The Runner in the Hollow

6 min read

Story Premise 6 min read (1,033 words)

"We came to the hollow in late autumn, when the leaves were already dead but not yet fallen. The house was still breathing dust from the framing, but we didn’t care. It was new, ours, a fresh start after the old place in the mountains kept reminding us of things we’d rather forget. The neighborhood […]"

We came to the hollow in late autumn, when the leaves were already dead but not yet fallen. The house was still breathing dust from the framing, but we didn’t care. It was new, ours, a fresh start after the old place in the mountains kept reminding us of things we’d rather forget. The neighborhood was called Whispering Pines, though the pines were sparse and the only whispering was the wind through the construction debris. Our house was the last on the cul-de-sac, backing onto a tangle of woods that smelled of wet earth and rot.

At first, the strangeness was easy to dismiss. A tapping on the window at night that I blamed on a branch, though the nearest tree was twenty feet away. My wife, Lena, said she saw a figure in the backyard one evening, standing just at the edge of the trees, too still, too dark against the gray trunks. When I flicked on the porch light, there was nothing but the trampled grass where something heavy might have stood.

Then came the runner. It was a Tuesday, I think, around two in the morning. I’d been unable to sleep, drinking cold coffee in the kitchen, when I saw it through the sliding glass door: a shape, low to the ground, sprinting down the street that curved past our house. It moved with a frantic, jerky rhythm, not like a man running but like a thing trying to imitate one. It went from the streetlight at the corner to the darkness at the end of the cul-de-sac, then back again, back and forth, for hours. I called out, but nothing. I stepped onto the porch, and the street was empty. The silence was so thick I could hear my own heart.

Lena started seeing it too, but she described it differently. She said it looked like a child, but thin, with arms too long, and it never turned its face toward the house. Our daughter, Maddy, who was four, began to talk about ‘the friend by the trees’ who wanted her to come out and play. We told her it was her imagination, but she kept drawing the same picture: a stick figure with a huge grin, chased by a smaller figure that was all smeared lines.

I tried to convince myself it was the new-house jitters, but the house itself started to turn on us. Lights flickered in patterns that almost spelled something. The smell of something burning would drift through the vents, but the stove was cold. And always, at the edge of my vision, I would catch a glimpse of that running shape, always at the same distance, always heading the same direction, as if it were circling us, waiting for something.

The night it escalated, I was home alone. Lena had taken Maddy to her mother’s, and I was supposed to be finishing some paperwork. But I couldn’t concentrate. I kept glancing at the back door, expecting to see the runner. And then I heard it: a sound like a thousand feet on gravel, but coming from inside the walls. I followed it to Maddy’s room, where her crayon drawings were scattered on the floor. The drawings had changed. The stick figure now had details – a gaunt face, hollow eyes – and it was chasing the smaller figure, which was bleeding black. In the corner of the last drawing, my daughter had written, in her shaky letters, ‘It wants to come in.’

I grabbed a flashlight and went outside, determined to find the source of the tapping and the runner. The night was moonless, and the woods were a black wall. I walked to the edge of the clearing, and that’s when I saw it: a trail, not of footprints, but of something dragged, leading into the trees. I followed it, crunching over dead leaves and broken branches, until I came to a hollow between three old oaks. There, on the ground, was a child’s shoe – caked in mud, but the mud was fresh. And next to it, a piece of paper, crumpled and wet. I unfolded it. It was a missing person flyer, dated 1972. The photo showed a boy named Caleb, missing from this very neighborhood, before the houses were even built. At the bottom, in faded handwriting, someone had written: ‘He runs forever.’

I ran back to the house, my heart pounding, and locked every door and window. But the sound of running feet didn’t stop. It grew louder, circling the house, and then it began to run across the roof, up and down, a frantic, endless sprint. I heard a child’s laughter, high and wrong, and then a voice that seemed to come from inside my own head: ‘Let me in. I’ve been running for thirty years.’ I grabbed my phone, but the screen was black. The power went out. I lit a candle and huddled in the living room, the running footsteps a constant drum. Through the window, I saw it stop at the edge of the light, a silhouette too thin, and it raised a hand, as if waving. But its face – I could finally see its face – was not a face at all, but a hollow, with two empty pits for eyes.

When Lena and Maddy came home the next morning, they found me sitting in the middle of the floor, surrounded by every clock in the house, all stopped at 3:17 AM. I couldn’t speak for the rest of the day. Maddy looked out the window and said, ‘He’s still running, Daddy.’ And when I followed her gaze, I saw it again, down the street, back and forth, still waiting. The new house had brought us a companion we never asked for – a boy who never stopped running, and a promise that he would never let us leave.

We moved out a week later, but even now, in our new apartment across the state, I hear it sometimes. The pad of feet on pavement, the rhythmic breathing. And every night at 3:17, Maddy wakes up screaming, saying that a thin hand is tapping on her window, and a voice whispers, ‘I’m still running. Come join me.’

Related Horror Movies to Watch

⚡ WILLOW LIVE
Listening for whispers in the dark...
Real-Time Whispers Stream
REAL-TIME

Listening to the woods...