The night before we left Hollow Creek, the air felt wrong. Not the usual Florida humidity that clung to your skin like a wet sheet, but something thinner, sharper, like the edge of a blade you can’t see. My brother and I shared a bed in the old farmhouse, the one that had been in the Aldridge family for three generations. We were moving back to Alabama, back to the red dirt and the kinfolk who’d never left. Daddy couldn’t walk without his cane, and Mama’s hands were raw from packing boxes that smelled of mothballs and regret.
I woke to a sound I knew wasn’t a dream—a low, rhythmic creak, like a rocking chair moving on its own. The curtains were shut, but the moonlight bled through the gaps, painting pale stripes on the floor. My brother, Sammy, was asleep, his breath slow and even. I slipped out of bed, my bare feet cold on the pine planks. The creaking came from the hallway, from the room we’d been told to stay out of—the one with the locked door that had no key. But the door was ajar, a sliver of darkness breathing.
I’m not sure why I pushed it open. Maybe it was the curiosity of a ten-year-old who’d been told ‘no’ too many times. The room was bare, save for a single rocking chair by the window, moving on its own, back and forth, back and forth. The window was open, and the curtains danced like ghosts. But there was no wind that night. I stood there, watching, until I noticed the floorboards beneath the chair were worn smooth, as if someone had been rocking there for decades. I stepped closer, and the chair stopped.
Then I heard it—a voice, not loud, but clear as a bell, coming from behind me. ‘You’re leaving,’ it said. I spun around. No one. The voice was familiar, like my own mother’s, but older, cracked with age. ‘You’re leaving, and you’ll forget us.’ I ran back to the bedroom, slamming the door. Sammy stirred but didn’t wake. I buried my head under the pillow, but the voice followed me into my dreams: ‘You’ll forget us, but we’ll always be here.’
The next morning, Mama found me white as a sheet. She asked if I was okay, and I lied, saying I had a nightmare. But as we loaded the truck, I kept looking back at that room’s window. I saw a silhouette—an old woman, I thought, or maybe just the shadow of a branch. But the window was closed.
We drove away, and I didn’t look back until we hit the county line. When I did, I saw that the house was surrounded by a fog that had no business being there in the midday sun. And in that fog, I swear I saw the silhouette again, half-formed, waving.
It’s been twenty years since we left. We settled in Alabama, Daddy got his settlement, we bought a small house, and life went on. But every once in a while, I wake up in the middle of the night, and I hear that creak. Not outside, not in the walls—but in my head. And I remember the last night, the voice, the chair. I’ve never told anyone, not even my wife. But tonight, as I sit in my own rocking chair, I realize it’s starting to move on its own. And I know, deep in my bones, that the fields of Hollow Creek have never let me go.