I never believed in curses, not really. I was the one who laughed at horoscopes and rolled my eyes at ghost stories. That changed after my grandmother, Elara, passed in 2013. She was the one who taught me to collect the shed skins of snakes, which she called ‘little whispers of the earth.’ I kept them in a wooden box by my window, but I never thought they were anything but dry, brittle things. For years after she died, nothing strange happened. Then, about six months ago, odd things began to occur. It started with my reflection. Sometimes, in the corner of my eye, I’d see my face in the window, but it was younger, like a memory of a photo I’d never taken. I dismissed it as tiredness. But then the letters started arriving.
They were addressed to me, but the return address was a place called ‘Hollow Creek,’ which I’d never heard of. The envelopes were sealed with black wax, and inside each was a single sheet of paper with a strange symbol: a spiral within a circle, drawn in reddish-brown ink that smelled like iron. The words were always the same: ‘You are remembered. The debt is due.’ I thought it was a prank, maybe from an old friend who’d moved away. But then I had the argument with my best friend, Maya.
Maya had always been a liar, but that day it got too much. She claimed she’d never said she’d cancelled our trip to the coast, even though I had a text message. I called her out, and she exploded. ‘You’re a liar! You lie to everyone, and you lie to yourself!’ she screamed. I said, ‘God strike me if I’m lying.’ She looked at me with cold fury and said, ‘God should strike you. He should strike you dead.’ I laughed it off then, but that night, I felt a strange burning on my back. I twisted in front of the mirror, and there, just below my shoulder blade, was a mark. It looked like a fresh burn, but the shape was unmistakable: a spiral within a circle.
I was terrified. I tried to wash it off, but it didn’t fade. I went to see a doctor, who couldn’t explain it. The burning came and went, and with it, I started feeling watched. The shadows in my apartment seemed deeper, and sometimes I’d hear a faint scratching from the walls, like something was trying to get in. The letters kept coming, now with new messages: ‘You have been marked. The debt grows.’ I became paranoid, avoiding mirrors, refusing to look at my own reflection.
I knew I had to find out what this was. I searched my grandmother’s old belongings and found a notebook she’d kept, filled with her handwriting. It was a diary of sorts, but the pages were full of symbols and notes about ‘the Hollow Ones’ and ‘the Debt of Skin.’ Near the end, she’d written: ‘The mark chooses the one who speaks falsehoods, but the falsehood is not in the words—it is in the denial of what one has seen. To see the unseen is to be marked. To deny it is to feed the debt.’ It made no sense at first, but then I remembered the snakeskins. I had always thought they were harmless, but one day, I had looked at them and thought I saw them moving, as if they were alive. I had dismissed it as a trick of the light, and I had told myself that seeing things was just my imagination. That was my denial.
The scratching in the walls grew louder. I started having nightmares of being buried alive in a pit of snakes, their dry scales scraping my skin. I woke up with a new mark each time: a line, a curve, as if the spiral was expanding. I couldn’t sleep, couldn’t eat. I finally told my cousin, who had always been open to the supernatural. She looked at the mark and paled. ‘You have to go to Hollow Creek. It’s where the Hollow Ones dwell. They grant wishes, but they always collect.’ She gave me an address: a small house in the middle of a forest, miles from any town.
I drove there, my hands shaking on the wheel. The forest was dense, and the road was barely a dirt path. I found the house at dusk, a crooked structure with a single porch light, flickering. The door was slightly ajar, and inside, it was filled with jars of snakeskins, all arranged in spirals. An old woman sat in a rocking chair, her eyes milky white. She spoke without looking at me. ‘You’ve come to pay the debt.’ I asked her what the debt was. She said, ‘You saw the truth, but you denied it. You told yourself it was nothing. That’s a lie you told yourself. The Hollow Ones feed on those lies. The mark is the price. If you refuse to pay, they will take more than your skin.’ I asked how to pay. She laughed, a dry rattling sound. ‘You must tell the truth about what you saw. Not to me, but to yourself. For three nights, you must sleep in the Hollow Grove, where the old ones gather, and you must not deny what you see. If you survive, the mark will fade.’
That night, I went to the grove, a circle of trees with strange carvings on their trunks. I sat in the center, and I saw them: shapes like shadows, but with eyes like embers. I felt their gaze on my mark, and the burning intensified. I wanted to scream, to run, but I remembered the woman’s words. I closed my eyes and forced myself to remember that day in my grandmother’s room, when I saw the snakeskins rustle and rise, forming a spiral in the air. I had told myself it was just a draft, that my eyes were playing tricks. But it wasn’t. I whispered, ‘I saw them move. They were alive.’ The shapes drew closer, and I felt something touch my back, cold as frost. The mark burned like fire, and I thought I would die. But then the burn faded, and the cold faded, and I was alone. The mark was gone.
I drove back to the city in a daze. I haven’t received another letter since. But sometimes, late at night, I still see them in my peripheral vision, watching from the corners of the room. I know the debt is paid, but the knowledge has marked me deeper than any scar. I no longer deny what I see. And I am never safe from what I now know is watching.