In the quiet town of Greyhollow, I lived in a house that had always felt too old for its own good. The walls breathed with the memory of past tenants, and the floorboards creaked in rhythm with my unease. For years, I had shared my home with an unseen presence—a cold draft in summer, a misplacement of keys, a subtle hum in the dead of night. But it had been quiet for so long that I had almost convinced myself it was all in my head.
Then, one morning, I woke to find red marker scratches across the bathroom mirror: ‘Want to get rid of me? It’ll never be done.’ The letters were jagged, as if written in haste, and the smell of ink hung in the air. A prank, I told myself, but my hands trembled as I reached for a marker. I wrote back, my own words shaky and small: ‘Whoever you are, you should know there are a few ways to get rid of a spirit. There is always a way to do it, like any smart person knows.’
For days, nothing. I half-hoped it was over, but the quiet was different now—like a held breath. Then, on the fourth day, new words appeared, larger and more deliberate: ‘You mean, whoever WE are. I thought that you would have figured that out in such a long time.’ My blood ran cold. We? There were two of them? The hissing I had once heard—like steam escaping a pipe—had stopped recently, and now I understood why. It had been a signal, a warning of an increased presence.
I tried to research folklore about multiple entities in one dwelling, but my computer would crash the moment I typed ‘spirit’ or ‘haunting.’ It was as if they were blocking my access. So I searched for other things: local legends, old house records, even recipes and weather patterns. The crashes became a taunt, a reminder of their control.
I wrote on the mirror again, my hand steadier: ‘There are two of you?’ The answer came quick, etched in blood-red ink: ‘Follow 4,5,1,20,8.’ The numbers were cryptic, but I recognized them. They corresponded to letters: D, E, A, T, H. Death.
The next day, I found the number ‘4’ scratched into the wooden frame of my bedroom door. Below it, in the dust on my dresser, was the number ‘5.’ A trail. I followed each one as it appeared: ‘1’ on the kitchen counter, ’20’ in the flour spilled across the floor, ‘8’ on the back of a cereal box. Each number felt like a step closer to a destination I did not want to reach.
After the ‘8,’ I found a small, leather-bound journal in the attic, hidden behind a loose board. Its pages were yellowed, and on the first page was a name: Elara Voss, who died in this house in 1923. The journal was her diary, and it detailed her obsession with a spirit she called ‘The Listener.’ She wrote of it as a presence that fed on attention, and that when she tried to exorcise it, she accidentally summoned a second entity—’The Witness’—which had been dormant until then. The two, she wrote, were bound together, and to banish one, you had to banish both, but they could never be separated.
I read on, desperate for a solution. The journal mentioned a ritual that involved a mirror, a piece of obsidian, and a chant in a language I didn’t recognize. The final entry was cut off mid-sentence: ‘They will not let me finish. They know. If you are reading this, do not attempt the ritual unless you are prepared to sacrifice…’ And then nothing.
That night, I stood before the bathroom mirror. The red words had faded, but the mirror seemed darker, deeper. I felt the cold breath on my neck, and in the glass, I saw two faint figures behind my reflection—one tall and gaunt, the other hunched and wide. They were waiting. I whispered, ‘I know what you are. I know your names.’
The mirror rippled like water, and a voice, dry as old paper, whispered from the glass: ‘Then you know how to end us.’ ‘No,’ I replied, ‘I know how to free you. The journal says you were both human once—murdered in this house, tied together in death. The ritual can release you, but you must promise to leave.’
A long silence. Then the other voice, higher and frantic, spoke: ‘We cannot leave. We are bound to this place. But you can break the bond.’ I frowned. ‘How?’ ‘The mirror,’ it said, ‘is our anchor. If you smash it into nine pieces, you will scatter us, and we will fade. But it must be done tonight, under the new moon.’
I hesitated. It seemed too easy. But the journal had mentioned something about smashing a mirror, though it called it ‘a last resort.’ I decided to trust the entities—or at least, to test them. I took a hammer I had kept in the bathroom drawer and, with a deep breath, struck the mirror. It shattered into a hundred shards.
Instantly, the room filled with a hissing, like a thousand snakes, and the cold intensified. I fell to my knees, covering my ears. When the hissing stopped, I looked up. The mirror was whole again, but the words were new: ‘Did you think it would be that easy?’ I hadn’t gone to the attic in days, but a new page had been added to the journal, in handwriting that was not mine: ‘You have done what we cannot. You have broken the mirror into nine pieces, but they are nine now, not two. And one of them is you.’
I stared at the mirror, and in my reflection, I saw a shadow behind my own eyes. The hissing returned, but louder, from every corner. I screamed, but my voice sounded foreign. I am writing this as a warning: if you ever see numbers like 4,5,1,20,8 in your house, do not follow them. Some paths lead only to deeper darkness. And some mirrors, once shattered, never truly break.