At twenty-two, Lila still slept with the nightlight her mother had bought for her tenth birthday, a small ceramic lighthouse that cast a weak, honey-colored glow across her childhood bedroom. But the nightlight wasn’t for her anymore; it was for the space between her bed and the closet door. She had moved out of her parents’ house two years ago, into a narrow apartment above a vacant bakery, but the hall that connected her bedroom to the bathroom was longer than any hall should be, and it had a habit of stretching when she turned off the light. In the blue-gray dark of her new room, she would lie in bed, staring at the gap beneath her door, and she would remember.
It had started in high school, with the figure by the bookshelf. She had woken to a faint blueness, like moonlight filtered through water, and there it was, standing in the center of the wall, between the volumes of a dusty encyclopedia set. It was hooded, blacker than the shadows, and so tall that its head brushed the ceiling’s acoustic tiles. She had turned over, her heart hammering, and pretended to sleep. She never looked again. But the image stayed, burned behind her eyes. After that, the dark became a separate entity, a thing with weight and texture. She began sleeping with a light. At nineteen, she saw the woman’s face. It appeared one night in the hollow of her bedroom’s open closet, a pale oval with dark pits for eyes, and it smiled with lips that were too wet. She had screamed, and it vanished, but she knew it hadn’t gone far.
All of this had dredged up a memory from when she was ten or eleven, a memory she had locked away. Back then, her family had lived in a farmhouse that creaked like a ship, and her bedroom was at the end of a long, paneled hall. In the doorway of that room, she would see a man. He was tall, thin, with no discernible features, just a silhouette against the dim light from the living room. He would stand there, utterly still, for what felt like hours. She had told her mother, but her mother had said it was just her father checking on her, or a tree shadow, and eventually, the man stopped appearing. But she knew now that he had been real. Something had been in that house, watching her since she was a child.
She thought she had left it all behind when she moved to the city. But the nightlight was her anchor, and the hall, her trial. The hall in her new apartment was long and narrow, with a single, bare bulb at the end that she would flick on and off. At night, when she went to the bathroom, she would walk briskly, keeping her eyes forward, because she felt it. A presence that brushed against the back of her neck. A cold that pooled at the base of her spine. She would tell herself it was the draft from the old pipes, the creak of the floorboards settling. But she knew better.
One night, she forgot to turn on the hall light. She walked out of her bedroom, and the dark swallowed her. The hall was a corridor of deep blue, like the inside of a whale. Halfway to the bathroom, she stopped. Something was blocking the way. She squinted, and her heart froze. There, at the end of the hall, stood a figure. It was tall, impossibly tall, with its shoulders grazing the walls on either side. It wore a hood, but she could see nothing beneath it. It was the same figure from the bookshelf, but now it was in front of the bathroom door, barring her path.
She backed up slowly, her bare feet silent on the worn carpet. Then she turned and ran back to her bedroom, slamming the door and locking it. She leaned against the door, gasping, and her eyes went to the nightlight. It was flickering. The bulb inside the lighthouse was dying. And then, a sound. A knock. Not on the door, but on the wall beside her bed. A measured, deliberate knock. Three times. She scrambled onto her bed, pulling the covers over her head. The lighthouse finally went dark.
She lay there, trembling, in the absolute black. And then she felt it. A weight on the foot of the bed. The mattress dipped, and a cold hand, long-fingered and smooth, crawled up her ankle. She screamed, but no sound came out. The hand continued, sliding up to her knee, her thigh. She could feel its breath on her neck, a cold, clammy exhale. A whisper, like dry leaves, came from the void above her. ‘Finally,’ it said. ‘You’ve stopped looking away.’
The hand tightened, and she knew, with a certainty that crushed her, that the dark had never been just a fear. It was a door, and she had been standing on the threshold all her life. The man in the doorway, the woman’s face, the hooded figure by the bookshelf—they were all just the fingers of the one who lived in the dark, waiting for her to fall asleep without a light. But now the light was gone, and the measure of the hall was done. He would take her, and she would become another shadow in his collection.
She felt herself being pulled, down into the mattress, into the floorboards, into the dark that was deeper than any night. And as she sank, she heard a new sound—her own voice, but it was coming from far away, as if from the end of a long hall. ‘Please,’ it said. ‘I’m sorry. I’ll keep the light on. Please.’ But the dark did not answer. It only held her, and she felt the cold seep into her bones, and she knew that she would never see the blue light of the morning again. Her last thought was of the nightlight, the little lighthouse, now a dark shell on the nightstand. And then she was gone.