It was a Tuesday, and the afternoon heat of Cebu City clung to the air like a wet shroud. My class, a mix of juniors and seniors, filed into the computer lab on the fourth floor of the annex building that everyone called ‘the Tower.’ The Tower was a relic from the 1980s, with flickering fluorescent lights and air-conditioning units that groaned like wounded animals. Below us, the chapel’s bells chimed at three, and the faint smell of incense wafted up, but up here, the only scent was dust and ozone from the old monitors.
We were split into two rooms: boys in Room A, girls in Room B. Room A was where we worked on our website project, a creaking WordPress theme with too many images. By three-thirty, half of us were glued to our screens, the other half dozing off. I was fine-tuning a CSS animation when the door burst open. Maria, a girl from Room B, was pale, sweat slicking her forehead. ‘Hey guys, are you not hearing that?’ She was breathing hard, her eyes darting around.
We all looked at each other, confused. ‘Hearing what?’ I asked, pausing my music. She held up a hand, her finger trembling. ‘Shut up and listen. You’ll hear a lady crying.’ We all went quiet. At first, nothing but the hum of the AC and the distant click of keyboards. Then it came—a low, quavering sob, like someone breathing through tears. It rose and fell, a wail that had no rhythm, only raw grief. It seemed to come from the ceiling, from the vents, from everywhere at once.
My skin prickled. Four of us—Leo, Miguel, Ben, and I—exchanged glances. We didn’t speak. We just listened. The crying grew louder, then softer, like it was pacing. Leo whispered, ‘There’s no one else in the building. The janitor left an hour ago. The guard is at the front gate.’ Ben, who had a reputation for joking, was frozen, his knuckles white around his mouse. The sound resonated in my chest, a physical pressure.
Then it stopped. The silence was worse. We let out collective breaths, but Maria was still shaking. ‘It’s been going on for ten minutes,’ she said. ‘We tried knocking on the walls, but it only gets louder.’ I wanted to dismiss it as a prank, but the sound was too real—no one in the girls’ room could mimic that, not even for a joke.
That’s when we noticed the temperature drop. The AC was struggling, but it felt like the room was being chilled from the inside. The crying started again, but this time it was accompanied by a rhythmic tapping from the ceiling—like fingernails dragging across the acoustic tiles. We all looked up. The tiles above us were slightly ajar, as if someone had moved them recently. Dust fell in a fine powder.
I suggested we check the server room down the hall. It was a small closet that housed the network switch, and it was the only other place someone could be. Leo, Miguel, Ben, and I volunteered. Maria stayed with the girls, but she gave us a look that said, ‘Don’t go.’ We went anyway.
The hallway was dim, with a single buzzing bulb at the end. The floor was linoleum, cracked in places, and our footsteps echoed too much. As we approached the server room, the crying became a clear, distinct sound—a woman sobbing, hiccuping, whispering incoherent phrases in a language I didn’t recognize but felt I should understand.
Leo pressed his ear to the door. ‘It’s coming from inside,’ he mouthed. I reached for the handle. It was cold, like it had been chilled. I turned it slowly, but it was locked. Ben tried his keycard—no luck. The crying continued, a raw, guttural wail that seemed to penetrate the door. Then it stopped, and we heard a voice, clear as day: ‘Let me out.’ It was not a command, but a plea, so full of despair that I felt my stomach drop.
We backed away. Not one of us wanted to open that door. We returned to Room A, and I tried to ignore the fact that the crying had now followed us—it was coming from the vent above our heads. I put on my headphones, but the sound bypassed the music, burrowing into my skull. I saw that the girls had huddled together, some of them crying too, saying they saw a figure in the dark hallway—a woman in a white dress, her face hidden by hair.
At 4:30, the bell rang, and we bolted. We didn’t wait for the elevator; we ran down the stairs, four floors, our footsteps like gunshots. The crying pursued us, echoing up the stairwell. We burst out into the hot afternoon sun, and the sound vanished. The guard, old Mang Lito, looked at us strangely. ‘Why you all so pale?’ he asked. We told him, and his face went ashen. He whispered, ‘You heard the weeping? That’s bad. That’s the spirit of a woman who died here in the ’90s. She was a teacher, and she was locked in the server room overnight. She had a heart attack, they said. But ever since, on Tuesdays, she weeps.’
We exchanged disbelieving looks, but deep down, we knew. The next Tuesday, we refused to go up. We had a free period in the library, but I couldn’t get the sound out of my head. I did some digging online, but there was nothing about a teacher dying in the Tower. The only record was a fire in 1995 that killed a woman—but the fire was in the chapel, not the Tower. Could the crying be from a different time? Or was it always there, just waiting for someone to hear it?
That night, I lay in bed, and I heard it again—softly, but unmistakable. The weeping. It was coming from my closet. I didn’t sleep. I turned on all the lights, but the sound persisted. I called Leo, but he said he couldn’t hear anything. Then he paused. ‘Wait, I hear something now. It’s like static.’ I realize then that the sound was not in the building, not in my room—it was in my mind, but somehow, it was real enough to touch.
I went back to school the next day, dreading Tuesday. But instead of the annex, I went to the chapel, just to sit in the quiet. As the bells chimed three, I heard the crying again. I looked up at the altar, and for a split second, I saw a woman in a white dress, her face wet with tears, pointing at the Tower. She opened her mouth, and instead of words, a wail escaped—a sound that was both sorrow and fury. Then she vanished.
I haven’t told anyone that I heard her in the chapel. I don’t think they would believe me. But every Tuesday, I find myself listening, waiting for that cry. It’s as if she’s not a ghost of the past, but a part of the place itself, bound to the concrete and the wires. And I’m beginning to understand that she’s not trapped in the server room—she’s trapped in the story, in the repeated wail that never gets answered. As I write this, I hear it again, from the next room. I’m not going to open the door. I know what I’ll find: nothing. And everything.