After the séance at the old farmhouse, I thought I’d left the whispers behind. But when I inherited Uncle Bram’s place, I couldn’t refuse. The house was a skeleton of timber and stone, squatting at the edge of a pine forest, miles from the nearest town. I moved in alone, telling myself the creaks were just the wind.
Last week, on a cold November evening, I was drawing a bath. The water ran brown, then clear, and I climbed in, letting the heat soak into my bones. The door wasn’t locked—habit from city living, but here, there was no one to barge in. As I sank deeper, a sound came from downstairs: a heavy tread, like boots, crossing the living room floor. It stopped at the foot of the stairs. I froze, listening. But no creak of steps followed. I waited for a crash, a voice, anything. Silence. I shook it off—the floorboards settling, perhaps. The water sloshed as I adjusted.
Then the toilet beside me flushed. I watched, stupefied, as the handle depressed and water swirled. The mechanism clicked back into place, as if operated by an invisible hand. My heart hammered. I got out, wrapped in a towel, and checked the pipes. Everything seemed normal. I laughed nervously, attributing it to a faulty valve. But that night, I couldn’t sleep.
The next morning, I found a trail of wet boot prints leading from the front door to the base of the stairs, then vanishing. They were too large for my feet, and the tread pattern was unfamiliar. I scrubbed them away, but they reappeared the following night. Prints appeared in the dust of the hallway, in the kitchen, sometimes just a single set, sometimes two, as if someone had stood watching me while I read.
I tried to rationalize: a draft, a leak. But then the gristle began. I’d find small, chewed pieces of meat—cooked, slightly warm—on the floor near the threshold of the bedroom. At first, I thought they were from a stray cat, but they appeared inside, always at night. The smell was rancid, sweet.
I called the sheriff, a skeptical old man named Dave. He searched the house, found nothing. ‘Old houses play tricks,’ he said, but his eyes lingered on the basement door. I’d never gone down there; the lock was rusted shut.
Three days ago, I woke to the sound of chewing. In the dark, I saw a shape crouched at the foot of my bed—a hunched figure, its head bobbing. It held something in its hands, gnawing. When I gasped, it turned. It had no face, just a smooth, grey expanse where features should be. But it had a mouth, open wide, filled with jagged teeth. It dropped the object—a piece of gristle—and scuttled backward into the shadows.
I fled the house, spent the night in my truck. The next morning, I returned, gathering courage. I decided to open the basement. The lock gave way with a groan. The stairs descended into blackness. I carried a flashlight. The air was thick with the smell of decay. And there, in the corner, I found it: a mirror, cracked, the frame carved with symbols I didn’t recognize. But it wasn’t the same mirror from the farmhouse; it was older, more sinister. I had never seen it before.
Now I understand. This thing, this face-less being, it’s bound to the house, not to a mirror. The old owners must have trapped it, but my arrival released it. I’ve barred the basement door, but last night, I heard the toilet flush again. And I saw the gristle, fresh, on my pillow.
I’m leaving. I’ll sell the place, tell them it’s haunted. But as I pack, I hear the heavy boots on the stairs. They stop outside my door. And a wet, chewing sound begins. The handle turns. Slowly. My fingers shake as I type this, knowing I won’t make it out in time. The gristle will grow inside me, and I will become its vessel. But I had to warn someone. If you move into a house with a basement door that won’t stay locked, burn it down. Don’t look for reasons. Just run.