Greta had always felt a peculiar unease in her apartment, especially in the evenings. The building was old, with creaking pipes and drafty windows, but she had grown accustomed to its quirks over the two years she and her six-year-old son, Milo, had lived there. Yet, there was one corner of the kitchen, near the pantry, where the air seemed to thicken, and she often found herself glancing over her shoulder while washing the dishes. She chalked it up to the flickering fluorescent light above the sink, which buzzed in a way that set her teeth on edge.
Milo was a quiet child, prone to drawing strange, looping shapes and talking to imaginary friends. Greta paid little mind to his fanciful tales, until one evening when she was tucking him into bed. Their bedroom had a small hallway leading to the bathroom, and in the doorway stood a forgotten floor lamp that had never worked. As she pulled the covers up to Milo’s chin, he pointed past her, his small finger trembling.
‘Don’t let the old lady stand there,’ he said, his voice matter-of-fact. ‘She doesn’t like it when we sleep.’
Greta turned, seeing nothing but the empty hallway. A chill ran down her spine, and she forced a smile. ‘There’s no one there, sweetheart. It’s just the dark.’ But Milo insisted, describing the woman in a gray dress, her face shadowed, but her eyes glowing like wet coals. He called her ‘the flicker lady’ because she seemed to ripple like the bad light in the kitchen.
That night, Greta left the hallway light on, and they slept with the door ajar. But the next evening, when she went to prepare dinner, she found the kitchen light flickering more violently than usual. As she reached to adjust it, the fridge hummed, and she swore she heard a soft whisper of breath behind her. She spun around, but only the empty doorway stared back.
Over the following days, the presence became more pronounced. Objects would shift slightly—a salt shaker turned upside down, a chair pulled out from the table. Milo grew listless, his drawings covered in jagged lines and red smudges that he called ‘eyes.’ Greta tried to rationalize it, blaming her exhaustion and the building’s faulty wiring, but she couldn’t shake the feeling that something was biding its time.
One night, she woke to the sound of Milo crying. She rushed to his side, and he pointed to the corner of the room. ‘She’s right there, Mommy. She’s angry because you didn’t put the salt out.’ Greta flicked on the overhead light, and the corner was empty. But in the bathroom mirror, she caught a glimpse of a gray figure standing behind her, its eyes burning like embers. She whirled, but nothing was there.
Desperate, Greta began to research the building’s history. The elderly super, Mr. Harmon, was reluctant to speak, but he finally admitted that a woman had died in their apartment decades ago—a widow named Agnes who was rumored to have been a witch. She was found dead in the hallway, clutching a handful of salt, which she used to ward off evil. The kitchen light had been flickering when they found her, and it had never quite been right since.
Greta confronted the presence. She stood in the kitchen, the light strobing like a strobe, and she shouted, ‘Agnes! What do you want?’ The light steadied for a moment, then a cold draft swept through the room, and she heard a faint, raspy voice: ‘Salt. The threshold. He crossed.’
That’s when Greta remembered the salt shaker she had knocked over days ago, spilling its contents across the floor. She had swept it up, but maybe the salt line had been broken. She took a new box of salt and poured a thick line across the kitchen doorway, and then across the bedroom door as well. As she finished, she felt a shift in the air, a sense of release.
Milo slept peacefully that night, and the light in the kitchen stopped flickering. Greta believed it was over. But a week later, as she was washing dishes, she saw in the reflection of the window a gray figure standing behind her. It pressed a finger to its lips, and the light above the sink flickered once—as if in warning. And from the hallway, she heard Milo’s voice: ‘Mommy, she says she’s sorry. But she’s not leaving.’