The summer I turned sixteen, my best friend Mira invited me to her family’s new house in the countryside. It was a sprawling, dilapidated farmhouse surrounded by acres of dead apple trees—an orchard that had been blighted years ago. The branches clawed at the sky like skeletal hands, and the ground was littered with rotting fruit that smelled of sweet decay. Mira’s parents had bought the place for a song, hoping to fix it up and sell it, but from the moment I stepped onto the property, a cold dread settled in my chest. I tried to chalk it up to the house’s gothic appearance, the sagging porch, the cracked windows, but deep down I knew something was wrong.
Mira had always been a bit eccentric—she had an imaginary friend as a child, a ‘Mr. Thorn’ she said lived in the armoire. Most kids grow out of that, but Mira never did. When we were younger, she’d whisper to him, and sometimes I’d see her having full conversations with an empty corner. I always laughed it off as her creative mind. But when she opened the door to the farmhouse, her eyes had a feverish glint, and she clasped my hand with a grip that felt possessive. ‘You’ll meet him,’ she said, her voice slightly too excited. ‘He’s been waiting.’
The house was worse inside—peeling wallpaper that seemed to move in my peripheral vision, floorboards that groaned as if they had weight, and a peculiar smell, like wet earth and iron. The mother, Mrs. Vance, was kind but distracted, always looking over her shoulder. She told me, ‘Mira and her sister, Polly, have been going through a lot. We all have, adjusting to this place. You’ll hear things—moaning, scratching—but it’s just the old wood settling.’ She forced a smile. ‘Nothing to worry about.’
That night, I couldn’t sleep. The house was alive with whispers that darted around the edges of my hearing. I crept to the window and looked out at the orchard, where a gnarled apple tree stood separate from the others, its bark blackened as if by a lightning strike. Under it, a figure—a tall, reedy shape—stood perfectly still, watching the house. I blinked, and it was gone. A chill ran down my spine, but I rationalized: a scarecrow, perhaps. Mira had mentioned nothing about one.
The next day, Mira dragged me to the orchard, insisting on a picnic. She carried a basket with old, musty blankets and a jar of murky water. ‘He likes it here,’ she said, setting the picnic under the blackened tree. I asked, ‘Who?’ and she smiled, a strange, wry smile. ‘The Warden. He keeps the orchard safe.’ She poured the water at the base of the trunk, whispering something I couldn’t catch. The air grew thick, and I felt a pressure in my ears. Suddenly, the tree seemed to tilt, as if leaning toward her. I forced a laugh. ‘Mira, you’re creeping me out.’ She looked at me, her eyes unnaturally wide. ‘He wants to meet you. Tonight at midnight, in the shed.’
I tried to brush it off, but that afternoon, I noticed Mira acting odd. She’d stop mid-sentence, staring at nothing, and sometimes her voice would drop to a whisper, as if someone were finishing her thoughts. Her younger sister, Polly, was worse. She followed me around, tugging at my sleeve, saying, ‘Don’t go with her. He’s not like Mr. Thorn. He’s hungry.’ I asked what she meant, but she clamped her mouth shut and ran off, tears streaming down her face.
That evening, Mrs. Vance had to leave for a few hours to pick up something from the nearest town. She kissed Mira and Polly, and said, ‘Be good for your friend. And stay out of the orchard after dark.’ Her eyes lingered on the back door, and I noticed her hand trembling as she turned the key. Once she was gone, the house seemed to exhale, a long, low moan that came from the walls. Mira went to her room and called to me to come see. She was standing in front of a full-length mirror, staring at her reflection. ‘He’s behind you,’ she whispered. I spun around—nothing. But when I looked back at the mirror, I saw a shadowy figure behind her, just out of focus, and it moved slightly. I froze.
Mira turned to me, her face twisted in a too-wide grin. ‘He says you’re his now.’ At that, Polly began to scream from the kitchen. We ran down to find her crouched in a corner, pointing at the back door. ‘He’s coming! The Warden is coming!’ The windows rattled, and the lights flickered. I grabbed Polly and ran to the front door, but it was locked, and the key wasn’t there. I pulled and pulled, but it wouldn’t budge. Mira stood in the hallway, her head cocked, and she began to laugh—a hollow, echoing laugh that wasn’t her voice.
I looked out the window: the orchard was alive with shapes, moving between the dead trees, their thin forms swaying. The blackened tree in the center seemed to pulsate, and from its base, a figure arose, taller than any man, with arms like twisted branches and a face that was a void. It walked toward the house, each step sending tremors through the ground. I screamed, ‘Mira, let us out!’ but she just stood there, mouthing the words, ‘He wants you to stay.’ Polly buried her face in my chest, sobbing, ‘He wants the one who can see him.’
I dragged Polly up the stairs, praying the police would come, but the phone line was dead. We barricaded ourselves in a bedroom, pushing a wardrobe against the door. Outside, the wind howled, but I could hear heavy footsteps on the floorboards, slow and deliberate. Then a voice—scratchy, like dry leaves—came from right outside the door. ‘I have waited for another who sees. You will keep me company.’ I clamped my hand over Polly’s mouth to stifle her cries. The doorknob turned, rattled, but the wardrobe held.
For what felt like hours, we stayed frozen. Then silence. I crept to the window: dawn was breaking, and the orchard looker still, dewy. The wardrobe was still against the door. I helped Polly climb out the window onto a low roof, and we dropped to the ground, running down the long dirt driveway, not stopping until we reached the main road, where a farmer in a pickup truck found us, shivering and covered in dirt.
The police found Mira in the orchard, curled at the base of the blackened tree, her eyes open but unseeing, a smile etched onto her lips. They said she’d died of exposure, but I knew better. I never spoke to Polly again, and her family moved away. But even now, years later, I sometimes wake in the night, hearing that dry, scratching voice, and I see that empty face, and I know, somehow, that the Warden remembers that I saw him—and that he’s still waiting.