I found myself standing outside a peeling red door, keys in hand, my two boys gripping my coat. The house had been offered by my first husband’s mother, a woman I’d barely spoken to in years but who, in a strange twist of family loyalty, had decided to take us […]"

The day my marriage ended, I found myself standing outside a peeling red door, keys in hand, my two boys gripping my coat. The house had been offered by my first husband’s mother, a woman I’d barely spoken to in years but who, in a strange twist of family loyalty, had decided to take us in. My second husband had been kind, but distant, and when he left, I had nowhere else to go. I had visited this house only once, years ago, when I had stood in the drafty hallway and peered into the dining room, where a heavy oak table sat like a tombstone. I remembered the uncomfortable silence, the smell of old wood and dust, and the way the floorboards seemed to creak even when no one moved.

Now we were moving in. The red door opened onto a narrow corridor lined with faded wallpaper. The air was thick and stale, as if the house had been holding its breath for years. My sons, Leo and Sam, were quiet, their eyes scanning the shadows. I tried to smile, to reassure them, but the heaviness in the air pressed down on my shoulders. There was a presence here, something old and resentful. I had felt such things before, in a hundred rented rooms and borrowed beds, but this was different. This was a permanent weight, a fog that clung to my skin.

We had only brought a few suitcases, so we spent the first night sleeping on mattresses in the front room. The walls were cold, and the radiators ticked like insects. In the early hours, I woke to a sound like stones shifting in the walls. I lay still, listening. Leo stirred but did not wake. Sam snored softly. And then, from the hallway, I heard a woman’s voice, low and mournful, as if she were singing a lullaby to a child who would never sleep again. I crept to the door, but the hallway was empty. The voice faded, leaving only the hum of the ancient boiler.

The next day, I tried to make the house ours. I scrubbed the kitchen counters, aired out the rooms, and hung new curtains. But the gloom persisted. The children played in the back garden, but even there, the sun seemed to struggle to break through the trees. My ex-mother-in-law, a resilient woman named Eileen, visited often, bringing boxes of old clothes and advice. She spoke of the previous tenants with a shiver: a couple whose marriage had imploded, a mother who had lost her baby, a man who had hung himself in the attic. She said she had never felt at ease here, and neither had her son, my ex. That’s why they had moved to her sister’s place, leaving this house to crumble.

I tried to ignore the unease. I got a job as a librarian, and the boys went to school. But every evening, when I returned, the house greeted me with a sigh. I began to notice things: a door that would not stay shut, a cold spot in the living room, the smell of decaying flowers that came and went. One night, I decided to investigate the attic. The pull-down ladder creaked as I descended it, and the air grew colder with each step. The attic was bare except for a single wooden chair, facing the small window. Sitting on the chair was a child’s teddy bear, its button eyes missing. I felt a wave of nausea. I knew, without knowing how, that this was the baby’s toy, from the previous family.

I took the bear downstairs, intending to throw it out, but my son Sam found it in the trash and rescued it. ‘It’s mine now,’ he said, clutching it to his chest. I tried to take it back, but he ran to his room. That night, I heard him talking in his sleep, not in his own voice, but in a high, thin whisper that sent chills down my spine. I went to his room and found him sitting up, eyes open but unseeing, the bear pressed to his face. ‘She wants to be with him,’ he said. ‘Who?’ I asked. He turned to me, and his eyes were ancient. ‘The lady in the wall.’

The next day, I called a priest, but the house seemed to repel him. He could not finish his blessing, complaining of a pressure in his head. I tried to contact the previous tenants, but no one answered. I even drove to the house where they had moved, but the neighbors said they had left suddenly, ‘as if fleeing something.’ My boys grew quieter. Leo stopped sleeping alone, crawling into my bed each night. Sam drew pictures of a woman with hollow eyes and long hair, always in the same spot: the hallway outside his room.

Then, one Friday, I came home to find the red door slightly ajar. My heart lurched. I rushed inside, calling for the boys. They were in the kitchen, drinking milk, seemingly fine. But Sam was pale, and his hands were shaking. ‘She showed me the baby,’ he whispered. ‘She says she wants him back.’ That night, I decided we would leave. I would pack what we could and stay with my sister. But as I packed, I heard the singing again, clearer this time. It came from the attic. I climbed the stairs, against every instinct. The trapdoor was open. A figure stood in the dim light, a woman in a white gown, her face hidden by her hair. She was rocking something in her arms. I froze. She began to turn, and I saw the empty sockets where her eyes should be. Then she spoke, in a voice like rustling leaves: ‘You cannot take what is mine.’

I ran. I grabbed the boys and fled to the car, not even stopping for our bags. I drove until the sky was light, and then I kept driving. We ended up at my sister’s house, three hours away. I never looked back. The police found nothing when they went to collect our belongings. The house was empty, the red door painted a calm blue. But a month later, I received a letter with no return address. Inside was a photograph of a family standing in front of a house with a red door. The parents smiled, and a small child clutched a teddy bear with button eyes. On the back, in handwriting I recognized as Sam’s, was written: ‘We are going home.’ I dropped the photo. The room felt cold.

My sister says I’m overreacting, but I know what I did. I sealed that door, but the door is in my mind now. Every time my son cries, I hear that lullaby. Every time the house settles at night, I wait for the whisper. We changed our names, moved again, but I know that old house is still there, patient, with its red door, waiting for us to return. And I know that someday, it will succeed.

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