The Maple Veil

4 min read

Story Premise 4 min read (764 words)

"In the autumn of my sixteenth year, the October winds carried more than just the scent of dying leaves. I was at Lena’s place, a drafty Victorian on the edge of Millbrook, a town that seemed to exist only in the margins of old maps. Her parents were away for the weekend, and her younger […]"

In the autumn of my sixteenth year, the October winds carried more than just the scent of dying leaves. I was at Lena’s place, a drafty Victorian on the edge of Millbrook, a town that seemed to exist only in the margins of old maps. Her parents were away for the weekend, and her younger brother was at a sleepover next door. We were in her attic, which smelled of mothballs and forgotten things, discussing the nature of the unseen—our shared obsession.

Around nine, her brother and two of his friends burst in, clutching a battered Ouija board like it was a sacred relic. They were giddy, daring each other to ask it questions. Lena and I exchanged a glance, a mixture of amusement and dread. We had both dabbled in the occult, but Lena had a particular gift: a spirit board crafted by her grandmother from a single slab of maple, with a pointer carved from hickory. It was said to be attuned to the ‘old ways.’ The kids begged Lena to use it instead of the flimsy Parker Brothers board.

Reluctantly, she produced the maple board, its grain swirling like dark water. We set it up on a dusty trunk. The candles we lit cast monstrous shadows, and the air grew still, thick with expectation. The boys, Danny and Marcus, placed their fingers on the hickory planchette, eager and trembling. Lena and I did the same, though we knew the danger. We asked a simple question: ‘Is anyone here?’ The pointer shot to ‘YES’ with a force that made us all gasp. Then it began to spell: ‘Y-O-U-S-H-O-U-L-D-N-O-T-H-A-V-E-C-A-L-L-E-D.’

We laughed nervously, trying to dismiss it as suggestion. But the energy shifted. The temperature plummeted, and the candle flames turned a sickly blue. Danny said he saw something move in the corner—a shadow that wasn’t a shadow. I felt a pressure on my chest, like a weight sitting on me. The pointer began to move again, slower, deliberate: ‘L-E-A-V-E-N-O-W.’ Even the boys, who had been mocking, went pale. They wanted to stop, but Lena, her jaw set, insisted we ask one more question: ‘Who are you?’

The pointer flew in frantic circles before spelling out a name that made Lena’s face drain of all color: ‘E-L-I-A-S.’ She let go of the planchette as if burned. ‘Elias?’ I whispered. She nodded, her eyes wide. ‘My grandmother’s first love. He died in this house, in this very attic, in 1947.’ The boys were already scrambling to their feet, but before they could reach the door, the candles snuffed out. In the blackness, we heard a sound like a wet cough, then a whisper that seemed to come from everywhere: ‘Y-O-U-K-N-E-W.’

The door slammed shut. We were trapped. The planchette started moving on its own, scratching against the wood, spelling out a tale of betrayal and suicide. Elias believed Lena’s grandmother had poisoned him, and in his madness, he had taken his own life in a way that left a stain on the house. Now, he wanted company for eternity. We fought to open the door, but it was as if something held it closed. Danny began to cry. Marcus was praying. Lena and I worked together, chanting a binding we had learned from a book, our voices shaking. But Elias was too strong. He surged into us, and I felt his cold fingers wrapping around my throat.

Just as I was losing consciousness, Lena’s grandmother’s voice echoed in my mind—a memory, or a warning: ‘The hickory is a ward, but the maple is a prison.’ Lena grabbed the planchette, now glowing faintly, and with a cry, she shoved it into the center of the board. The board shuddered, and a blinding light filled the attic. When we could see again, the door was open, and the candles were lit. The board was cracked down the middle, and the planchette was gone. There was no sign of Elias, but there was a thin, scorched line on the floor, leading from the board to the window, as if something had been dragged out.

We never spoke of it again, not even to each other. The boys moved away, and Lena and I grew apart. But I still dream of that attic, of the name ‘Elias’ being spelled out in hickory smoke. And sometimes, when I catch a whiff of maple, I feel those cold fingers again, and I wonder if Elias ever truly left, or if he’s just waiting for us to call him back.

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