Marta had lived in the same rented flat above the all-night bakery for eleven years. The smell of yeast and cinnamon had long since seeped into the wallpaper, and the constant hum of the ovens below was the only lullaby she knew. But tonight, the familiar creaks of the old building felt different—weighted, deliberate.
It began at 3:17 AM, the same time every night for the past fifteen years. A faint depression at the foot of her mattress, as if a child had climbed up to sit cross-legged. Marta would stir, her heart hammering, her breath held, waiting for the next sign. Sometimes it was just the pressure, a subtle dip that made her think she was dreaming. But other nights, like the one preceding, the bed would shake—not violently, but insistently, like a dog shaking water from its fur. She would bolt upright, her eyes straining into the dark, but there was never anything to see.
Tonight, the pressure returned, and Marta was tired. Tired of the sleepless nights, tired of the gnawing anxiety that had become her constant companion. She flung the covers aside and sat up, her voice cracking with frustration. ‘Stop it! Leave me alone! This is my home, I work too hard to have you haunting my bed! Get out!’ The room fell silent, and she felt the pressure lift, replaced by an empty chill. She lay back down, trembling, and eventually drifted into a restless sleep.
Marta woke late the next morning, the sun already bright through her thin curtains. The bakery below was quiet—Sundays were their only day off. She spent the day in a haze, trying to convince herself that the events were just her imagination, a manifestation of her grief. She had never known her father, who had left when she was an infant. Her mother spoke of him rarely, only that he had been a night watchman at a textile mill, and that he had died in an accident before Marta’s first birthday. Marta had often wondered if his spirit lingered, trying to make contact.
That evening, a storm rolled in, heavy rain drumming against the windows. Marta sat in her armchair, sipping tea, when she noticed something odd: a single, dusty photograph album on the floor near the radiator. She didn’t remember placing it there. She picked it up, and the spine cracked open to yellowed pages. They were filled with pictures of a man she barely recognized—her father, she assumed, though she had never seen his face. In one photo, he was standing outside a small cottage, a small boy at his side. The boy had the same tired eyes as Marta. On the back, in faded cursive, was written, ‘Me and little Joe, 1962.’
A cold dread seeped into Marta’s bones. She closed the album and set it on the table, her mind racing. The weight on the bed, the shaking—it had to be her father, watching over her, as her mother had always said. But then why did it feel so unsettling? Why did the pressure always land at the foot of the bed, as if someone were waiting for her to lift her feet so they could drag her down?
That night, Marta placed the album on her nightstand. She lay in bed, heart pounding, and waited. At 3:17, the familiar dip came, but this time, she didn’t yell. She whispered, ‘Daddy, if it’s you, please show me a sign. Let me see you.’ The pressure intensified, the mattress sinking deeper, and Marta felt a cold, clammy hand wrap around her ankle. She gasped and tried to jerk free, but the grip held firm. A low, guttural voice, not her father’s, but something older and more malevolent, rasped from the corner of the room: ‘He’s not here. He left you, just like he left me. But I found you instead.’
Marta screamed, thrashing against the invisible grasp. The lights flickered, and the storm outside cracked with thunder. The hand tightened, and the voice continued, ‘You think that weight is a spirit? It’s a debt, girl. Your father owed me, and he gave you as payment. Fifteen years I’ve been collecting, and now you’re ripe.’
Marta’s tears soaked the pillow as she fought, but the pressure multiplied—two hands now, then four, then a swarm of cold limbs covering her body. The bed began to shake violently, not from any physical force, but from the sheer vibration of her terror. Through the chaos, she saw a shape materialize at the foot of the bed: a gaunt, faceless figure, its head tilted as if listening. It took a step closer, and the room grew dark, the air thick with the smell of decay. ‘You can’t leave me,’ it said. ‘You’ve always been mine.’
Marta’s last conscious thought was of the photograph album, now lying open on the floor, the picture of her father and ‘little Joe’ glowing faintly. She realized that ‘little Joe’ wasn’t her father’s brother—it was her father as a boy, and the cottage behind them was the same one in her recurring dreams. But she had never been there. She had never seen that place before.
When she woke, the morning was bright and peaceful. The storm had passed. Marta lay still, her body aching, but the pressure was gone. She slowly sat up and looked around. The room was empty, and the photograph album was closed on the nightstand, just as she had left it. She opened it, but the pages were blank. Every image had faded to nothing.
Marta never spoke of that night again. She packed her things and left the flat that very day, moving to a small apartment on the other side of the city, far from the bakery. But every night, at 3:17 AM, she feels the familiar weight settle on the foot of her bed. And she knows, with a certainty that chills her to the bone, that the faceless entity has not left her. It is only waiting for her to miss it, to long for that phantom touch, so that it can return in full force.
And sometimes, in the dead of night, she hears a voice, not her father’s, but the other one, whispering from the shadows: ‘Run all you want. I’m already inside you.’