My father, Elias, was a man of iron faith. He believed in the Gospel, in the resurrection, and in the power of prayer. Ghosts, spirits, apparitions—these were the fables of the superstitious, the weak-minded. He saw the world in stark terms: the divine and the mortal, the living and the dead. There was no in-between. This is why what happened on the island of Tawi-Tawi, in the southern Philippines, in the wet season of 1974, still haunts me.
Tawi-Tawi is not a paradise in the way the postcards show. It is a place of sharp limestone cliffs, tangled mangroves, and a sea that shifts from turquoise to black without warning. Our village, Silangan, clung to the edge of a cove, reachable only by a narrow footpath that wound through the jungle. To get a pail of fresh water, you had to climb the ridge to a spring, an hour’s trek each way, your shoulders burning, your feet slipping on mossy rocks. Communication with the outside world was a luxury—there was no radio, no telephone; the weekly boat from Zamboanga brought news and supplies, but if the weather turned, you waited. It was a place where the line between the real and the unreal was easily blurred, but my father saw no blur. He saw only the work of God and the work of men.
One night, during the full moon of October, Elias went fishing with his cousins, Ramon and Ben. They were all young then, in their early twenties, hardened by the sea. They paddled out in a banka, a narrow outrigger canoe, past the barrier reef to the open water where the big fish ran. The moon hung like a lantern, turning the waves to silver. They baited their hooks with squid and cast their lines into the deep. For hours, they sat in silence, the only sounds the creak of the boat and the lapping of water. Just before midnight, Elias felt a tug, then a sharp pull. He reeled in a fish, but it was unlike any he had ever seen—a grouper, but its scales shimmered with a pale, phosphorescent glow, as if it had swallowed the moon itself. Its eyes were molten gold, and when it flopped on the boat’s floor, it seemed to stare at him with something like recognition.
Ramon laughed. ‘The sea is giving us a gift tonight.’ But Ben, who was older and more quiet, shook his head. ‘This is strange. We should go back.’ Elias shrugged. ‘It’s just a fish. A blessing from God.’ He placed it in a bucket of seawater, and they continued fishing. The strange fish remained still, its glow casting an eerie light on the boat. An hour later, another tug. Elias reeled in another fish—this time a mackerel, but with the same golden eyes, the same glow. Then Ramon caught one, then Ben. Every fish they pulled was luminescent, and their light grew brighter as the night wore on, until the boat was bathed in a cold, blue radiance. The water around them began to stir, swirling in patterns that seemed to form letters—or faces. Ben whispered, ‘We’re in trouble.’
They pulled up their lines and started the small motor, but the engine sputtered and died. The water grew calm, unnaturally still, as if the sea was holding its breath. Then, from the depths, a sound rose—a low, rhythmic hum, like a song sung far away. The fish in the bucket began to thrash, and Elias, for the first time, felt a cold knot in his chest. They paddled frantically, but the canoe spun in circles, as if caught in an invisible current. The humming grew louder, and the water around them began to rise in a gentle swell, lifting the boat up, then down, in a rhythm that matched the hum. Elias looked over the side and saw shapes moving beneath them—pale, fluid forms that twisted and elongated, like reflections of people distorted in water. He opened his mouth to pray, but the words stuck in his throat.
Then, the boat stopped. The humming ceased. The water became glass. And on the surface, not ten feet away, a figure emerged. It was a woman, but not entirely human. Her skin was the color of sea foam, and her hair floated around her like kelp, tangled and dark. She rose until she was waist-deep in the water, her torso bare, her eyes pitch black, without whites. She looked at Elias, and her mouth moved, but what came out was not a voice—it was the humming, but now it formed a single word: ‘Mine.’ Ramon screamed and threw a fish at her, but it passed through her like mist. Ben fell to his knees, praying in a language Elias didn’t recognize. Elias, frozen, felt a presence press against his mind, a cold hands that seemed to reach into his skull, probing for a memory, a name, a soul. He clenched his eyes shut and shouted, ‘In the name of the Father, and the Son, and the Holy Spirit—’ The figure vanished. The boat lurched, and the water began to churn violently, knocking them about. They grabbed the paddles and, with all their strength, rowed toward shore, a wild, frantic rhythm driven by terror. By the time the canoe hit the sand, the moon had set, and the horizon was a wall of black.
They stumbled up the beach, leaving the boat, leaving the fish, which had turned to a gray, lifeless heap. They didn’t speak until they were inside Elias’s hut, a kerosene lamp flickering. Ramon was shivering uncontrollably; Ben was muttering prayers. Elias, his heart pounding, poured a glass of water and drank it in one gulp. He said, ‘It was the moon playing tricks. The light on the water. We imagined it.’ But even as he said it, he knew it was a lie. On the wall of the hut, where there had never been any stain, there was now a symbol—a spiral, drawn in what looked like ash, as if the figure had marked them. No one remembered touching the wall. They decided to burn the hut at dawn and move deeper into the village, but when morning came, the symbol was gone, and the sea was calm.
They never spoke of that night again, not even among themselves. But Elias changed. He became more devout, more zealous, as if trying to drown out a memory with prayer. He started attending mass daily, fasting, and preaching about the power of God. But there were nights when I’d see him sitting by the window, staring at the sea, his lips moving in a whisper. And once, when I was a child, I asked him if he had ever seen a ghost. He looked at me with a strange, distant expression and said, ‘No. But I saw the sea give back what it had taken, and it was not a ghost. It was something worse.’
Years later, when I returned to Tawi-Tawi as an adult, I tried to find the spot where it happened. The village had grown, but the cove was the same. I asked the old fishermen if they knew of any strange occurrences on the water. They exchanged glances and one old man, whose face was weathered like driftwood, said, ‘The sea remembers. It gives and it takes. But it never forgets a debt.’ He pointed to a spot in the distance. ‘Your father and his friends, they took something that wasn’t theirs, that night. They took fish that were marked. And the sea, it wanted them back. But they escaped. So it kept a piece of them instead.’ He lowered his voice. ‘Sometimes, on full moons, you can still hear the humming. And if you look, you can see a woman walking on the water, counting.’
I left Tawi-Tawi, but I carried that story with me, and I’ve never been able to shake it. My father died a few years ago, in his sleep, at peace, they said. But on the night he died, a strange thing happened: the lamp in his room flickered, and the window, which was closed, flew open, letting in a gust of salt air. And on the floor, in a fine dust that smelled of the sea, was a spiral symbol, just like the one he had described. I brushed it away, but it returned that morning after his funeral, never to leave. I never told anyone, but sometimes, in the quiet of my own home, I hear a low hum, far off, like a song from the deep. And I wonder if the sea is still counting, waiting for what my father took.
My father believed in no ghosts. But I know what I witnessed, and I know what I heard. I’ve decided to write this down, not as proof, but as a testament to the strange, inexplicable things that happen when the moon is full, and the water is still, and a man takes more than he should. The sea does not forget. It gives back what you throw in, twisted and changed. And it always collects what you owe.