The first time I heard them, I was halfway through a bag of stale pretzels, sprawled on the living room couch at 11:47 PM. The house—a creaking Victorian my aunt had left us in her will—always settled at night, but this was different. Two distinct voices, young and bright, laughing about a girl named Maya, drifted from the hallway. I froze, pretzel mid-air. My brother, Leo, was at a sleepover. My mother was working the night shift at the hospital. I was alone.
I crept toward the hallway, the floorboards groaning under my weight. The voices grew clearer, as if they were standing right outside my door. But when I reached the hallway, it was empty. The laughter stopped. Nothing but the hum of the old refrigerator from the kitchen. My heart hammered. I told myself it was the neighbors’ TV through the thin walls. But our house sat on two acres of pine forest, the nearest neighbor a quarter mile away.
The next night, the smoke detector in Leo’s room screamed at 3 AM—a sharp, frantic chirp that yanked me from a dream of drowning. I stumbled in, expecting smoke, expecting flames. But the room was cold, the air still. The detector hung on the ceiling, its red light blinking steady. No smoke, no heat, no reason. My mother, home by then, grumbled about faulty wiring and unplugged it. But the moment she did, I heard it again—that snakelike whisper, sibilant and close, like something slithering just behind my ear. My mother said I was imagining things, that stress from finals was getting to me. She didn’t see the old man and woman who stood in the hallway behind her, their faces pale and hollow, their mouths moving silently.
I started seeing them everywhere. The old man with a faded wool coat and a limp, the old woman with hair like spiderwebs, always holding a tarnished locket. They’d stand in doorways, at the foot of my bed, in the reflection of the bathroom mirror. They never spoke, but they watched. And every time they appeared, the snake voice hissed a little louder, as if it were growing impatient.
Last night, I decided to brush my hair in the bathroom—a thing I never do, because the mirror there is old and warped, and the light flickers even when the bulb is new. I was halfway through a stroke when a scream ripped through the house—high, desperate, and utterly human. Leo, home from his sleepover early, heard it too. He burst in, eyes wide. ‘What was that?’ I said, turning. He shrugged, ‘Probably the TV downstairs.’ But the TV was off. I knew it was off. And in the mirror behind my shoulder, I saw the old woman, her mouth open wide in a silent scream, her locket swinging as if she’d just been yanked.
I turned to face her, but she was gone. Only my reflection stared back, pale and hollow-eyed. The snake voice was no longer a whisper. It was a low, constant drone, like static from a dead channel. And I realized the words were finally becoming clear. They weren’t words. They were names—mine, my brother’s, my mother’s—repeated over and over, like a recording stuck on a loop. The scratching started that night too, insistent and frantic, coming from inside the walls, as if something was trying to claw its way out.
My mother finally listened this morning when she heard the scratching herself. She tried to laugh it off, but her hands trembled as she poured her coffee. She said it was probably mice. She said we should call an exterminator. But the old man and woman were standing right behind her, and this time, they both pointed at me. The snake voice has been talking more and more since then, its words still muffled, but growing clearer every hour. It sounds like it’s counting down. And I can’t shake the feeling that when it reaches zero, the old man and woman won’t just be wandering anymore. They’ll be ready to take something with them.
I haven’t told my mother the rest—the dreams where I’m standing in a field of tall grass, and the old woman hands me a tarnished locket, and inside is a photo of me, but aged, with hollow eyes. The scratching is louder now, coming from every direction at once. And just now, as I’m writing this, the TV turned on by itself. The screen shows static and the old man’s face, his mouth moving silently. He’s saying something. I think it’s ‘We’ve been waiting.’ I don’t know how much longer I can hold on. The snake voice is almost audible now, and I’m terrified of what it will say when I can finally understand it.