The Al Madinah district, where the refinery workers were housed, was a sprawl of concrete boxes left over from a boom that had gone bust decades ago. I lived in Block C, a four-story hulk with flaking paint and a staircase that moaned in the heat. The air was always thick with the smell of diesel and sun-baked sand, and at night, the only light came from a few dusty streetlamps that buzzed like dying insects.
My shift ended at midnight, and I’d fall into a routine: shower, eat cold rice, and sit in the living room with a fan whirring at my face, watching old movies on a laptop. That night, it was past two in the morning, and I was deep into a film noir when something broke the line of my vision. A figure, blacker than the shadows, walked across the room from the kitchen door to the bedroom hallway. It was swift, silent, and left no ripple in the air—but for a split second, I saw its afterimage burned into my retinas: a tall man in a loose robe, head bowed, hands hanging limp. The door to the hallway was closed. It couldn’t have passed through, yet it did. I sat frozen, the movie playing on, my heart thudding against my ribs. I told myself it was a trick of the light, fatigue, the dust. But the afterimage lingered for days, a ghost etched behind my eyelids.
A week later, I was in the stairwell, heading down to the canteen. The bulb above had been flickering for days—maintenance never came. As I reached the second-floor landing, I heard a whisper, dry as parchment, right behind my ear. It said my name—not my nickname, not the shortened version my coworkers used, but my full name, the one on my passport. I spun around, but the landing was empty. The whisper didn’t echo; it just vanished. My hands were sweating, and I took the stairs two at a time, telling myself it was the wind, a pipe, my imagination.
Then the real trouble started with the others. Omar, an Egyptian who worked the graveyard shift with me, showed up one morning with gray-white hair at his temples. He claimed he’d seen a ‘man with a lantern’ glowing at the end of the corridor on the fourth floor. He said the man raised the lantern, and the light was cold, like the moon, and it pointed toward our apartment. When I asked him for details, he’d only shake his head, his eyes clouded. A week later, he left without notice, his bunk stripped, his belongings gone. The company said he resigned.
That’s when I started seeing the lantern myself. Not a physical light, but a sickly greenish glow that would appear in the corner of my sight, always brief, always gone when I turned. It was always accompanied by a low hum, like a generator far away. I began to dread the nights, but I couldn’t sleep in the common room with the others—they’d laugh at me if I talked about it. So I stayed in my apartment, doors locked, fan on, but the hum would come through the vents, and I’d feel watched.
One morning, I found a small brass key in my jacket pocket. It wasn’t mine. It had a tag tied to it with a piece of twine, the word ‘Basement’ printed in faded ink. I didn’t remember ever going to the basement; it was off-limits, sealed with a rusted padlock. But the key fit. I know because I checked, unable to resist. The padlock came away in my hand, and the door creaked open to reveal a staircase descending into blackness. The air that rushed out was cold, carrying the smell of old oil and something else—a sweet rot, like flowers left in water too long.
I should have closed the door. But the hum grew louder, beckoning, and I saw a faint green glow at the bottom of the steps. I went down. The basement was a maze of pipes and old machinery, covered in decades of grit. And there, in the center, was a workbench with an old oil lantern, its glass blackened, its wick trimmed. Beside it lay a journal, its pages yellowed. The last entry was dated ‘August 2012.’ I read it. The writer, an engineer named Rashid, described the same experiences: the passing figure, the whisper, the lantern. He wrote that he had summoned something to save his own life—an accident in the refinery had been averted by a force he had offered a tribute to. But the rent was due, and it came in the form of what he cherished most: his memories, his sleep, his identity. He wrote that he was losing himself piece by piece, and that the only way to end it was to pass on the lantern to another.
The journal’s final line read: ‘They will see me, but I will be gone. The lantern will be theirs. Its debt must be paid.’ I dropped the book. The lantern was cold, but I felt a pull, a craving. I realized I was no longer me. My memories were fraying at the edges—I couldn’t recall my mother’s face fully, nor the name of the street where I grew up. I had been here for months, hadn’t I? The hours I spent on that couch, watching movies, were a blur. I was becoming Rashid. Or worse, I was becoming an empty vessel for whatever he had been feeding.
I ran out of the basement, slamming the door behind me, but the key was gone from my hand. Back in my apartment, I sat on the couch, trembling. The movie was still playing, a black-and-white scene of a man walking through a doorway. I blinked, and for a moment, the man on the screen was looking directly at me, pointing to the hallway. I didn’t need to look; I knew that at the end of the hall, in the bathroom mirror, there would be a reflection that wasn’t mine. I forced myself to get up, to walk to the mirror. My own face stared back, but the eyes were wrong—dark, oily, full of a patient hunger. The lips moved, not in sync with my breath, forming words I didn’t speak: ‘She is already home.’
I understood then. The passing figure, the whispers, the lantern—it wasn’t a spirit haunting this place. It was a trap, a cycle, a thing that fed not on blood but on the very essence of who you are, hollowing you out until you became its host. And the only way out was to find a new victim, to force the key into their hand, to share the lantern’s glow. I knew what I had to do. I couldn’t let it take me, couldn’t let it have my last name, my childhood, my dreams of going home. So I waited until the new batch of workers arrived from overseas. I watched them unpack, saw their fresh faces, their ignorance. I chose one, a quiet young man with kind eyes. I planned to leave my key in his jacket, just as it had been left in mine.
But that night, as I crept into his room, the lantern appeared in my hand. I didn’t remember picking it up. Its glass was warm, and the hum was a song. The young man stirred, opened his eyes, and saw the glow. His face went pale, and he whispered, ‘What are you?’ And I—I felt my lips stretch into a smile that was not mine. ‘A keeper,’ I heard myself say. ‘Every keeper must find a successor. But don’t worry… you’ll forget me soon.’ I placed the lantern on his nightstand. He stared at it, transfixed, his pupils dilating. The green light washed over his features, and I felt a weight lift from me, a cascade of memories flooding back—my mother’s face, my hometown, my own name. But relief was short-lived. As I turned to leave, I saw my reflection in the window. It was me, but it was also Rashid, the engineer, his face gaunt, a smile of gratitude on his lips. He mouthed, ‘Thank you.’
I left the building that night, not looking back. The desert stretched endlessly under a moonless sky. I knew I should report to the company, book a flight home. But as I walked, my steps grew heavy, my thoughts murky. My name began to feel foreign on my tongue. And I realized, with a cold, creeping despair, that the lantern didn’t just pass from one keeper to another—it left something behind, a splinter of itself that took root in the one who handed it over. I was still a carrier, a shadow of the thing that lived in that building. I stumbled, fell to my knees in the sand, and saw a flicker of green at the edge of my vision. The hum was in my ears again, softer now, but insistent. And in the distance, I saw a figure, tall and robed, holding a lantern, waiting. It was calling me back. I had no choice. I got up and walked toward it, leaving my old life behind, my own voice shrinking to a whisper inside me, until nothing remained but the lantern’s light and the lantern’s debt.