My partner, Lena, and I were staying with her cousin in upstate New York, taking a break from the city to see the fall colors. We had a list of touristy things to do, but Lena’s cousin insisted we visit the old Erie Canal Lockhouse, a historic site that had been converted into a small museum. It was a squat, two-story stone building with a rusted iron door, and the canal itself was now a dry, weed-choked ditch that ran behind it. The tour was led by a docent in a period dress, a middle-aged woman with a pinched face who spoke in a monotone about the lockkeeper’s daily routine. We shuffled through the cramped rooms, looking at cracked leather boots and faded photographs, until we reached a narrow spiral staircase that descended to the cellar.
At the bottom, the space opened up into a low-ceilinged vault of rough-hewn stone, lit by a single bare bulb that cast long shadows. The docent explained that this was where the lockkeeper’s family had kept their winter provisions, but during the canal’s heyday, it had also served as a holding cell for rowdy boatmen who needed to sober up before facing a magistrate. An iron ring was bolted to the wall, and a pair of rusty manacles lay on a wooden shelf. ‘You can step inside the cell area if you like,’ the docent said, gesturing to a corner where a metal gate with vertical bars stood open. ‘It’s a good way to understand the claustrophobia they must have felt.’
I had been feeling restless, and the tour had been suffocatingly dull, so I decided to take her up on it. Lena squeezed my hand and said, ‘Go ahead, I’ll take a photo.’ I ducked under the low gate and stood in the small space, about six feet by eight feet. The walls were damp, and the air was thick with the smell of earth and old iron. I ran my fingers along the stone, feeling the grit under my nails. As I turned to step out, a cold gust of air blasted up my back, so sudden and sharp that it made me gasp. It wasn’t a draft from the stairs—it was focused, as if something had exhaled directly onto my spine. I felt a pressure on my shoulders, like hands pushing down, and the air grew so cold that I could see my breath.
I tried to move, but my legs were rooted to the spot. The manacles on the shelf rattled, and I heard a sound like a low, guttural whisper, but not in any language I knew. It was a wet breath, like a dog’s pant, and it came from directly behind my ear. I felt a tug at the hem of my jacket, then a cold hand slipped under the fabric and pressed against the small of my back. It was freezing, and the touch was unmistakable—it was a hand, with fingers that traced the curve of my spine. I wanted to scream, but my throat was locked. Lena’s voice came from a distance, ‘Hey, you okay? You look pale.’
The pressure lifted, and the cold vanished as quickly as it had come. I stumbled out from under the gate, gasping for air. The docent was looking at me with a knowing, almost smug expression. ‘They say every lockkeeper here had a restless spirit,’ she said. ‘The one who died in this very cell, frozen to death in the winter of 1848. They call him Old Frost. He likes to reach out to visitors.’
I didn’t tell Lena all of what I felt, but that night, I couldn’t shake the feeling of that cold hand on my back. It was as if the mark of it had seeped into my skin, and every time I closed my eyes, I felt that breath on my neck. I began to hear whispers, even when I was awake—soft, wet sounds that seemed to come from the walls. I couldn’t sleep, and the next day, I insisted we leave the lockhouse and go somewhere else.
But it was too late. That night, in our hotel room, I woke to find myself standing by the window, my hand pressed against the cold glass. I was alone—Lena was still asleep in bed. The window reflected a face that wasn’t mine, pale and indistinct, with eyes like dark pits. It smiled, and I felt the cold again, seeping up from the floor. I ran to the bathroom and locked the door, but the cold followed me, and I could hear that wet breathing just behind the shower curtain.
Lena found me in the morning, shivering in the bathtub, my clothes soaked in sweat. She begged me to tell her what was wrong, but when I opened my mouth, a plume of frost escaped my lips. I knew then that Old Frost had not just touched me—he had crawled inside me, and he was hungry for Lena’s warmth. I couldn’t let him take her. I had to go back to the lockhouse and find a way to make him leave.
We drove back the next day, and I walked straight to the cellar, ignoring the docent’s protests. The gate was open, and the manacles were no longer on the shelf—they were on the floor, arranged like a pair of open hands. I stepped into the cell and knelt down, and the cold air wrapped around me like a shroud. I spoke out loud, ‘I know you’re here. What do you want?’ The manacles rattled, and the cold hand pressed against the back of my neck again. This time, I didn’t flinch. I whispered, ‘You can have me, if you leave her alone.’ The hand squeezed, and the air grew even colder, until I felt my breath freeze in my lungs.
Then I heard Lena’s voice from the stairs, ‘No! Get away from him!’ I turned, and she was standing at the threshold, her face pale with fear. She ran in and grabbed my arm, and as she did, I felt a splitting pain in my chest, as if something were being ripped out of me. The cold air rushed out of my mouth, forming a cloud that swirled around the cell and then dissipated through the bars. The manacles fell still, and the temperature rose to a normal chill. I looked at Lena, and she was crying, hugging me so tight I could barely breathe. Above us, the docent was murmuring, ‘You broke the cycle. His name was Jeremiah, and he was a lockkeeper who froze to death when he was locked in by a prank. He’s been reaching out for help ever since.’
We never told anyone the full story, but I will never forget the cold, the pressure, and the terrible loneliness of that cell. And sometimes, late at night, I feel a faint brush against my back, as if he’s saying thank you, or perhaps just reminding me that he’s still watching, waiting for the next warm soul to wander through.