The Second Note

6 min read

Story Premise 6 min read (1,061 words)

"I’ve always found comfort in the familiar hum of our old upright piano, a fixture in our sunroom that overlooks the backyard. My mother, a retired music teacher, insisted on keeping it tuned even though she rarely plays now. I, Elena, had inherited her love for the instrument, though my father was the one who […]"

I’ve always found comfort in the familiar hum of our old upright piano, a fixture in our sunroom that overlooks the backyard. My mother, a retired music teacher, insisted on keeping it tuned even though she rarely plays now. I, Elena, had inherited her love for the instrument, though my father was the one who could make it sing. My brother, Daniel, had also taken lessons, but his passion had wilted into duty.

Our house, a sprawling Victorian on the quiet, tree-lined Maple Street, had always felt safe. We had a modern security system, but the sensors were so sensitive that a gust of wind could set them off, so we usually left it disarmed. The sunroom was at the back of the house, a glass enclosure that let in the morning light, but at night it was a dark, echoing cavern.

The incident happened last Tuesday. I had gone to bed early, drifting into that half-sleep where dreams and reality blur. The house settled with its usual creaks and groans, but then I heard it: a single, resonant note from the piano. It was a low A flat, a sound that felt like a dropped stone in a silent pool. I froze, my heart hammering against my ribs. I waited, holding my breath, but nothing else came. Then, a series of soft clicks, like fingernails on wood, followed by what might have been footsteps, slow and deliberate, crossing the sunroom floor.

I pulled the covers over my head, my mind racing. Who could be down there? The family was all upstairs. The doors were locked, the windows shut. I strained to hear more, but there was only silence.

After a few minutes, the need to use the bathroom outweighed my fear. I got up, navigating the dark hallway by memory. I didn’t glance at my clock, which I had covered with a cloth to block its glow. When I came back, I stood at the top of the stairs, looking down into the darkness of the foyer. The sunroom was to the left, its door slightly ajar. I could see a sliver of moonlight on the piano keys.

Then it came again. A second note, higher this time, a C. It was clear, deliberate, as if someone had pressed the key gently. My blood ran cold. I rushed to my parents’ room, pushing open the door. They were both sound asleep, my father’s snoring a steady rhythm. I went to Daniel’s room, and he too was out cold, his tablet glowing on the nightstand.

I crept downstairs, my bare feet cold on the hardwood. I flicked on the lights, flooding the sunroom with harsh brightness. The piano was as it always was, lid closed, sheet music stacked neatly. There was nothing out of place. No one there. I checked the windows, all locked. The door to the garden, locked. I even looked under the piano bench, as if something could be hiding there.

I went back to bed, but sleep was impossible. I lay there, listening. The house was silent, but the silence felt loaded, as if waiting for something.

The next morning, I told my family. My mother laughed it off, saying it was just the house settling. My father suggested maybe a mouse had gotten inside. Daniel barely looked up from his cereal. But I couldn’t shake it. The notes were too perfect, too intentional.

That night, I decided to stay awake, to listen. At 2:15 AM, I heard it again. This time, it was a chord: A flat and C together, a minor third, a dissonant, unsettling interval. The clicks followed, and then, unmistakably, footsteps. They were heavier than before, as if whoever it was wanted me to hear them. They moved from the piano, across the sunroom, and stopped at the door to the hallway. I heard the door creak open.

The hallway led to the stairs. I could feel the presence ascending, each step a thud against my eardrums. I was frozen in my bed. The footsteps reached the top of the stairs, paused, then started down the corridor toward my room. My door was closed but unlocked. I watched the brass knob, waiting for it to turn.

It didn’t. Instead, the footsteps stopped right outside my door. I could imagine a figure standing there, listening, as I was listening to it. The silence stretched, an eternity. Then, a whisper, so faint I almost missed it: ‘Elena.’

Terror seized me. I threw off the covers, ran to the window, and flung it open. I screamed for help, but the street was empty, the houses dark. I saw a light flicker in the neighbor’s house, but then it went out. I turned back, and the footsteps had faded. The house was silent again.

I didn’t sleep that night, or the next. I started leaving the lights on. I tried to get my family to leave, but they thought I was being dramatic, that I had just had a nightmare.

But the notes kept coming. Each night, they were different, sometimes a single note, sometimes a chord. And each night, the footsteps would approach my door, and the whisper would call my name.

Last night, I finally mustered the courage to look. I had propped my phone to record the hallway. When I reviewed the footage the next day, I saw nothing. No figure, no shadow. But I heard the notes, the clicks, the footsteps. And I heard my name, spoken in a voice that was strangely familiar.

It was my mother’s voice.

I confronted her, but she denied it. Yet, when I looked into her eyes, I saw something I had never noticed before: a flicker of recognition, as if she knew exactly what I was talking about.

I’ve started to wonder if the piano is a door, and something is trying to come through. My mother used to play a lullaby, one her own mother taught her. It began with A flat and C. I thought it was just a coincidence.

But now, as I sit here, typing this, I can hear the notes again. They’re playing a melody now, a slow, sad tune I’ve never heard. And I can hear footsteps climbing the stairs, heavy and slow. The door handle is turning.

And this time, I think I’m going to see who’s been playing.

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