When I agreed to house-sit for Mrs. Albright, I expected a few weeks of peace and quiet, not a descent into something cold and watchful. Mrs. Albright, who lived two doors down in the old Whitmore Estate, had an oddly specific request: feed her three cats—Marbles, Soot, and Jasper—at precisely six in the morning and six in the evening. No exceptions. She was paying well, so I agreed.
The house was a sprawling Victorian relic, painted a peeling gray, with a wrap-around porch and windows like dark, patient eyes. The interior was a maze of dusty rooms, thick with the smell of old wood and lavender. The cats were skittish, especially Jasper, who would hiss at me from atop the refrigerator.
One evening, I got caught in a downpour that flooded the main road. By the time I reached the estate, it was nearly midnight. The path through the overgrown garden was slick with mud, and the moon was a watery smudge behind racing clouds. I fumbled with the old brass key, finally getting the heavy oak door open. I flicked the hall light, but it buzzed and died. The only illumination came from a pale ribbon of light slipping from under the kitchen door.
As I walked in, I called out, ‘Mrs. Albright? You’re back early?’ No answer. The cats were silent, which I found unsettling. Then, from the other side of the kitchen door, a voice—Mrs. Albright’s voice, but strangely flat—said, ‘Take off your shoes, dear.’ It sent a prickle down my spine. I hadn’t seen her car, and she never texted about coming home. I hesitated, my hand resting on the cold brass handle. ‘Could you open the door?’ I asked. Silence, then a low, guttural purr that wasn’t like a cat’s at all.
I twisted the handle, and the door creaked open. In the dimness, I saw the three cats sitting in a neat row on the kitchen counter, their eyes glowing like embers in the dark. But Mrs. Albright was there too, standing at the far end, her back to me. She was swaying slightly. The pantry door behind her, which I’d never seen open before, was ajar, spilling out a thick, cloying darkness that seemed to drink the light. ‘You’re late,’ she said, but her voice came from the pantry, not her. Then she turned, and I saw her face. It was wrong—smiling too wide, her eyes filled with a milky film, and her hands were too long, ending in claws that glistened.
I froze. The cats began to hiss, but not at me—at her. She took a step toward me, and the pantry behind her belched a cold wind that smelled of copper and rot. ‘They need their dinner,’ she said, but the voice was layered, like something else speaking through her. ‘And so do I.’ The claws twitched. I backed away, my heart hammering.
That’s when I noticed the pantry. Inside, on the shelves, were not cans and spices, but dozens of cat collars—all the same worn leather, all with tags that were the names of every missing person from the county over the last decade. I saw a familiar one: my coworker’s teenage daughter, who vanished last summer. The collars were all neatly arranged, some still flecked with dried blood.
I turned to run, but the door slammed shut. The cats yowled and scattered. Mrs. Albright—or whatever wore her skin—lunged, and I dodged into the living room. I grabbed a heavy brass candleholder and threw it at her. It passed through her as if she were mist, and the pantry light flared, and I saw it: a huge, leathery form squatting inside, with too many eyes and a mouth that split its head in two. It wasn’t her. She was just a hollow shell.
I scrambled for the front door, but the locks were new—deadbolts that clicked. Something cold wrapped around my ankle, and I fell. The last thing I saw before the dark took me was the pantry door swinging open, and a long, pale arm reaching out, stretching impossibly, its fingers brushing my cheek like a lover’s goodbye.
I don’t remember waking up. I don’t remember walking back to my apartment. But I do remember the next morning, standing at my kitchen window, Mrs. Albright’s house across the way, dark and quiet. And in my hands, I held a key. It wasn’t mine. And on my wrist was a leather collar, warm, as if it had just been taken off.