In the humid cradle of my childhood, the swamp behind our house was a green cathedral of cypress knees and hanging moss. I was a sickly boy, prone to fevers and fits of trembling, so my world shrank to the wide porch and the whisper of the palmetto fronds. But the swamp, with its dark, still water and the occasional glint of an alligator’s eye, held a terrible fascination for me. My grandmother, a woman with skin like worn leather and eyes that had seen too much, would warn me in her low, creaking voice, ‘Stay clear of the fiddlehead, child. The Hollow Ones live where the ferns curl tight.’
The fiddlehead was a massive, coiled fern that grew on a muddy bank at the swamp’s edge, its spiral pointing towards a black, gaping hole in the earth. I never saw it myself, but my cousins, who came to visit each summer, would return from their explorations with wild stories of strange whispers and the feeling of being watched. They spoke of a song, a hum that seemed to come from the ground itself, and of a pale, slender figure that would stand among the reeds, watching them before vanishing into the mist.
One blistering July afternoon, my cousins dared me to prove my bravery by retrieving a red ribbon from the base of the fiddlehead. My chest tightened, and my stomach churned with the familiar dread, but I was tired of being the coward, the one who stayed behind while others had adventures. I took the worn path that skirted the swamp, my feet squelching in the black mud, the air thick with the smell of decay and sweet jasmine. The chorus of frogs and insects seemed to grow quieter with each step, as if the swamp itself was holding its breath.
As I approached the fiddlehead, I saw that the hole beside it was larger than I’d imagined, a perfect circle of darkness that seemed to swallow the light. The red ribbon lay at the edge, but as I reached for it, a sound rose from the hole—a low, melodic hum that vibrated in my chest. It was beautiful, and terrible, and I felt my body move against my will, leaning closer. A hand, pale and impossibly long, emerged from the darkness. It was not a human hand, but something that had grown too thin, the fingers like roots. It did not grab me; it simply pointed, its index finger trembling, directing my gaze downward into the pit.
Inside, I saw a spiral of ferns, each one curled like the fiddlehead, and at the center, a face—young, with sunken cheeks and eyes that were not there, only smooth, white skin. The hum grew louder, and I felt a pulling sensation, as if my own hum, my life, was being drawn into that hollow. I stumbled back, my heart pounding, and the hand retracted, the hum fading into the swamp’s normal drone. I grabbed the ribbon and ran, not daring to look back.
I never spoke of what I saw, and my cousins called me a hero for retrieving the ribbon. But from that day, the swamp became a place of dread, and I could not shake the feeling that a part of me had stayed behind in that hole. Nights were the worst. I would lie in my bed, listening to the hum that now seemed to emanate from the floorboards, and I would see in the darkness the pale, eyeless face, its lips moving in a silent song.
Years later, after my grandmother’s passing, I returned to the old house, which had fallen into ruin. The swamp had encroached upon the porch, and the fiddlehead was gone, replaced by a thicket of kudzu. But the hole remained, a dark, patient mouth. I walked to it, not out of bravery, but because I had to know. I knelt at the edge, and I heard the hum again, stronger than ever. I looked into the abyss and saw not a face, but a reflection—of me, with eyes that were fading, turning blank and white. And I understood that the Hollow Ones did not merely exist in the ground; they waited for the hollow to be filled, and I had been filling mine with fear for years. As I leaned closer, the hum became a word, a name—my name, spoken in the voice of my grandmother, and I knew that the fiddlehead had not been the gateway. I had been the gateway, and I was finally ready to step through.