Last autumn, I house-sat for my cousin Elena at her isolated cottage in the Appalachian foothills. She had two cats: a sleek black named Umbra and a fluffy orange tabby named Butterscotch. The cottage was old, with a wood-burning stove and a well pump that groaned like a dying animal each time you used it.
I was asleep in the loft, wrapped in a quilt that smelled of mothballs and pine. At around two in the morning, Umbra, who usually slept at my feet, bolted upright. Her eyes were wide, her ears flat against her skull. She let out a low hiss and then jumped to the floor, tearing through the room with a manic energy I’d never seen from her. She chased something invisible, pouncing and batting at the air, her claws clicking on the wooden planks. Then she stopped, stared at a corner, and her fur bristled.
‘Umbra?’ I called, my voice cracking from sleep. But she ignored me, fixated on that empty corner. The room felt suddenly colder, as if a draft had come from nowhere. I reached for the bedside lamp, but the switch clicked with a hollow sound—no light. The only illumination was the pale moonlight filtering through the frosted window.
Then I heard it: a faint, rhythmic rustling, like dry leaves skittering across a porch. It came from the corner where Umbra was staring. The sound moved, sliding along the wall toward the doorway that led down to the kitchen. As it passed, the faded wallpaper seemed to ripple, though there was no draft. Umbra followed, her tail low, her steps careful, as if stalking a real creature.
I grabbed my phone and used its flashlight. The beam revealed nothing but dust motes dancing in the stale air. But the rustling continued, descending the creaky stairs. I heard the kitchen door swing open on its hinges. Then, from the kitchen, came a sound that made my blood run cold: the low whistle of the old kettle as it slowly came to boil.
‘Butterscotch?’ I whispered. Maybe he’d gotten trapped in the pantry somehow. I crept down the stairs, phone held out like a talisman. The kitchen was dark, but the stove’s pilot light cast a dim blue glow. The kettle was on the burner, though I had not lit the stove. The flame was low and steady, and the kettle’s spout emitted that thin, mournful whistle. Steam wreathed the air.
I moved to turn off the burner, but as I reached out, the whistle stopped. In the sudden silence, I heard a soft voice, like a child humming a lullaby, coming from the pantry. ‘Mama, I can’t sleep.’
My heart hammered. I did not open the pantry. Instead, I backed away, but the floorboards behind me groaned. I whirled around, phone light sweeping the room. There was nothing. But the humming grew louder, and the kettle began to whistle again, higher, desperate, like a scream for help.
Then the linoleum rippled beneath my bare feet. A cold breath brushed my neck. The humming stopped.
I ran. I grabbed my keys and bolted out the front door, not even pausing to grab shoes. I drove to the nearest town and checked into a motel, shaking. I called Elena the next morning. She laughed nervously and said, ‘Oh, I forgot to warn you. The house has a ‘resident.’ It’s been there since I was a kid. It only appears when you’re alone. It doesn’t mean harm, but it likes to play tricks. You know, turn on the kettle, rustle bags, hum. Sometimes it even walks up the stairs at night.
I asked why she hadn’t told me earlier. She said, ‘You wouldn’t have believed me.’
I never went back. I still hear that kettle whistle in my dreams. And sometimes, in the dead of night, I hear it in my new apartment—a low, teasing whistle from the kitchen, right before the humming starts.