The Hollow Call

6 min read

Story Premise 6 min read (1,130 words)

"The first time I heard it, I was weeding the garden behind the old farmhouse my aunt had left me. It was late October, and the air smelled of frost and rotting leaves. I was on my knees, pulling at the stubborn roots of a thistle, when a voice whispered right into my ear, as […]"

The first time I heard it, I was weeding the garden behind the old farmhouse my aunt had left me. It was late October, and the air smelled of frost and rotting leaves. I was on my knees, pulling at the stubborn roots of a thistle, when a voice whispered right into my ear, as close as a breath. It said, ‘I’m here.’ I spun around, but the yard was empty. The only other soul within miles was my nephew, Leo, who was inside watching cartoons. The voice was low, gravelly, like a man who had smoked too much and hadn’t spoken in years. It left a cold tingle on my skin, and for a moment, the wind died, and the trees stood still, as if listening.

I tried to shrug it off as my imagination, but a few days later, I mentioned it to my cousin, Mara. She lived in the city, in a cramped apartment above a laundromat, and she had her own story. One evening, while she was taking out the trash in the alley behind her building, she heard a man’s voice say ‘No.’ It was so clear, so close, that she dropped the bag and ran inside. She said it wasn’t threatening, but it was wrong, like a recording played at the wrong speed. We compared notes, and we realized both voices had the same timbre, the same odd resonance, as if they came from the same throat, but from different places. We laughed it off, but neither of us slept well that week.

The second incident happened when I was helping Mara record a YouTube video for her channel. She was doing a ‘mystery box challenge,’ blindfolded, and I was supposed to guide her through identifying the items. We were in her kitchen, which was cramped and smelled of old grease. I handed her a jar of pickles, and as she unscrewed the lid, I heard the voice again, this time from the hallway. It said, ‘Over here.’ It was so distinct that I froze, and Mara pulled off her blindfold, asking what was wrong. I looked down the hallway, but it was empty. The only sound was the hum of the refrigerator. That’s when I noticed the hallway mirror—it reflected the kitchen, but for a split second, I thought I saw a shadowy figure standing behind me in the glass. When I turned, nothing.

I started to piece together a theory. The voice only spoke when I was in certain places, always in moments of quiet. It never said anything threatening, just simple phrases: ‘I’m here,’ ‘No,’ ‘Over here.’ It was as if it was trying to get my attention, but I didn’t know for what. I asked my uncle, who was a retired history teacher, if there were any old legends about the land where my aunt’s farmhouse stood. He told me that during the Civil War, a group of deserters had camped in the woods nearby, and one of them had gone missing. They found his body days later, but his throat was cut, and they never found the other man. My uncle said the locals used to say that the missing soldier’s ghost wandered, calling out for his companion, but no one had heard him in decades.

The final incident happened just last week. I was back at the farmhouse, cleaning out the attic, when I found an old journal belonging to my great-grandfather. In it, he described hearing the same voice, a man’s whisper, while he was plowing the fields in the 1920s. He wrote that the voice said, ‘Over where?’ and that he followed it to a hollow, an old well that had been sealed shut. He wrote that he felt a presence there, a sadness, and that he prayed over it. He sealed the well further with a stone and never heard the voice again, until he mentioned it to his wife, who laughed it off. I closed the journal, and I knew I had to go to that well.

I found it at the edge of the property, hidden under a pile of dead branches. The stone was still there, covered in moss. I moved it, and a cold wind blew from the hole. I leaned over, and I heard the voice, clear as day, from the depths: ‘I’m here.’ It wasn’t a whisper anymore; it was a hollow cry, like wind through a cave. I stepped back, my heart pounding. A chill ran up my spine as I realized the voice was not calling for company—it was calling for release. The journal said that the well was a gateway to the spirit world, and that the soldier was trapped between, unable to move on because his companion had been buried in a liar’s grave. I had a decision to make. I could seal the well again, ignore the voice, and return to my life. Or I could do what my great-grandfather did not: I could open it fully and let the soldier find his peace.

I stood there, the wind moaning around me. The voice faded, replaced by the rustle of leaves. I knew that if I opened it, I might unleash something terrible. But if I didn’t, the voice would keep whispering, following me, speaking in my ear in quiet moments. I thought of Mara, who heard ‘No’ in her alley, and of the shadow in the mirror. I decided to take a risk. I pulled the stone away completely, and the well opened like a mouth. I spoke into the darkness: ‘Your companion is not here. He is buried in the churchyard, but his soul has moved on. You are free to go.’ For a long moment, nothing happened. Then, the voice came back, but this time it was soft, like a sigh: ‘Thank you.’ And then there was silence. The wind picked up, and the leaves skittered across the ground. I felt a warmth spread through me, and I knew the soldier had finally left.

Since then, I have not heard the voice. But sometimes, when I pass the well, I feel a presence, not malicious, but watchful. And I wonder if I did the right thing, or if I simply opened the door for something else. The journal also mentioned that the soldier’s companion was never found, and that the voice only came to those with a connection to the land. I am the last one, and I have broken the chain. But as I look into the dark water of the well, I see something move, and I hear, barely discernible, a new voice, softer, saying, ‘Over here.’ And I realize that some stories never end.

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