The Last Jar of Plums

7 min read

Story Premise 7 min read (1,211 words)

"I was seventeen when my mother and I flew to the Carpathian foothills to visit her aunt, a woman we called Tetka Mira, and her two sons, Pavel and Ondrej. My uncle was to join us later, after his business in Vienna concluded. We arrived at their farmhouse, a sturdy construction of dark timber and […]"

I was seventeen when my mother and I flew to the Carpathian foothills to visit her aunt, a woman we called Tetka Mira, and her two sons, Pavel and Ondrej. My uncle was to join us later, after his business in Vienna concluded. We arrived at their farmhouse, a sturdy construction of dark timber and white plaster, nestled at the edge of a pine forest that climbed the hills. The house was old, smelling of wood smoke and dried herbs, and it seemed to settle into the earth like a creature that had grown tired of wandering.

Tetka Mira was a small, wizened woman with eyes the color of slate, and her sons were broad, silent men who spoke little English. We were shown to our rooms: my mother and I were given upstairs bedrooms, while the cousins would share a room adjoining theirs. Tetka Mira slept downstairs, in a room off the kitchen. I was to sleep in the living room, on a pull-out sofa that was more springs than cushion. The living room was large, with a massive stone fireplace and heavy, dark furniture, and it faced the forest through a wide window. The house had been built by Tetka Mira’s late husband, who had died over thirty years ago, shortly after the last nail was driven. My mother told me this in a hushed tone, as if the walls might be listening.

The first night, I couldn’t sleep. The darkness was absolute, a thick, suffocating blanket that seemed to press on my eyes. I was used to the ambient glow of city lights, so I pulled out my iPad, the glow a pale island in the black. I was scrolling through a game, the soft tap of my fingers the only sound, when a voice cut through the silence. It was a man’s voice, low and firm, and it spoke in Czech, a language I only half understood. ‘Dej to pryč,’ it said. Put it away. The voice was not angry or demonic; it was merely annoyed, like a father telling a child to stop fidgeting at the dinner table. I froze, my thumb hovering over the screen. The voice was close, as if the speaker was standing right beside me, but I could see no one. A cold sensation washed over me, like a draft from an open grave, and it swept through my bones, making my teeth chatter. The room did not shake; there were no bangs or howls. Just that voice, and the cold. I knew it wasn’t Pavel or Ondrej; they snored like chainsaws, and I could hear them through the floor. So I did the only thing I could: I rushed upstairs, my heart hammering, and I crawled into bed beside my mother, who grumbled but didn’t wake.

The next morning, I told my mother, who dismissed it as my imagination. ‘Old houses make noises,’ she said, but her eyes darted to a corner of the room, and she crossed herself. I tried to forget, but that day I noticed something odd: in the kitchen, Tetka Mira was making preserves, and she used a jar of pickled plums that had been sitting on a high shelf. She handled it with a kind of reverence, and when she saw me looking, she said, ‘He liked these.’ She didn’t clarify who ‘he’ was, but I knew.

The second night, I forced myself to stay awake, determined to prove it was nothing. I lay on the sofa, the iPad off, listening to the wind. But as the hours crawled by, the silence deepened. Around two in the morning, I felt a presence. It wasn’t a voice this time, but a heavy stillness, as if the air itself had thickened. I could hear my own heartbeat. Then I smelled something: plums, sweet and slightly fermented, the same scent as the jar. A floorboard creaked near the window, and I saw a faint, milky shape in the darkness—a shadow, but not quite, like a negative of a person. It stood there, not moving, and I felt the cold again, but this time it was accompanied by a sadness that pressed on my chest, a sorrow that was not my own. I wanted to scream, but I couldn’t. I just lay there, frozen, until the shape faded at first light.

The next day, I was shaking. I told my mother I wanted to leave, but she insisted we stay. ‘Your uncle is coming tomorrow,’ she said. ‘We can’t be rude.’ Desperate, I confronted Pavel and Ondrej in the barn. They spoke broken English, but I managed to ask if they believed in ghosts. They exchanged glances, and Pavel, the older one, said, ‘Our father, he does not like lights at night. He thinks it wastes the kerosene, even though we have electric now. He was very strict about the dark.’ I asked about the plums. Ondrej smiled sadly. ‘He loved the plum jam. We bury a jar with him, but every year, it turns up on the shelf again. We put it back, but it always returns. We think he wants us to remember.’

That night, I decided to apologize. I don’t know why, but it felt right. I brought the jar of plums from the kitchen, I placed it on the table by the window, and I said out loud, ‘I’m sorry. I didn’t know. I’ll put the device away.’ I sat in the dark, waiting, but nothing happened. I felt foolish. But as I was about to turn on my iPad to check the time, a voice, softer this time, said, ‘Dobře.’ Good. And I felt the cold lift, like a hand released from my shoulder. I sat there for a long time, in the dark, and for the first time, I wasn’t afraid. I understood that the house held a man who was merely set in his ways, even after death. He wasn’t malicious; he was just trying to keep order in his home.

The next day, my uncle arrived, and we spent the rest of the vacation hiking in the hills, picking mushrooms, and eating Tetka Mira’s hearty soups. I never told my mother about the second night, and I only slept in the living room one more time, on the last evening. I placed my phone in my suitcase, closed my eyes, and slept deeply. When I woke, the morning light was golden through the window, and I swear I smelled plums on my pillow.

Years later, I still think of that house and the man who built it. I never learned his name, but I know he loved his wife, his sons, his home, and his plums. And I know that some spirits don’t haunt to frighten, but to remind us of the small, quiet rules that keep a life in order. I keep a jar of plums in my pantry now, and sometimes, in the dead of night, I feel a cold spot in the kitchen, and I smile. I put my phone away, and I whisper, ‘Dobré.’ And I feel a wave of peace, as if I am watched over by a stern but kindly grandfather I never met.

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