The Pale Boy in the Hall

6 min read

Story Premise 6 min read (1,141 words)

"Our house was built on the edge of a dying forest, where the pines stood like silent mourners and the wind carried the smell of damp earth and rot. When I was twelve, my parents decided to renovate the old place—knock down a wall here, shift a door there, and rearrange the furniture until the […]"

Our house was built on the edge of a dying forest, where the pines stood like silent mourners and the wind carried the smell of damp earth and rot. When I was twelve, my parents decided to renovate the old place—knock down a wall here, shift a door there, and rearrange the furniture until the rooms felt like strangers. That’s when the changes began. At first, we blamed our eyes, the tricks of tired minds, but soon the pale boy’s visits became impossible to ignore.

It started with my mother, who swore she saw a child darting past the kitchen window, but when she ran outside, there was nothing but the empty yard and the forest’s edge. Then my father complained of footsteps in the hall at night, a soft patter like bare feet on wood, though we all wore socks or slippers. But the worst was the boy himself. I would catch him in mirrors, a white blur slipping through doorways, always at the edge of my vision, never enough to see his face clearly.

One evening, while brushing my hair in front of the full-length mirror in my room, I saw him plainly. The door behind me was ajar, and through the glass, I watched a boy in white step through, walking casually toward the bathroom. He was small, maybe seven, with ash-blond hair and clothes that seemed to swallow light. For a moment, I thought he was my youngest brother, Leo, but Leo was asleep in the next room. I turned, and the hallway was empty. The bathroom door stood open, nothing but shadows inside. My heart thumped, but I forced a laugh, telling myself it was a trick of the light, a brief hallucination from staring too long. Yet, as I turned back to the mirror, I saw him again—standing inside the bathroom doorway, staring at me with hollow, black eyes that had no whites. Then he was gone, and the door clicked shut on its own.

Days passed, and the boy grew bolder. I’d hear his footsteps at night, coming from the hallway, stopping outside my door. Sometimes I’d see his silhouette through the crack under the door, a pale shape that lingered for minutes before retreating. I told no one, afraid they’d think I was crazy. But my brothers began to whisper about strange happenings—toys moving on their own, doors slamming, the cold spots in the house. My father blamed the old wiring, my mother blamed the drafts, but I knew the truth.

Then came the night when I woke to find him standing at the foot of my bed. The moonlight filtered through the blinds, casting strips of silver across the floor, and there he was, as real as anything, his face a blank mask of white. I tried to scream, but my voice was a dry wheeze. He tilted his head, as if curious, and then slowly raised a hand, pointing toward the hallway. His lips moved, but no sound came out. Instead, a chill swept through the room, and I felt something cold wrap around my ankles, pulling me toward the edge of the bed.

I yanked my legs away, scrambling to the headboard, and the grip released. The boy’s mouth twisted into a smile that was too wide for his face, and then he faded, leaving only the lingering cold and a faint scent of pine and rot.

The next morning, I told my parents everything. They exchanged worried glances but said nothing, except my father who muttered something about ‘old haints’ and the land’s history. That’s when we learned the truth. A neighbor, old Mrs. Hargrove, revealed that the house was built on the site of a forgotten tragedy. Decades ago, a family had lived here, and a young boy had drowned in the creek that ran behind the property. His body was never found. Since then, people had reported seeing a pale child wandering the woods, but this was the first time he’d ever made himself so known in this house.

We tried to cleanse the house, brought in a priest, burned sage, and said prayers. For a week, there was peace. But then, one night, I saw him again, this time in the reflection of the oven door while cooking dinner. He stood behind me, his hands raised, and in the reflection, I saw the hallway behind him filled with other shadows—his family, perhaps, all stained with the same unnatural whiteness. They were reaching out, and I dropped the pan, the clatter breaking the spell.

That was when I decided to find out what he wanted. I searched the old town records, digging through dusty archives, until I found a brief mention of the drowning. The boy’s name was Eli. He had been playing by the creek when he slipped and was swept away. His parents, overcome with grief, moved away shortly after, leaving the house empty. But Eli remained, trapped between worlds, longing for something—perhaps a friend, perhaps to be remembered.

I began leaving small gifts for him—a toy soldier, a drawing, a sweet. The activity in the house quieted. The white shadows became less frequent, and he stopped appearing in mirrors. I thought maybe he was at peace. But I was wrong.

Three weeks later, I walked into the bathroom and found the mirror fogged with condensation, even though the shower was dry. Written in the mist were words that made my blood run cold: ‘I see you.’ I backed away, trembling, and when the glass cleared, I saw his face pressed against the other side, not in reflection but as if he were trapped inside the mirror itself. His hands pressed against the glass, leaving smudges that never wiped clean. Then, with a flicker, he was gone, and the mirror was clear again.

I haven’t seen him since. But I feel him. Sometimes, when I’m alone, I catch a whiff of that pine rot, and I know he’s watching. The house seems larger now, with empty spaces where he could be hiding. And every night, as I lie in bed, I hear a faint tapping on the mirror across the room—three taps, like a child’s knuckles—and I know he’s waiting, that one day, he’ll step out, and I’ll be the one to join him in the pale lands.

I can’t leave this house; I’ve grown to understand him. But sometimes, when I’m brushing my hair, I see him in the corner of my eye, standing in the doorway, and I know he’s not a shadow. He’s something more, something that has latched onto this place, and onto me. And I worry that one day, I’ll look in the mirror and see my own face reflected, but pale and hollow, with black eyes that have no whites.

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