The Pantry Light

6 min read

Story Premise 6 min read (1,023 words)

"I’d been a regular on the horror forums for over a year, but I’d never shared my own story. It’s been two summers since that night, and it still sends a chill down my spine. My friend Jenna comes from a big family—five sisters. Her eldest, Claire, was graduating from high school, and the whole […]"

I’d been a regular on the horror forums for over a year, but I’d never shared my own story. It’s been two summers since that night, and it still sends a chill down my spine. My friend Jenna comes from a big family—five sisters. Her eldest, Claire, was graduating from high school, and the whole family was going to the ceremony. Jenna’s mom asked if I could watch the three youngest: Maya, who was eight, Ben, who was three, and little Zoe, who was two. I agreed, and at six in the evening, I arrived at their place, waved goodbye as they headed out, and wished Claire a brilliant future.

The house was a sprawling Victorian on the edge of town, with creaky wooden floors and a cellar that I’d always avoided. The girls were in the living room watching cartoons, and I settled on the couch, scrolling through my phone. At about eight o’clock, Maya started complaining she was hungry, and the other two chimed in like a chorus. I took them to the kitchen, a long room at the back of the house with a pantry door that had always seemed oddly out of place—heavy, dark wood, with a brass knob that was always cold.

I opened the fridge and suggested options, but Maya, usually so brave and decisive, just stood in front of the pantry, her face pale. “I don’t want to open it,” she whispered. “It feels wrong.” Ben started to whimper, and Zoe hid behind my leg. I frowned, thinking it was just a phase, but something in Maya’s eyes made me hesitate. I told them to sit at the table, and I’d heat up some soup. But as I turned to the stove, I heard a faint scratching from behind the pantry door—like fingernails on wood. I froze. Maya buried her face in her arms. “It’s been doing that all day,” she said, her voice muffled.

I decided to check it out. I grabbed a flashlight from the drawer and approached the pantry. The scratching stopped, but I could hear a low hum, almost like a lullaby turned discordant. I pressed my ear to the door—cold even through my shirt—and whispered, “Who’s there?” Silence. Then a soft thud, as if something had dropped inside. I turned the knob slowly and swung the door open. The pantry was normal—shelves of canned goods, boxes of cereal, a mop bucket. But at the back, the floorboards were warped, and there was a small, dark hole, like a tunnel leading into the earth.

I’d never noticed that before. The hole was just wide enough for a child to crawl through. And from it, a faint light flickered, like a candle far away. I called out, but the light went out. Then, from behind me, Maya screamed. I spun around—she was pointing at the pantry, her eyes wide. “The light,” she said. “It was in there.” I realized she’d seen it too. But then the light appeared again, not in the pantry, but in the hallway outside the kitchen. A soft, ghostly glow, moving slowly toward the living room.

The girls huddled together as I went to investigate. The light led me to the foyer, where it hovered near the staircase, then drifted up. I followed, my heart pounding. I found it in the attic—a door I’d never noticed, with a rusty lock. The light seeped through the keyhole. I tried the handle—it opened. Inside, the attic was empty, but on the floor was a rotten wooden hatch, covered in dust and gnaw marks. The light was coming from beneath it. I pulled it open to find a narrow shaft descending into darkness. From below, I heard a child’s voice, singing a nursery rhyme—but the words were wrong: *”The pantry’s dark, the light is mine, all who open have no time…”*

I slammed the hatch shut and ran back to the girls. They were silent, staring at the pantry door, which was now slightly ajar. I pushed it closed and locked it. But the scratching started again—louder, more frantic. And the light began to flicker from under the door, pulsing in rhythm with my heartbeat. I grabbed the girls, and we fled to the front porch, where I called 911. The operator said the line was dead. I tried my cell—no service. I looked at the girls, and they were pointing at the yard. There, under the old oak tree, stood a small, shadowy figure, holding a lantern.

I screamed, but the figure just stood there. Then it raised the lantern, and the light grew blinding. When I could see again, the figure was gone, but the lantern lay at the base of the tree. The girls and I walked over, and I picked it up—it was cold, made of tarnished silver, and the glass showed no flame, yet it glowed. I heard the pantry door creak open behind us. I turned, and the kitchen was dark, but the pantry light was on. The girls clung to me. Then, in the distance, I heard sirens—real ones, not from a dead phone. I looked back, and the pantry door was closed, the light gone. I set the lantern down and stepped back.

The police arrived and found nothing wrong. They dusted for prints, but the pantry was clean. As they left, one officer whispered to me, “This house has a history. The previous family had a child who disappeared in this area, never found. They used to see a light in the pantry.” I never told anyone else. The family moved out a few months later, and I never saw them again. But sometimes, at night, I see that faint light in my own house, flickering in the corner of my eye. And I hear that rhyme: *”The pantry’s dark, the light is mine, all who open have no time.”* I never open dark spaces anymore.

I still don’t know what I opened that night. But I know it didn’t come with us. It stayed behind, waiting for another door.

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