The Cistern’s Pulse

5 min read

Story Premise 5 min read (822 words)

"I moved into the old Vancleave building on the corner of Ash and Third, not because I was drawn to its peeling paint or the way the fire escape groaned in the wind, but because my cousin Delia owned the ground-floor unit and offered it to me for a song. The place smelled of mothballs […]"

I moved into the old Vancleave building on the corner of Ash and Third, not because I was drawn to its peeling paint or the way the fire escape groaned in the wind, but because my cousin Delia owned the ground-floor unit and offered it to me for a song. The place smelled of mothballs and old plaster, and the radiators clanked like they were talking to each other. I told myself it was just an old building, nothing more. For the first week, it was quiet—aside from the usual city hum. I was 19, fresh out of a bad breakup, and I needed cheap rent more than I needed charm.

It started on a Tuesday afternoon. I was unpacking boxes in the kitchen, and I heard a rhythmic tapping from the wall behind the stove. It wasn’t random. It was deliberate—three taps, pause, two taps, pause, then a long scratch that sounded like a fingernail being dragged across drywall. I froze, listening. The building had rats, I reasoned. Old pipes, maybe. I shrugged it off and went back to stacking plates.

But it didn’t stop. Over the next few days, the tapping happened at odd hours—morning, noon, three in the morning. It always came from the same spot, behind the stove, and sometimes it was so loud I could hear it over the TV. I put my ear to the wall once, and I swear I heard something moving on the other side, but the wall bordered the utility closet, which was empty. I told Delia about it. She gave me a long, strange look and said, ‘Oh, that’s just the old plumbing. The building’s got quirks.’ She changed the subject quickly, but I saw her glance at the wall behind the stove.

Then the water started. One night, I was in the bathroom brushing my teeth, and the faucet began to run on its own, sputtering brown water. I turned it off, but the pipes made a low, mournful hum that vibrated through the floor. I checked the basement the next day—I had to use the landlord’s key—and found a small, dark room under the stairs with a rusted valve and a floor drain. There was a puddle of water on the concrete, but no leak I could see. And the drain had something stuck in it—a child’s plastic bracelet, half-rotted. I left it there.

On the tenth night, I woke up to the sound of scratching inside the walls, but this time it was everywhere—behind the bedroom, the closet, even the ceiling. I sat up, heart pounding, and turned on the lamp. The scratching stopped. But then I heard a soft, wet sound, like something being dragged across the floor. I got up to check, and in the hallway, I saw a damp trail leading from the bathroom to the kitchen. It glistened under the dim light, and it ended at the stove. The faucet was dripping in the kitchen, even though I’d turned it off.

I called Delia the next morning, demanded to know what was really going on. She sighed, and her voice was heavy. ‘There was a kid who lived here in the 70s,’ she said. ‘A boy named Lucas. He drowned in the basement cistern. They sealed it up after that, but sometimes… the building remembers. You’ve got to tell it he’s gone. Tell it out loud, and it should stop.’ I laughed, but it was hollow. ‘You’re joking.’ She said, ‘Just try it.’

That night, I stood in the kitchen, facing the wall behind the stove, and said, ‘Lucas, you’re gone. You’re not trapped here anymore. You can leave.’ The room went dead quiet. I felt a chill, like a cold draft, and then the faucet in the kitchen burst on at full pressure, spraying brown water everywhere. I ran to turn it off, but the handle spun uselessly. The water kept coming, flooding the floor, and then I heard a child’s laughter—high and thin, like from a well. It came from the basement door.

The laughter grew louder, and the water began to recede into a strange pattern, forming words on the linoleum: ‘NOT HIM. ME.’ The faucet shut off with a clank. I stood there, dripping, staring at the words. The basement door was open. I hadn’t opened it.

I moved out the next week, but I couldn’t shake that phrase. I told Delia, and she went pale. She whispered, ‘The old landlord said there were two kids, but they only found one body.’ I’ve lived in three places since, but I still hear that laugh sometimes, late at night, when the pipes hum. And I always make sure to check under the sink before I fall asleep. Because I’m not sure who’s still in that building, and I’m not sure if I told the wrong name.

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