I was six, my brother Eli was seventeen. We had just moved into the old Harlow place on the outskirts of a town called Pine Hollow. The previous owner, a reclusive man named Mr. Calder, had boarded up all the windows with thick, black curtains, and he never left the house. My parents thought he was just eccentric, but I remember the day we first walked through the front door: the air was stale, and there was a smell like damp earth and something sweet, like rotting fruit.
For the first few months, the house felt normal. I had my own room for the first time, with a big bay window that let in the afternoon sun. Eli would tease me, and my mom would bake cookies, and my dad would work in the garage. But soon, I started hearing things. It began with a low, rhythmic thumping that vibrated through the floorboards, like a heartbeat. At first, I thought it was the furnace or the pipes, but Eli heard it too. It came from the basement, which we rarely visited because it was unfinished and filled with old crates and a monstrous, cast-iron furnace that looked like a giant insect.
The thumping grew louder, more insistent. Night after night, I’d lie in my bed, pulling the covers up to my chin, counting the seconds between each thump. Then, after a few weeks, the thumping resolved into sounds: a child’s cry, high and thin, and a man’s voice, low and guttural, shouting, ‘Shut up! Shut up!’ The cry would turn into a whimper, then a wail, and the man would laugh, a low, guttural sound that made my skin crawl.
My parents brushed it off as the wind or the house settling. But I knew what I heard. Eli knew too. We’d sit on the bottom bunk, huddled together, listening. One night, Eli whispered, ‘I’m going to check it out.’ I grabbed his sleeve, terrified, but he was determined. He took a flashlight and crept down the stairs. I followed, because I couldn’t bear to be alone.
The basement stairs were steep and creaked with every step. At the bottom, the air was cold and heavy. Eli swept the flashlight beam across the room, revealing cobwebs and dust. The thumping had stopped. But then, from the corner, we saw it: a small, wooden door, about three feet high, set into the wall. It was painted a faded blue, and it was slightly ajar.
Eli pulled the door open. Beyond was a stone-lined pit, like a root cellar, but deeper. The flashlight revealed a dirt floor, and in the center, a child’s wooden cradle, rocking by itself. And beside it, a figure huddled, a dark shape that seemed to breathe. I wanted to scream, but my voice was stuck. Eli reached out, and the shape turned. It had a face, but it was gaunt and gray, with eyes that were pure black. It opened its mouth, and the man’s voice came out, but it was thin and hollow: ‘You shouldn’t have come.’
Eli stumbled back, pulling me with him. We ran up the stairs, slamming the basement door. The thumping started again, louder, and then the crying, and then the laughter. My parents finally woke up, but when they looked in the basement, they saw nothing. The door was closed, and the root cellar was empty.
The next morning, Eli was different. He barely spoke, and he didn’t look at me. He started sleeping with the lights on. A week later, I woke up in the middle of the night to find him standing over my bed, his eyes black, a strange smile on his face. He said, ‘She wants a playmate.’
I screamed, and my parents rushed in. Eli blinked, as if waking from a dream, and then he cried, saying he didn’t remember anything. But I knew. The thing in the basement had taken root in him, and it was using him to get to me. We moved out a month later, but even now, I hear the crying when I try to sleep. And sometimes, when I look at Eli, I see those black eyes staring back at me, and I know it’s not him anymore. The root cellar is inside me now, too.