The night air still reeked of smoke and damp plaster. Our three-bedroom trailer had become a cramped ark for twelve, and the walls seemed to sweat with the heat of so many bodies. Aunt Mira sat at the fold-out table, her fingers resting on a battered planchette that glided over a hand-drawn board. She called it a spirit board, a gift from a friend who swore by its comfort. I watched from the hallway, the shadows pooling like spilled ink.
Earlier that day, we’d buried my cousin Willow, and the fire that took her had also taken their home, a small structure that had stood for decades. The trailer felt smaller now, filled with the living and the echoes of the dead. My uncle Ray sat in a corner, staring at nothing, while the kids whispered in the bunk room. I wanted to help, to say something, but the words felt like ash in my mouth.
Aunt Mira’s eyes were red-rimmed, but she smiled when she saw me. ‘Come, Dana. Maybe Willow wants to speak to you too.’ I hesitated, but I sat across from her. The planchette trembled under her fingertips. ‘Willow, sweetie, are you there?’ The board was silent. Then the planchette slid to YES. A cold knot tightened in my stomach. ‘Ask it something only she would know,’ Mira urged.
I thought of a lie, a secret from our childhood. ‘When we were five, Mom took us to the Enchanted Caverns,’ I said. ‘Do you remember the pirate ghost?’ It never happened. The planchette glided to YES. My heart pounded. ‘Who is this really? Don’t say Willow.’ The planchette spelled L-E-V-I. ‘Levi,’ I said. ‘Why are you pretending to be my cousin?’ The planchette shot to the letters: TO KICK HER WHILE SHES DOWN.
Aunt Mira’s face drained of color. ‘That’s not funny,’ she whispered. The planchette began to move on its own, faster, jerking. The letters: YOUR HOME IS A GATE. YOU WALKED THROUGH IT. YOU BROUGHT ME WITH YOU. The board’s edges began to smolder, the paper curling. Mira yanked her hands away, but the planchette kept moving, spelling I AM HERE NOW.
The lights flickered. The trailer groaned. And then, from the back room, we heard a child’s laugh—but it wasn’t one of the kids. It was high and thin, like a music box winding down. Uncle Ray stood up, his eyes wide. ‘Who’s in there?’ The laugh came again, closer. The door to the bunk room creaked open, and a small figure stood in the doorway, backlit by the dim hall light. It had Willow’s face, but its eyes were black, empty pits. It smiled, and its teeth were like charred splinters.
‘You’re not my daughter,’ Aunt Mira said, her voice trembling. The figure tilted its head. ‘No,’ it said, its voice a dry whisper. ‘But I borrowed her face to get in.’ It stepped forward. The floorboards beneath it blackened and split. The lights went out. In the darkness, I felt a cold breath on my neck, and a voice, close to my ear, whispered, ‘Twelve souls for my cradle.’
We ran, all of us, pouring out of the trailer into the cool night. The trailer’s windows flickered with an orange glow, as if a fire were burning inside. From the front door, the thing that wore Willow’s face watched us. It raised a hand, and the ground beneath our feet began to crack. ‘No one leaves the host,’ it said. ‘You’ve given me a home. Now I’ll give you a funeral.’
We scattered, but the cracks followed us, splitting the earth like veins of lightning. I looked back and saw the trailer sinking into the ground, the roof caving in, and the thing still smiling, its face melting into a black, viscous sludge. The last thing I saw before I turned away was the planchette, flying out of the ruined doorway, landing at my feet. It was burned, but the letters on it were still clear: LEVI.
Now we are thirteen, if you count the thing that follows us. It waits at the edges of our camp, in the flicker of the firelight, in the silence between breaths. We tried salt, iron, even a priest, but nothing breaks the veil it weaves. It feeds on our grief, on Mira’s tears, on the weight of our borrowed home. And every night, I hear it scratch at the windows of our new shelter, whispering, ‘The cradle is open. Come rest.’