My name is Elias, and for most of my life, the incident was a faded, almost laughable memory. A childhood fever dream, my mother would say, a night of sleepwalking that had frightened her but was ultimately harmless. But now, at twenty-seven, I’ve started to remember details she never told me, details that rewrite everything.
I grew up in the small, arid town of Saltbush, where the sun bleached the color from the world and the wind carried the smell of dust and creosote. My family’s house was a low, adobe structure with a red tile roof, sitting at the edge of a vast, empty expanse of desert. It was there, in that house, that I supposedly went wandering in my sleep, muttering about something hurting, my small hands searching for something I couldn’t name.
My mother, a stern but loving woman named Rosa, always said she found me in the kitchen, brandishing the sewing scissors. She never mentioned what I was wearing or that I had a peculiar, geometric rash spreading across my stomach—a pattern of red and blue diamonds that looked like a snake’s skin. I remember that rash clearly now, though I’d buried it. It itched and burned, and I had inexplicable scabs in the shape of tiny pinpricks.
Last month, I returned to Saltbush to settle my mother’s estate after her passing. The house was as I remembered, but the desert felt different—more watchful. In my mother’s study, tucked inside a dusty old ledger, I found a folded piece of paper with a hand-drawn pattern: a circular arrangement of interlocking triangles, colored red and blue, with a center that looked like a gaping mouth. It matched the rash exactly.
That night, I had the dream again. I was eight, standing in the backyard, staring at the old well that had been sealed decades ago. A sound came from it, a rhythmic buzzing, like a thousand tiny engines, and a voice, not human, but layered and wet, whispered, ‘It hurts. We hunger. Come home.’ I woke with a gasp, my stomach burning, and found that the rash had returned, fresh and vivid, and in the center of my back, a small, hard lump had formed.
I went to the local library, a squat building with dusty archives, and found a reference to an abandoned research facility called the Deep Well Project, built over a natural underground aquifer. It was a short-lived venture in the 1970s, supposedly studying ‘unusual mineral deposits,’ but it was shut down after ‘accelerated decomposition of personnel.’ The coordinates placed it directly beneath my family’s property.
Driven by a need I couldn’t articulate, I took a crowbar and, under a blood-red sunset, forced open the rusted well casing. A gust of warm, fetid air hit me, carrying the scent of decay and a faint, metallic taste. I saw a ladder leading down into darkness, and the buzzing grew louder. I descended.
At the bottom, I found a corridor lined with peeling plaster, old laboratory equipment, and a single door labeled ‘HIVE CHAMBER A.’ The door was ajar. Inside, the room was a cathedral of organic horror. The walls were covered in a pulsating, fleshy substance that resembled a honeycomb, each cell containing a birthing, disfigured larva. In the center, a massive, throbbing nest pulsed, and on its surface, I saw faces—my face, as a child, and my mother’s, contorted in agony.
I heard a voice in my head, the same layered, buzzing one. ‘You are the manifestation. You carried our pain because we could not feel it. You were our conduit, the one who could reach the vessel. We tried to open you, but you closed the door.’ My stomach erupted with a searing heat, and I looked down to see the rash had become hundreds of tiny, moving mouths, all whispering in unison, ‘Feed us.’
I stumbled backward, tripping over cables, and my hand grabbed a discarded canister labeled ‘PESTICIDE — BROAD SPECTRUM.’ In desperation, I hosed the entire chamber with the foul-smelling liquid. The buzzing turned into a high-pitched wail, and the fleshy structures began to liquefy, collapsing in on themselves. I scrambled up the ladder as the whole well shook, and I emerged into the cool desert night just as the ground behind me sank with a sickening groan.
I fled, driving until my gas was empty, and I didn’t stop until I reached a motel in the next state. I spent the night staring at the ceiling, and by dawn, the rash had faded to a faint pink. But as I looked in the bathroom mirror, I saw that on my back, the lump had grown. It was about the size of a golf ball, and it throbbed with a rhythm that was not my own. And in the dead of the night, when the world was quiet, I could swear I heard a faint, buzzing hum from the lump.
Now, I live with it. I have a routine—I check the lump every morning, noticing how it has developed a faint pattern, like a code. I’m afraid to see a doctor because I can still feel its presence, a dormant hunger waiting for a signal. Sometimes, in my dreams, I’m back in that hive, and the larvae are calling me, their voices growing stronger each night. I’m not sure if I stopped it or if it just found a new way to survive. But I know one thing: it’s not over. It’s waiting. And so am I.