The Pencil Roll

5 min read

Story Premise 5 min read (966 words)

"The first time I heard it, I thought it was a mouse. A dry, skittering sound, like something small and hard rolling across a wooden floor. I was nine, and we had just moved into the house on Cedar Lane, a sprawling two-story with a wraparound porch and a basement that smelled of damp earth. […]"

The first time I heard it, I thought it was a mouse. A dry, skittering sound, like something small and hard rolling across a wooden floor. I was nine, and we had just moved into the house on Cedar Lane, a sprawling two-story with a wraparound porch and a basement that smelled of damp earth. My mother, Ellen, had bought it after the divorce, a fresh start for us three kids and her. The previous owners were an old couple who had left behind a curious collection: dozens of taxidermied animals, their glass eyes staring from every wall. Mom had them removed before we unpacked, but the faint outlines of their bodies remained, like ghosts of the creatures that once inhabited the space.

Our first night, I couldn’t sleep. The house creaked and groaned, settling into its new life. Around 2 AM, I heard it: a slow, rhythmic roll across the floor of the hallway, just outside my door. I sat up, heart pounding. The sound stopped. Then it started again, moving back and forth, like a pencil rolling on a table. I called out, but no one answered. When I finally got up the courage to open my door, the hallway was empty, the sound gone.

The next morning, I told my mother. She laughed it off, said it was the house settling. But I knew what I heard. And as the days passed, the sound became more frequent, always at night, always in that hallway. My sister, Maria, heard it too. She slept in the room next to mine, and one night she came into my bedroom, her face pale. ‘It’s in my wall,’ she whispered. ‘Right behind my headboard.’ We lay together, listening to that eerie rhythm, and I felt a cold dread seep into my bones.

We started to realize that the sound was not random. It would begin when we were in our rooms, always moving toward the left upper corner of my bedroom. There was a small ventilation grate there, covered in dust. One afternoon, I pried it open and peered inside. The duct was dark, but I could see something glinting. I reached in and pulled out a small, wooden pencil, worn and chewed on the end. It felt impossibly cold, as if it had been kept in a freezer. I showed it to my mother, who frowned. ‘Probably just something the previous owners left behind,’ she said, and tossed it in the trash.

That night, the sound returned, but this time it was louder. It came from my bedroom. I lay rigid in my bed, staring at the grate in the corner. The pencil was back, lying on my nightstand. I stared at it, not daring to move. Then, it began to roll. It inched along the surface, as if propelled by some unseen hand, and then dropped onto the floor. It rolled toward my bed, stopped, and rolled back. The rhythm was hypnotic, almost soothing, but I was terrified. I screamed for my mother.

She came running in, flicked on the light. The pencil was on my nightstand again, still. ‘You’re imagining things,’ she said, but her voice was strained. She took the pencil and threw it out the window. We both heard it land in the bushes outside. The next morning, it was back on my nightstand.

We tried everything. We burned it in the fireplace; it wouldn’t catch. We buried it in the backyard; it reappeared within hours. We even called a priest, but he just shook his head and left. The sound continued, a constant companion, sometimes growing into a frantic scratching, like nails on a chalkboard. The feeling of being watched intensified, especially from that left upper corner of my room. I began to dread going to bed, and I would lie awake, watching the grate, waiting for the pencil to emerge.

Then, one night, I woke to find the pencil suspended in mid-air, hovering above my head. It began to move, tracing letters in the air, but I couldn’t make them out. I felt a presence in the room, a cold, malevolent force. And then, a voice, barely a whisper, but clear as day: ‘Stop trying to get rid of me.’

I screamed and ran out of the house, my family following. We stayed at a motel that night. The next day, we returned to pack some clothes, but the pencil was waiting on the doorstep. ‘It’s just a pencil, honey,’ my mother said, but she was pale. She picked it up and put it in her purse. ‘We’ll deal with it later.’

But later never came. The pencil stayed with us. It would appear in our new apartment, on the kitchen table, in the bathroom, always rolling, always watching. We learned to live with it, to ignore it, but it never left us alone. My mother grew haggard, my sisters and I developed nervous tics. And every night, we would hear that sound, that endless, hypnotic roll, a reminder that some things, once they’ve found you, never let go.

The pencil still rests on my nightstand today. I’ve grown old, but it hasn’t aged a day. And as I lie in my bed, listening to that familiar sound, I wonder if there was ever a purpose to it, or if it was just the echo of something long dead, trying to make itself heard. The house on Cedar Lane is gone now, bulldozed to make way for a parking lot, but the sound remains. It follows me everywhere, a curse I can’t shake. And sometimes, when I look in the mirror, I see the shadow of a pencil in the corner of my eye, and I know that I will never be free of it.

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