The rain had been falling for three days straight, a steady, gray drizzle that turned the streets of Meridian into a slick mirror. In the old Morse Building, where I occupied the only floor with a light on, the weather seemed to seep through the walls, curling the wallpaper and making the floorboards sigh. I was alone that Saturday evening, or as alone as one can be when the building has a reputation that whispers through the neighborhood: the Morse had been empty for a decade, save for me, the super. And the other presence.
My friends, Lena and Theo, had come over to keep me company, though they both claimed they were ‘just curious’ about the place. We sat in my cramped living room, the windows fogged from our breath, and the talk, as it always did when they visited, turned to the eerie happenings. I told them about the footprints in the dust, the cold spots that lingered by the stairwell, the faint smell of pipe tobacco that wafted through my rooms at odd hours. They had their own tales: Theo swore he once heard a woman humming in the basement, and Lena had seen a figure in the third-floor window one night when no one else was there.
But it was the footsteps that were the most consistent. Every night, around two in the morning, I’d hear heavy, deliberate steps coming down the hallway outside my door, only to stop right at the threshold. It had gotten to the point where I’d stopped opening the door to check, because nothing was ever there.
Theo, a tinkerer with a wild streak, suddenly slammed his coffee cup on the table. ‘I’ve got it,’ he said, his eyes alight. ‘We’ll catch the thing.’ He scrambled to his feet and disappeared into the back room, returning with a tangle of fishing line, a rusty coffee can full of nails and screws, and a spool of clear tape. ‘We’re going to build a tripwire,’ he explained, ‘right across the hallway. If the footsteps are real, they’ll have to trigger it.’
Lena and I exchanged skeptical glances, but Theo’s enthusiasm was infectious. We followed him into the hallway, which was dark, the bulb long since burned out. I held up my flashlight, a heavy old thing with a cracked lens, while Theo strung the line taut across the corridor at ankle height, taping it to the baseboards on either side. Then he fiddled with the can, poking a hole through the bottom and threading a loop of line through it so it hung in the middle, just above the floor. ‘When something hits the line, the can falls and rattles,’ he said, grinning. ‘The noise will echo through the whole building.’
We retreated to my apartment, leaving the door ajar a crack, and sat in the dark, listening. The rain had intensified, drumming against the roof, but we strained our ears for any other sound. The minutes crawled by. Theo kept checking his watch. Lena hugged her knees on the couch. I stared at the strip of light under the door, waiting.
Then, at 2:13 AM, we heard it: the muffled clatter of the can hitting the floor, followed by a jangling of metal as the nails and bolts spilled out. We froze. The sound was unmistakable. Theo’s face went pale. ‘That’s it,’ he whispered. ‘It’s real.’
We crept to the door and peered into the hallway. The line was still intact, but the can lay on its side, the nails scattered like tiny specks of light under my flashlight beam. There was no one there. No one at all. And yet, as we stood there, we all felt a presence—a cold, heavy pressure that seemed to settle on our shoulders. A faint, sweet smell of decay drifted past, and then, from the far end of the hall, came the slow, deliberate sound of footsteps, coming closer.
We slammed the door and locked it, our hearts pounding. The footsteps continued past my door, down the stairs, and into the basement. We didn’t sleep that night. When the sun finally rose, we went to inspect the setup. The line was still there, but the can had been somehow upturned, its contents scattered in a pattern that spelled something on the dusty floor: a single word, as if a finger had dragged through the grime. It read: ‘Mine.’
From that night on, the Morse Building grew quiet. No more footsteps, no smells, no cold spots. But I never felt alone. And sometimes, in the dead of night, I’d hear a faint rattling from the hallway, as if someone was shaking the can slowly, waiting for me to come out. I couldn’t leave, either—the super’s job was my only income. But every night, as I lie in bed, I hear the can rattle, and I know that something is waiting, just beyond the door, playing with the trap we set, and wondering if we’ll be brave enough to set another.