My grandmother-in-law, Edith, was the most resilient person I’ve ever known. She raised nine children on a crumbling farm in the middle of the Nebraska prairie, and she buried six of them before her husband, Frank, died of a heart attack in the bathroom, his head against the cold porcelain tub. She never cried in front of me, not once. Instead, she’d tell me stories, her voice dry as the wind that rattled the windows, about how her dead children would visit her at night. She’d wake to find her youngest, Mary, sitting on the edge of her bed, humming a lullaby she used to sing. Or she’d hear her son Thomas’s heavy footsteps in the hall, the way he’d thud up the stairs after a long day in the fields. She said they never frightened her. They were her family. They just came home.
I met her grandson, Ethan, when I was seventeen, just weeks after his older brother, Luke, died in a grain silo accident on a neighboring farm. Ethan was quiet, his eyes still hollow with grief, but there was a gentleness in him that drew me in. We fell in love in that strange, urgent way that only the young can, as if we could cheat death by holding onto each other. Edith would often leave for weeks at a time to stay with her daughter in the city, ten hours away. Those were the best times. Ethan and I had the old farmhouse to ourselves, with its creaking floors and the smell of dust and dried apple. But even then, I felt it. A presence. A weight. Like someone was standing just behind us, watching.
One night in late November, a cold front swept in, and the wind howled through the gaps in the window frames. Ethan was in the kitchen, making us tea, and I was in the living room, curled up on the sofa with a blanket. The house groaned around us, and I tried to shake the feeling that we weren’t alone. That’s when I heard it: a child’s laugh, thin and high, coming from the hallway that led to Edith’s room. I froze, my heart pounding. The laugh came again, followed by the sound of small footsteps on the hardwood, the patter of bare feet. I called out for Ethan, my voice shaking. He appeared in the doorway, his face pale against the dim light. He said he heard it too. We stood there, listening, but the house went silent. Then, from the kitchen, came the sound of glass shattering, a sharp, violent crash. We rushed in, but the floor was clean. Not a single shard. Only the tea kettle, still steaming.
Edith returned a week later, her eyes sharp and knowing. She didn’t ask about the incident. She simply said, ‘They get restless this time of year. Winter’s coming, and they don’t like the cold.’ I wanted to ask her who ‘they’ were, but I was afraid of the answer. That night, I stayed up, lying in Ethan’s bed, listening to the wind and the settling of the house. At some point, I drifted off. When I woke, the room was bathed in a cold blue light, and standing at the foot of the bed was a boy. He was maybe eight years old, with wet hair plastered to his forehead and water dripping from his chin. He looked at me with cloudy eyes, and I knew without a doubt that this was Benjamin, Edith’s son who drowned in the irrigation canal. He opened his mouth, but what came out was the gurgle of water. ‘You can’t stay,’ he said, the words thick and distorted. ‘This house is ours.’
I screamed, and Ethan jolted awake. The boy was gone. I told Ethan what I saw, and his face went white. He said, ‘I’ve seen him too. He drowns in my dreams.’ We tried to leave that night, but the car wouldn’t start. The battery was dead. We were trapped.
The next morning, Edith was already up, making breakfast as if nothing had happened. She set a plate in front of me, but there was something wrong with the eggs. They were cold, and they smelled like river mud. She smiled, a thin, knowing smile, and said, ‘They want you to stay for a while.’ I pushed the plate away, and Ethan shot me a look. But Edith just hummed, a tune I didn’t recognize, and I realized it was the same tune the drowned boy had hummed before he laughed.
Over the next few days, strange things escalated. Doors slammed on their own. Pictures fell off the walls, their glass cracking into spiderwebs, yet never breaking. I’d catch glimpses of a woman in a long white nightgown, standing in the hallway, watching me with hollow eyes. Ethan said it was his aunt Sarah, who died at the age of two weeks. I couldn’t take it anymore. I begged Edith to make it stop. She looked at me, her eyes as cold as the grave, and said, ‘They’re not doing anything to you. They’re just checking on you. They check on everyone.’
The night before we were to leave, I was alone in the bathroom. The mirror was fogged from my shower, and I wiped it clean. Behind me, reflected in the glass, I saw a man. He was tall, with a gaunt face and a dark stain over his heart. I knew it was Frank, Edith’s husband. He was holding his chest, gasping for air. I turned, but there was no one there. When I faced the mirror again, he was gone. But written in the condensation, in a shaky hand, were the words: ‘They’re all here.’
I ran out of the bathroom, nearly crashing into Edith. She was standing there, a smile on her face, but her eyes were filled with something like pity. ‘They only speak to those who are ready,’ she said. ‘You’re not ready. But that’s okay. They’ll wait.’
We left the next morning. The car started without issue. As we drove down the long gravel road, I looked back at the farmhouse. Every window was lit, and in each one, I saw a figure standing, watching. They were all there: Ethan’s brother Luke, the drowned Benjamin, the baby Sarah, and all the others. I turned to Ethan, who was gripping the steering wheel, his knuckles white. He said, ‘They always come back. They never really leave.’ I didn’t say anything. I just watched the house shrink in the rearview mirror, until it was nothing but a speck on the horizon. But even then, I could still feel their eyes on me, and I knew, with a cold certainty, that they would find me again. They always do.