My mother ran a small after-school program at the community center in Verity Falls, a town that seemed to have more empty buildings than people. The center itself was a repurposed textile mill, its red brick walls and rusted girders a constant reminder of the town’s industrial past. We used the second floor, in a wing that had been added in the seventies—a maze of identical classrooms with peeling linoleum and flickering fluorescent lights. The first floor was mostly storage and the old boiler room, which the current custodian, a taciturn man named Mr. Kessler, kept locked except for his supply closet that was tucked into a corner of the boiler room.
I was eleven when Mother was given the keys to lock up. The program ran late on Tuesdays, and it was my job to run errands while she and Mrs. Alvarez packed up craft supplies and sorted permission slips. One such errand was to fetch a box of construction paper from the storage annex, which meant going down the wide, echoing staircase to the ground floor and passing the boiler room’s heavy steel door. The hallway there was always frigid, even in summer, and the smell of oil and rust hung in the air.
Every time I went near that door, a peculiar dread settled on me. I tried to reason with myself: it was just an old building, and the boiler was just a machine. But my imagination kept painting a picture of a man—an old janitor, I supposed, with a wiry gray beard and oil-stained overalls—standing inside, watching the door, furious that anyone would dare disturb his domain. I would hurry past, my heart pounding, and then feel foolish, as if I were betraying some trust.
One evening in late fall, after the others had gone home except for Mother and me, she asked me to fetch a mop from the supply closet because a could have spilled juice in the art room. She handed me the key from the jangling ring, her eyes tired. I took a deep breath and headed downstairs.
The stairs creaked under my feet, and the lights in the stairwell buzzed. At the bottom, the corridor stretched long, with a single bulb at the far end casting a sickly yellow glow. The boiler room door was ajar, which was unusual—Mr. Kessler always locked it. I approached cautiously, intending to peer inside before entering. The door swung open with a low groan, and I saw that the supply closet door, which was normally shut, was also open, a faint light spilling from within.
I called out, expecting Mr. Kessler, but there was no answer. I stepped over the threshold and saw the closet door slightly ajar. I moved closer, my sneakers squeaking on the concrete. The light was coming from a bare bulb inside the closet, illuminating a narrow space lined with shelves of cleaning products, mops, and buckets. At the far end, half-hidden behind a stack of boxes, was a small wooden desk with a ledger lying open on it.
My curiosity got the better of me. I walked to the desk and looked at the ledger. The pages were filled with neat, cramped handwriting, entries dated decades ago. I read one: ‘Sept 12, 1968 – Found a stain in the hallway. Took 3 passes to get it out. The boy won’t be spit on my floor again.’
I flipped a few pages. ‘June 3, 1971 – The new floor in the chapel. I waxed it till it shined. They don’t appreciate it. Nobody does.’
The entries went on, growing more bitter. ‘April 9, 1975 – They put a child’s painting on my wall. I tore it down. This is my place.’
I felt a cold draft behind me, and I turned, half-expecting to see the old man. But there was nothing. I looked back at the ledger, and a new entry appeared as I watched, the ink drying in seconds: ‘Oct 15, 1999 – A girl with dark hair is too close to my desk. She doesn’t belong here.’
A chill ran down my back. My hair was dark. I backed away, knocking over a bottle of bleach that clattered to the floor. The light in the closet flickered. I heard a slow, heavy footstep behind me. I spun, but the boiler room was empty. The door to the hallway was now closed. I ran to it, grabbed the handle, and pulled, but it wouldn’t budge.
From behind me, a low, guttural voice said, ‘Who gave you permission?’
I turned, my heart hammering. There, in the shadow of the boiler, stood the figure of an old man—his beard gray and wiry, his overalls stained with grease, his eyes burning with a deep rage. He pointed a gnarled finger at the ledger. ‘Write in it. Your name. Your crime.’
I stammered, ‘I didn’t do anything.’
He took a step forward. ‘Everyone does. You came to my place. You touched my things. You’re like the rest.’
I scrambled to the desk, grabbed a pen from the cup, and scribbled my name in the ledger, my hand shaking. The moment I set the pen down, the pressure in the room subsided. The figure was gone. The door was unlocked. I fled, leaving the mop and bucket, and never spoke of it to anyone.
Weeks later, I found an old photograph in the town library’s archive. It was of the community center’s original maintenance staff, taken in 1960. There, standing in the back, was a man with a gray wiry beard and overalls. The caption listed his name: Harold Dern, custodian until 1985. A note said he had died in a boiler explosion in the old mill—on the very night he was due to retire. They never found his body.
I still have the key to the community center. My mother let me keep it as a memento. Sometimes, late at night, I take it out and look at it. I know that if I ever go back, the ledger will be waiting, and my name will be there, along with a new entry. I wonder what it will say.
One day, when I’m old and grey, I’ll walk back into that boiler room, and I’ll take up the pen. I’ll write my last entry: ‘I came home.’