The placement test had gone better than I expected, and the spring sun felt warm on my shoulders as I walked back to the shared house in Portland. I called my parents in Nebraska to share the news. Their voices were strained, clipped, and I assumed my mom had another health scare. I gave them my update, they congratulated me, and I hung up, but I heard my father’s low murmur in the background: ‘Should we tell her now?’ I dismissed it, guessing they were discussing dinner plans.
That night, I couldn’t shake a peculiar smell from the house—like burnt sugar and old pennies. I mentioned it to my roommates, Sara and James, but they said they didn’t notice. I went to bed early, but I woke to a sound like muffled sobbing coming from the attic directly above my room. I knew that attic was supposedly sealed, used for storage, but I’d never been up there. The sound stopped when I turned on my lamp. I chalked it up to my imagination, but the next morning, I saw a thin line of red light glowing under the attic door in the hallway ceiling. I pulled a chair, but when I climbed up and pushed, the door wouldn’t budge. I called out, ‘Hello?’ A low, rhythmic knocking responded. I fled.
That evening, my mom called. Her voice was raw. She asked if I remembered the old house we lived in when I was five—the one with the red door. I remembered it vaguely: a cramped cottage on the edge of a forest, the door always locked, and my parents’ fear when I tried to open it. She told me that my bedroom in that house had a window that looked onto the backyard, and that sometimes at night, she and my father would see a shape pressing against the glass—a tall, thin figure with no face. They thought it was a neighborhood kid playing pranks, but it never left footprints.
She paused, and then she said, ‘We never told you, but the day we moved out, we found your handprints on the inside of the attic door. We had never opened that door. The key was lost.’ I felt a chill creep up my spine. I told her about the light and the knocking. There was a long silence. Then she whispered, ‘It’s followed us. It’s been in every house we’ve lived in. We hoped you’d get away.’
The next night, I decided to confront the attic. I found a crowbar and forced the door. The stairs unfolded, creaking. A wave of dust and that burnt-sugar smell hit me. I climbed up with a flashlight. The attic was empty except for a single object on the floor: a child’s wooden chair, painted red. On the seat lay a photograph. It was of me, about four years old, standing in a yard. Behind me, in the window of our old house, was a dark shape—tall, faceless, with long arms. The photo was dated the day we moved out.
I heard a noise behind me and turned. The attic door slammed shut. I rushed to it, but the knob wouldn’t turn. I hammered on the door, screamed for Sara and James, but there was no answer. The light from my flashlight flickered and died. In the darkness, I heard the creak of the chair. I felt a cold presence beside me, and a voice, like dry leaves, said, ‘You left me.’ I tried to back away, but my foot hit the chair. I stumbled, and as I fell, I saw the shape materialize—tall, thin, with a smooth head that tilted. It reached out a long, gray hand. I squeezed my eyes shut.
When I opened them, I was in the attic of my childhood home. The red door was in front of me, slightly ajar. I could hear my mother’s voice from downstairs, singing. I realized I was five again, wearing pajamas, and the door to the hallway was open. I knew if I stepped through, I would be trapped, and the thing that had followed me would have me. I stepped back, but there was a wall behind me. The red door swung open, revealing the faceless figure. It spoke in my mother’s voice: ‘Come here, dear.’ I opened my mouth to scream, but no sound came.
I woke up on the attic floor of my Portland house, my cheek pressed against the dusty wood. The photograph was gone. The chair was gone. The attic was empty, save for a fresh red handprint on the wall beside me. I scrambled down, but the attic door was now locked from the outside. I pounded on it until my hands were raw, but no one came. I finally collapsed against the door, sobbing.
Later, the police broke in, responding to a neighbor’s call. They found me curled in the attic, babbling about a red door and a faceless man. They also found Sara and James in the living room, dead, their faces frozen in terror, their eyes wide as if they had seen something unspeakable. On the wall above them, someone had written in a childish scrawl: ‘You left me, but I found you.’
I never spoke of that night again. I moved to a new city, changed my name, and tried to forget. But sometimes, when I close my eyes, I see that red door in my memory, and I hear a soft knocking. And in the darkest part of the night, I open my eyes to find the shadow of a tall figure standing at the foot of my bed, its faceless head tilted, waiting for me to make a mistake. I know now that you can’t outrun a thing that lives in your memory, and that the red door will always remember where you are. It’s only a matter of time before it opens again.