In the autumn of 2018, I was holed up in a cramped apartment in the city of New Aster, studying for my actuarial exams. My parents, ever supportive, decided to surprise me with a visit on a crisp October weekend. They suggested we drive out to my grandmother’s old farmhouse on the outskirts of town, a place I hadn’t seen since childhood. I agreed eagerly, looking forward to the rustic charm and the quiet that seemed to swallow the land around it.
We arrived at dusk, the long gravel driveway crunching under the tires. The farmhouse stood weathered but welcoming, its porch light a beacon against the encroaching twilight. That night, after a hearty dinner, my father announced we were to attend a housewarming party for an old colleague of his, Mr. Ashworth, who had recently moved into a renovated mill on the edge of the Blighted Woods. We set out at seven, the sky already a deep indigo.
The road to the mill was narrow and winding, flanked by dense pines that seemed to lean in as if listening. As we approached the turnoff, a dilapidated structure emerged from the gloom – an old chapel, its steeple crooked, windows shattered. Its presence was unsettling, a stark contrast to the cheerful evening ahead. From childhood, I had been drawn to such forgotten places, relishing the stories they might tell. I asked my mother, ‘Do you know how long that chapel has been abandoned?’ She hushed me, her gaze fixed ahead, her voice tight. ‘Don’t look at it, dear. It’s not a good place.’
The party was a blur of warm lights and polite conversation. Mr. Ashworth’s mill was tastefully restored, exposed beams and modern art. But my mind kept returning to that chapel. As the night wore on, I excused myself to get some air. I stepped onto the back deck, overlooking a field that sloped down to the woods. The moonlight painted silver streaks on the grass. And there, at the edge of the trees, I saw a figure – a tall, gaunt man in a long coat, standing perfectly still. He was holding something in his hand, something that gleamed faintly – a yellow key, old and ornate.
He did not move, but I felt his gaze pierce through me. My heart thumped. I turned to go back inside, but when I looked again, he was gone. A chill ran down my spine. I convinced myself it was a trick of the light, a branch of a tree. But as I returned to the living room, I noticed a peculiar detail. On a shelf, amid a collection of antique keys, one was missing. Its label read: ‘Key to the Yellow Door, 1897.’
That night, back at the farmhouse, I couldn’t sleep. The image of the key and the man haunted me. Around three in the morning, I heard a soft click, like a lock turning. I crept to my window and saw the man standing at the edge of the lawn, holding the key up, as if showing it to me. Then he pointed towards the woods, where a faint amber light flickered among the trees.
Driven by an inexplicable compulsion, I slipped out, my bare feet on the cold grass. The light pulsed, drawing me into the woods. I walked for what felt like hours, the trees closing in, until I stumbled upon a clearing. There stood a small cottage, its walls overgrown with ivy, and its door painted a brilliant yellow, glowing subtly as if lit from within. The man was there, waiting. He did not speak, but gestured for me to come closer. As I approached, he inserted the key into the lock, and with a turn that echoed in my bones, the door swung open. The interior was a void of absolute blackness, yet I could hear whispers, countless voices, pleading and weeping.
The man finally spoke, his voice like rustling leaves. ‘They are all trapped here. The forgotten, the lost. You can free them, but one must take their place.’ I recoiled, stepping back. But my foot caught on a root, and I stumbled. When I looked up, the man was gone, and the yellow door was shut. I was alone in the darkness, the whispers growing louder, surrounding me.
I woke with a gasp, back in my bed, the morning light filtering in. My parents were already stirring. I dismissed it as a vivid nightmare, but when I looked at my hands, there was a small bruise, shaped like a keyhole, on my palm. And somewhere in the distance, I heard a faint, repeated knock, coming from that yellow door in the woods. I haven’t returned since, but every night, I hear that sound, and I know the man is still waiting, holding the key to my own door.