My friend Elara had a theory that the old farmhouse she inherited was a gateway. I thought she was being dramatic, but after what we witnessed, I’m not so sure. The house was a crumbling Victorian on the edge of a dying town, surrounded by fields that hadn’t been farmed in decades. The power flickered constantly, and the phone lines were dead. It was the perfect setting for a weekend getaway, if your idea of a getaway is being terrified.
Elara, her stepsister Fern, and I had decided to spend the weekend there, mostly to escape the city and maybe get some spooky stories out of it. We’d been talking about the usual ghost stories, trying to outdo each other, when Elara, with a mischievous glint in her eye, brought up the Bloody Mary legend. She pointed to the huge, ornate mirror that hung on the wall of the guest bedroom, its surface tarnished with age.
‘We have to try it,’ she said. ‘It’s tradition.’
Fern and I exchanged nervous glances, but we agreed. The room was already dim, lit only by the dying afternoon light. We turned off the lamps and stood before the mirror, holding hands like we were ritualists. Elara began to chant, her voice low and steady. ‘Bloody Mary, Bloody Mary, Bloody Mary.’
We repeated it, three times. Nothing happened. We laughed, the tension breaking. We turned on the lights and went downstairs to make dinner, dismissing the whole thing as a silly game.
But that night, after the candles were blown out and we were settling into our sleeping bags on the floor of the guest room, the house started to wake up. We heard footsteps in the upstairs hallway—slow, deliberate pacing. We froze, listening. The footsteps stopped at our door. Then, the hallway light flickered on, casting a sickly yellow glow under the door. The bathroom door, which was ajar, slammed open. The sink faucet twisted on with a screech, and the showerhead hissed to life, the water spraying against the tile.
Fern, always the bold one, got up and went to turn it off. She shut the water off and the bathroom fell silent. But as she came back, we heard a new sound: a rhythmic drumming on our door, like impatient fingers. It was a rapid, almost mocking pattern. Then, it stopped.
We waited, hearts pounding. The door handle jiggled, then turned. The door creaked open an inch. We held our breath. Nothing. The door slowly swung wide, revealing the empty hallway. But on the floor, there was a wet footprint. A single, barefoot print, as if someone had been standing there, dripping.
We were all pretending to be brave, but we decided to move to the living room and sleep together on the couch, closer to the front door just in case. We turned on every light we could find and barricaded ourselves, but the sense of being watched grew. At around 3 a.m., we heard a faint, childlike whisper from the mirror in the living room. It was too quiet to make out the words, but it was unquestionably there.
We didn’t sleep a wink. When dawn broke, we gathered our things, intending to leave. But as we reached the front door, we saw that the mirror from the guest room was now hanging in the hallway, right next to the exit. It had been moved. None of us remembered moving it. In its grimy surface, we could see three shadowy figures standing in a line, their arms at their sides, their faces turned away.
We ran. We didn’t look back.
It’s been a week, and we’re still not sure we escaped. I wake up at night hearing that drumming on my apartment door, and when I open the peephole, I see nothing. But the water in my sink turns on by itself. And in the mirror above my dresser, sometimes, I catch a glimpse of a figure standing behind me—just out of focus. I think we made a mistake. We opened a door, and we didn’t close it. And now, it’s following us.