The first sign was the smell. Not the usual damp earth and salt air of the coast, but something else—a greasy, sweet smoke that clung to the back of my throat. It drifted through the cracks of my window frame, curling into the room where I had slept since I was a child. I thought maybe a neighbor was burning trash, but it was 2 AM, and the only light came from the moon bleaching the rooftops. I tried to ignore it, but the smell persisted, waking me every night at the same hour, like a visitor who knew my schedule.
The second sign was the bird. It appeared on the third night, a small, round owl with feathers like ash. It perched on the exact spot where the wind carried the smoke, tilting its head, fixing me with eyes that reflected the moonlight too brightly. In my grandmother’s stories, the lechuza was a shape-shifter, a witch who came to steal the souls of the careless. But this one just watched, and when I slammed the window shut, it didn’t flee. It stayed, its silent stare digging into the glass, until dawn
I moved my bed to the opposite wall, but the smell followed. It clung to my pillows, my clothes, my hair. I scrubbed the walls with bleach, burned candles, left the window open—nothing. The smoke seemed to come from the room itself, from the corner where my sister used to keep her collection of seashells. She had moved out months ago, and I had taken her room as my own, hungry for the view of the garden. But now I regretted it. The garden was where my grandmother had once grown her herbs, and where she had buried something she never spoke about.
It was on the fifth night that I heard the music. Not the coquís, which had gone silent as if they too were holding their breath, but a low, rhythmic thrum, like a distant drumbeat. It came from the garden, and when I peered through the window, I saw shapes moving among the dead tomato plants. They were not human—too long, too thin—but they swayed as if dancing. I grabbed my flashlight, but the beam found only shadows. The smell was stronger then, choking, and I felt a heat emanating from the soil, as if something beneath was burning.
The heat became unbearable. The garden, which had been dry and brittle, began to smolder. Little tongues of fire licked up from the earth, not consuming the plants but glowing within them, making them translucent like embers. I dialed the fire department, but they said no heat was detected in the area. I called my sister, and she laughed, but her voice crackled like static. ‘Don’t you remember?’ she said. ‘The seeds you planted after Grandma died? You told me you wanted to grow something beautiful to honor her. You watered them every night. But you never told me what they were.’
I dropped the phone. The smoke formed a shape now, a figure that was both my grandmother and not, its face a hollow mask of soot. It reached out a hand, and in its palm was a single seed, black and pulsing like a coal. ‘You opened the door,’ it said, its voice the sound of leaves burning. ‘You heard the call. You brought me here.’ I stumbled backward, but the room was full of smoke, the walls shifting, the floor turning to ash. The owl was gone, but I heard its cry from the garden, not as a warning but as a summons. I looked out the window one last time, and saw my reflection—but I was not alone. Behind me, in the glass, stood a figure with hollow eyes, waiting to be whole.
The garden is still burning. It has burned for ninety-three nights, and the town has sent experts, psychics, and priests, but the fire is always there, just beneath the skin of the soil. They say the smoke never rises, that it clings to the earth like a blanket, and that the plants will never bear anything but ash. But I know better. I tend the fire now, feeding it with the memories of my childhood, the songs of the coquís, the smell of my grandmother’s hands. And when the moon is high, I hear the lechuza, and I sing back.
I do not sleep. I cannot. For I have become the smoke and the seed, and every night, I wait for a new dreamer to hear the call, to open their window, and to let me in.