In Mario Bava’s 1973 psychedelic nightmare, a naive tourist named Lisa stumbles into a decaying Spanish villa where reality unravels like a frayed tapestry. Under the watchful, knowing gaze of the butler Leandro, whose face mirrors a fresco of the Devil, the house becomes a fever-dream carnival of mirrors, mannequins, and murder. Bava’s kaleidoscopic use of color and shadow turns every corridor into a descent into the characters’ darkest obsessions, blurring the lines between illusion, guilt, and supernatural possession. As Lisa’s stay extends, she finds herself trapped in a gothic labyrinth where the past refuses to die and the Devil may not just be a portrait. A haunting, surreal experience that lingers long after the final freeze-frame.
Lisa e il diavolo
Frequently Asked Questions
What is Lisa e il diavolo about?
In Mario Bava's 1973 psychedelic nightmare, a naive tourist named Lisa stumbles into a decaying Spanish villa where reality unravels like a frayed tapestry. Under the watchful, knowing gaze of the butler Leandro, whose face mirrors a fresco of the Devil, the house becomes a...
When was Lisa e il diavolo released?
Lisa e il diavolo was released in 1970.
Where can I stream Lisa e il diavolo?
Check local streaming services and digital release platforms for Lisa e il diavolo availability.
User Reviews
“It's a weird one, but that's Bava. The atmosphere is thick enough to choke on, and the baron's dinner party scene is pure madness. Not his best, but a fever dream you'll remember.”
“I wanted to love it, but the plot is all over the place. Some stunning visuals though, and Elke Sommer is decent. Just didn't scare me as much as I hoped.”
“This is Bava at his most experimental. The shoedevil stuff is iconic, and the blend of psycho-drama and supernatural gives it a unique edge. It's a masterpiece of Italian horror if you can handle the slow burn.”
“Felt like a 90-minute perfume commercial. Pretty pictures but no real scares. The ending left me scratching my head more than anything. Maybe I need to watch it again.”





















































































