The Payphone on Hollow Road

5 min read

Story Premise 5 min read (950 words)

"It was a sticky August night in 1987, and the clock on the dash of my rusted Ford Fiesta read 2:47 AM. I was driving home through the sleeping town of Millbrook, a place where the county roads were lined with cornfields and the air smelled of cut hay and diesel. My shift at the […]"

It was a sticky August night in 1987, and the clock on the dash of my rusted Ford Fiesta read 2:47 AM. I was driving home through the sleeping town of Millbrook, a place where the county roads were lined with cornfields and the air smelled of cut hay and diesel. My shift at the grain elevator had run long, and I was too wired to sleep, so I took the long way, past the old Hollow Road junction where the town’s only all-night gas station sat like a forgotten lighthouse.

I pulled in, the gravel crunching under my tires, and killed the engine. The station was a relic from the fifties, with two pumps and a tiny office that had a pay phone bolted to the cinderblock wall outside. I needed to hear a friendly voice, so I slid a quarter into the slot and dialed Dana’s number. She was a night owl, always up watching old movies on the VCR. She answered on the third ring, her voice groggy but warm.

We talked for a while, about nothing, the hum of the fluorescent lights overhead a buzz in my ear. Then I saw her. Across the road, walking north on Hollow Road, which ran parallel to the state highway. A woman, out of place, in a long navy blue dress with white polka dots, a matching scarf tied around her head, and white gloves. She carried a small black purse and wore heels that clicked on the asphalt with each hesitant step. It was absurdly hot, and she was dressed for a spring day in 1952.

I forgot my conversation. Dana was saying something about a movie, but my eyes were locked on the woman. She was walking slowly, pausing every few steps, as if she were lost or waiting for someone. There was nothing around but the gas station and the darkened fields. She reached the corner of Hollow and Station Road, and instead of continuing, she turned to face the station. Even from a hundred feet away, I could see her face, pale and expressionless, her eyes fixed on me.

A chill ran down my spine despite the heat. I tried to focus on Dana’s voice, but it faded to a murmur. The woman raised her hand, slowly, and pointed at me. Not at the phone, not at the station, but directly at me. My mouth went dry. I whispered to Dana that I’d call her back, and hung up, the plastic receiver slipping from my sweaty fingers.

I stepped back, my heart hammering. The woman was still pointing, unmoving, like a mannequin. I wanted to get in my car and drive, but my legs were frozen. Then she started walking again, but not toward me. She crossed the road, heading toward the station’s side, where the old restrooms were, their doors padlocked since the fifties. She walked right past the pumps, within ten feet of me, and I caught the smell of rosewater and something else, something metallic, like old blood.

She stopped at the restroom door and turned her head. Her lips moved, but no sound came out. I could read the word: ‘Help.’ Her face twisted, a mask of terror, and then she vanished. Just like that, a blink, and she was gone. I stood there, shaking, the night air suddenly cold.

I ran to my car, fumbled for the keys, and floored it out of there, gravel spraying. I didn’t look back. At home, I tried to sleep, but the image of her face, that silent plea, burned into my mind. The next morning, I asked around town if anyone had seen a woman in a polka-dot dress on Hollow Road. The old timers at the diner exchanged glances. One of them, a retired cop named Earl, pulled me aside.

He told me that in 1959, a woman named Ruth, a local schoolteacher, was murdered on that very stretch of road. She was walking home from a dance, and someone dragged her into the cornfield. They found her body a week later, with a smile carved into her cheeks, a garland of daisies placed on her head. The case was never solved. The gas station was built in 1960, on the exact spot where she used to wait for the bus.

I couldn’t shake it. I went back the next night, at the same time, just to see. I parked across the street, in the shadow of a derelict barn. The station was quiet, but there she was, standing under the fluorescent light, her white gloves glowing. She was holding a pay phone receiver, as if waiting for a call. This time, she didn’t point. She just stared at me, and then she dropped the receiver. It swung on its cord, clattering against the glass.

I drove home, but the phone calls started the next night. My phone would ring at 3 AM, and when I picked up, there was only static, muted, and a woman’s voice whispering my name. ‘Ethan,’ she said, over and over. I changed my number, but it didn’t help. The calls came anyway, always at 3 AM, always the same.

The last time I answered, I heard a different voice, a man’s, low and gruff, saying, ‘She wants you to know where she is.’ Then a thud, and the line went dead. I moved out of Millbrook a week later, but the gas station still haunts my dreams. And sometimes, when I’m driving at night, I see a woman in a polka-dot dress, standing at a payphone, waving me over. I never stop. I never answer. But the calls keep coming, even now, from a phone that’s been disconnected for years.

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