The Matchstick Keeper

5 min read

Story Premise 5 min read (851 words)

"My childhood was spent in a cramped company row house in the coal town of Carbondale, Pennsylvania, shared by my paternal grandmother, her sister, and my adult cousin. The house was a relic of another era, with a potbelly stove in the kitchen and a hearth in each of the two bedrooms, all connected by […]"

My childhood was spent in a cramped company row house in the coal town of Carbondale, Pennsylvania, shared by my paternal grandmother, her sister, and my adult cousin. The house was a relic of another era, with a potbelly stove in the kitchen and a hearth in each of the two bedrooms, all connected by a network of flues that seemed to breathe. In those pre-central-heating days, someone had to rise before the sun and coax life into the cold iron and brick, a ritual that fell to my grandmother or great-aunt.

I never had a room of my own, so I rotated between the three women’s beds. It was in my grandmother’s room, which sat directly behind the kitchen and shared a chimney wall, that I first heard the phantom fire builder. The sound would come in the dead of winter, just before dawn, when the house was still and the frost painted lace on the windows. I would wake to the soft scrape of a shovel against the ash pan, the rustle of kindling being arranged, and the whisper of a single match struck into flame.

One particular morning, I woke to the familiar sounds, but this time something was different. The air was thick with the smell of smoke, but not the comforting wood smoke I knew. It was cloying, sweet, like burnt honey. I sat up in bed, and my grandmother was still sleeping beside me, her breath a fog in the cold. The sounds continued, more distinct now, from the direction of the hearth. I saw the faint glow of embers, then the silhouette of a figure—thin, stooped, wearing a long coat—forking the coals with a practiced hand. I tried to call out, but my voice was a dry rasp. The figure turned, and I saw its face, or rather the absence of one—a smooth, gray void, like ash that had never known form.

The figure raised a hand, and in it was a matchbook, the kind with a striking strip on the back. It flicked a match, and a tiny flame danced for a second before it was blown out. The sound of the blow was like the final sigh of a dying breath. Then the figure dissolved, leaving only the faint smell of burnt honey and the memory of that hollow face.

I told my great-aunt about it the next day, expecting her to dismiss it as a dream. Instead, she paled and made the sign of the cross. She told me that the house had a history, that it had been built over an old mine shaft that had caved in, entombing a night watchman who was fond of starting a fire to keep warm—a man who had died without a face to speak of, his own consumed by an explosion of gas. She said his spirit lingered, still trying to warm the house, but he was not malicious, just lost.

But I knew what I had seen, and it was not a benign guardian. Over the years, the phantom appeared to me only in the heart of winter, always in the room with the shared chimney. Each time, I tried to ignore it, burying my head under the blankets. But one night, when I was twelve, I woke to the sound of the match striking, and this time the figure did not retreat. It stood at the foot of my bed, holding the lit match close to my face, and I saw that its fingers were long and blackened, like burnt twigs. It leaned in, and in the light of the flame, I could see the inside of its hollow head, filled with swirling ash and the faint outline of a face trying to form and failing.

It spoke, or rather, it whispered through the ash. ‘I’m sorry,’ it said. ‘I don’t remember my face.’ Then it touched my cheek with its burning finger, and the pain was like a brand, but it didn’t char my skin. It left a mark, but not one that could be seen. From that moment, I could feel it with me always, a weight in my chest, a constant companion.

The phantom fire builder appeared to me one last time on my sixteenth birthday, the last winter we spent in that house. It was dawn, and the house was being torn down to make way for a new development. I went to the basement, where the old furnace lay cold and silent. There, in the dust, I found a faded matchbook with the name ‘Carbondale Electric Co.’ and a date from 1932. I struck a match, and in the flame, I saw the figure again, but this time it was whole—a young man with soot-smudged cheeks and kind eyes. He smiled, thanked me for remembering, and vanished as the match burned my fingers. I let the matchbook fall to the ground, and as I walked away, I heard the sound of the phantom fire builder one last time: the strike, the whoosh of flame, and the gentle, final sigh.

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