The Long Way Home

6 min read

Story Premise 6 min read (1,065 words)

"I’ve never asked for help on a forum before, but after last night, I have no choice. My family’s house is a rambling, L-shaped Victorian in the middle of a dense New England forest. The original structure, built in 1887, was expanded in the 1960s when my grandparents added a long wing to accommodate their […]"

I’ve never asked for help on a forum before, but after last night, I have no choice. My family’s house is a rambling, L-shaped Victorian in the middle of a dense New England forest. The original structure, built in 1887, was expanded in the 1960s when my grandparents added a long wing to accommodate their growing family. That wing, a narrow corridor with a series of bedrooms and a study, has always felt wrong to me. My brother and I used to call it ‘the hallway of long steps’ because the floorboards creaked in a pattern that sounded like someone walking just behind you, no matter how slowly you moved.

We moved there when I was ten, and from the first night, I knew that hallway was bad. My bedroom was at the far end, past the study and the guest room, and to get to the bathroom, I had to walk the entire length, passing a large, arched window that overlooked the overgrown backyard. Every time I did, I felt like something was watching me from behind the glass, pressing its face against it, waiting for me to look. I never did. I would keep my eyes fixed on the bathroom door, heart pounding, and once inside, I’d lock the door and sit on the floor until my legs stopped shaking.

My brother, who’s two years younger, felt the same. We never spoke about it, but we both knew. We’d race through that hallway, and if one of us had to pass it alone at night, we’d sing or hum to fill the silence. The feeling was worse in winter, when the window framed the bare black trees, and the wind would whistle through the gaps in the old frames, making a sound like a woman sobbing.

Last week, our parents went on their annual anniversary trip, leaving my brother and me alone for five days. We’re both in our twenties now, but we still live in the house, saving money. The first few nights were fine. We watched movies in the living room, ordered pizza, and avoided the hallway as much as possible. But on the third night, my brother went to bed early, and I stayed up reading. At around 2 AM, I heard a noise from the hallway—a soft thump, like a book falling off a shelf. I ignored it, but then came a rhythmic tapping, like knuckles on wood, from the direction of the study.

I’ve always told myself that the house is just old, that the sounds are just the wood settling. But this was different. The tapping was deliberate, in a sequence: three quick, three slow, three quick. It stopped, then started again, closer to my bedroom. I was paralyzed in my chair, my book trembling in my hands. Then I heard a voice, low and muffled, like it was coming from behind a wall. It said my name.

I won’t tell you my real name, but I’ll give you a fake one: call me Sam. The voice called out ‘Sam’ twice, then a third time, right outside my door. I didn’t move. I couldn’t. The door was slightly ajar, and I could see a sliver of the hallway light, but it flickered as if something was passing between the light source and the door. Then the door creaked and moved an inch further open. In the dimness, I saw a shape—a tall, thin silhouette with long arms that hung to its knees, standing just outside my doorway.

I shut my eyes and prayed it was a nightmare. When I opened them, the silhouette was gone, but the door was fully open. The hallway was dark except for the dim glow from the bathroom at the far end. And then, from the study, I heard a sound that made my blood run cold: a low, wet breathing, and the unmistakable sound of something dragging itself across the floor.

I did the only thing I could think of: I screamed for my brother. His room was two doors down, but he didn’t answer. The breathing got louder, closer. I grabbed the only weapon I had, a heavy wooden bookend, and crept toward the doorway. I peeked out, and there, in the middle of the hallway, was a figure lying flat on the floor, its head twisted at an impossible angle, staring at me. Its mouth was open, and from it came that wet breathing. Its eyes were black, like empty sockets.

I screamed and ran. I didn’t care that I had to go through the hallway. I ran toward the front of the house, past the figure, and I heard it hiss and scramble to its feet. I reached the living room, turned on every light, and grabbed a kitchen knife. I stood shaking, waiting for it to appear, but nothing came. The lights flickered, and I heard the front door lock click. Then I heard my brother’s voice from the hallway, but it was distorted, like a slowed-down recording: ‘Sam, don’t leave me.’

I nearly went back, but something stopped me—a realization that the voice was coming from the hallway, not from my brother’s room. My brother was still in my mind, I knew, because I heard him snoring earlier. This was something else, wearing his voice.

I kept the lights on and sat in the corner, clutching the knife, until dawn broke. When it was light, I went to check on my brother. He was asleep in his bed, unharmed. I asked him if he’d heard anything, and he said no, but he had a strange mark on his neck—a handprint-shaped bruise, with fingers too long to be human.

We’re leaving today. I’m writing this from a coffee shop in town, because I can’t go back. But the thing is, I know it’s not done with us. I saw it in the rearview mirror as we drove away. It was standing at the window of that cursed hallway, its black eyes watching us leave. I don’t know if there’s a name for it, but it’s real. And it’s waiting.

If anyone has any idea what this is, or how to stop it, please tell me. We can’t outrun it, because every time we think we’ve escaped, we hear that tapping again, and the voice that calls our names, from somewhere deep inside the walls.

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