The Third Gate

4 min read

Story Premise 4 min read (759 words)

"My partner in these excursions, Jules, had a theory about the old ironwork gate that leaned against the fence at the edge of the Marrowbone Preserve. ‘It’s a hinge,’ she said, tapping the rusted metal with her boot. ‘A hinge between what’s here and what’s not.’ I laughed, but I felt it too – that […]"

My partner in these excursions, Jules, had a theory about the old ironwork gate that leaned against the fence at the edge of the Marrowbone Preserve. ‘It’s a hinge,’ she said, tapping the rusted metal with her boot. ‘A hinge between what’s here and what’s not.’ I laughed, but I felt it too – that pull, like a current running through the soil, tugging at the soles of my shoes. We’d come here as teenagers, sneaking past the ‘No Trespassing’ signs to climb the knotted oaks and dare each other to touch the crumbling headstones in the forgotten pioneer cemetery. But this time was different. The preserve had been closed for two years after a sinkhole swallowed part of the trail, and the stories had started – hikers hearing their names called in their mother’s voice, dogs refusing to go past the third bend. When Jules texted me, ‘The gate’s open,’ I knew we had to go.

We parked on the gravel shoulder, the car’s engine ticking as it cooled. The air smelled of wet leaves and something sweet, like overripe fruit. The gate wasn’t just open – it was unhinged, lying flat on its back as if someone had pried it off and tossed it aside. ‘That’s new,’ I said. Jules didn’t answer; she was already stepping over it, her flashlight beam cutting through the early morning fog. We walked the loop trail, our boots squelching in the mud, and the pull grew stronger, a gentle insistence that we keep moving deeper. We came to the old tree – the one with the branch that curved like a beckoning arm – and Jules said, ‘We used to sit up there and watch the sunset.’ Before I could stop her, she was scaling it, her laugh echoing off the trunk. I took her picture, the flash catching something pale behind her legs, but when I looked, there was nothing.

By noon, Jules was exhausted. She spread her jacket on a patch of grass near a collapsed stone wall and lay down, her eyes closing against the sun. ‘I’ll just close my eyes for a minute,’ she said. I was too wired to rest. I climbed the nearest hill, the one we’d always called the Lookout, and raised my camera. The preserve stretched out below – a tangle of green and gray, the cemetery’s broken monuments like crooked teeth. I took a few shots of the landscape, then turned toward the hill’s crest, where a weird spiral pattern of stones was arranged. I’d never noticed them before. I aimed the camera, and in the viewfinder, the stones seemed to shift, the spiral turning like a slow whirlpool. My finger pressed the shutter, and the flash illuminated something in the frame – a figure, tall and thin, standing at the spiral’s center. I lowered the camera, my heart slamming. The spiral was empty. I looked at the photo. The figure was there, but it looked like Jules – from behind, wearing the same jacket, but shorter, and its head was tilted at an unnatural angle.

I walked back to the tree, calling Jules’s name. There was no answer. Her jacket was still on the grass, but she was gone. Panic surged, and I started running, calling her, searching the scrub. I found her at the third bend in the trail – the one the stories warned about. She was standing perfectly still, facing the sinkhole that had swallowed the path. Her head was tilted, just like in the photo. ‘Jules?’ I said, my voice cracking. She didn’t move. When I got closer, I saw that she was breathing – slow and rhythmic – but her eyes were closed. I shook her shoulder. She flinched, blinked, and looked at me as if she’d never seen me before. ‘I was just resting,’ she said, her voice flat. ‘It’s time to go,’ I said. She nodded, and we walked back to the car in silence. But as we drove away, I saw in the rearview mirror that the gate at the entrance was standing upright again, its hinges intact – and there was a figure standing behind it, watching us leave.

That night, Jules called me. Her voice was thin, like it was coming from a great distance. ‘It’s not a hinge,’ she said. ‘It’s a door. And I think I left it open.’ The line went dead. When I looked outside, the streetlight in front of my house was flickering, and in the shadows beneath it, I saw a figure that turned – and waved.

Related Horror Movies to Watch

⚡ WILLOW LIVE
Listening for whispers in the dark...
Real-Time Whispers Stream
REAL-TIME

Listening to the woods...