The summer I turned nine, my family moved to the edge of the salt marshes, where the air tasted of brine and the grass whispered with the wind. My great-aunt Edna had passed, leaving her crooked house and its skeletal dock to my mother. The house leaned like a tired old woman, its windows like rheumy eyes, and the marsh stretched out behind it like a green-grey sea.
On the first morning, I wandered to the waterline, where the mud squelched under my boots and the fiddler crabs scuttled sideways. The marsh was a labyrinth of channels and islands, and at low tide, the mudflats shone like dark mirrors. I was poking at a stranded horseshoe crab when I heard it—a voice, soft and clear, like a bell struck underwater. It called my name: ‘Elias.’ I spun around, but there was no one. Only the gulls crying overhead and the drowsy hum of insects.
I told myself it was the wind, or a trick of the marsh, but it happened again the next day, and the day after, always from the direction of a distant grove of dead, twisted trees. The voice was warm, familiar, like a grandmother’s lullaby, and it beckoned me closer. I never went, but I began to dream of the marsh at night—a glowing figure in the deep channels, its hand outstretched, its face hidden by the reeds.
My mother noticed my restlessness and told me that the marsh had its own dangers: the sinking mud, the sudden tides, and the old stories. She said that Great-Aunt Edna had been a recluse, and that some folks in the town claimed she ‘listened to the marsh.’ Mother laughed it off, but I saw her glance at the tree line with a shiver.
On the third week, I finally gave in. I followed the voice through the channels, my heart pounding with a mix of fear and hope. The tide was coming in, and the water began to rise around my ankles, then my knees. The voice grew clearer, more insistent, and I saw the dead trees ahead, their branches like gnarled fingers. And there, half-submerged in a pool, was something that made me stop: a small, rusted tricycle, its seat covered in barnacles. I knew it was my cousin’s—she had vanished two years ago while visiting Aunt Edna. The marsh had been searched, but they never found her.
Then the water erupted. A shape rose from the mud—not human, but a twisted amalgam of grey skin and marsh grass, its eyes like black pebbles. It reached for me with long, water-logged fingers, and I felt a pull, a longing to join it. But I wrenched myself away, stumbling back through the rising tide, my lungs burning, until I collapsed on the dock, coughing salt water and sobbing.
After that, the voice never called again. But I knew the marsh was patient. On some nights, when the moon was full, I would see a shimmering figure standing among the reeds, watching the house. And years later, when my mother had the dock repaired, the workmen found a small shoe caked in mud and shells—a child’s shoe, with a bell on the toe that jingled in the salt air, as if it were waiting to be called again.