It was the summer of 1998, and I was six years old, sleeping in the cramped bedroom of our apartment above my uncle’s antique shop. The room smelled of dust and old wood, and the hum of the air conditioner from the shop below was a constant drone. My parents, Lena and Marcus, were having one of their silent treatments—the kind that made the air thick with unspoken anger. I often crawled into their bed, a peace offering, a small body between them to keep the tension at bay.
That night, I woke to find my mother sitting bolt upright in the bed, her eyes wide, her breath coming in short gasps. She was staring at the corner of the room where a small shelf held a collection of Victorian-era dolls my uncle had picked up at an estate sale. One doll in particular—a porcelain-faced girl with a cracked smile and a tattered blue dress—seemed to be the focus of her gaze. I could feel the cold radiating from her, and a low hum filled my ears, like a radio tuned to static.
She swung her legs off the bed, her bare feet hitting the floor with a soft thud. My father stirred but didn’t wake. She didn’t bother to turn on the light; instead, she moved to a small drawer where she kept a silver locket with a tiny image of the goddess Durga inside. She never removed it, but that night she fumbled with the clasp and finally slipped it over my head. The metal was cold against my skin, and I felt a shiver run through me.
Then she did something that made my blood run cold. She walked to the shelf, picked up the cracked doll, and placed it on the nightstand beside me. She whispered, ‘Keep it close. It will protect you.’ But the look in her eyes was not one of reassurance—it was terror. She then turned and left the room, heading toward the tiny kitchen where we kept the brass oil lamp that she lit every evening before her prayers. I heard the click of the lighter, and a faint orange glow spilled into the hallway.
I lay there, clutching the locket, staring at the doll. Its painted eyes seemed to follow me, and I could swear the crack in its smile had grown. A voice, thin and reedy, whispered something—not in a language I knew, but I understood the meaning: ‘You are not hers.’ I squeezed my eyes shut, but the voice grew louder, like the buzz of a trapped fly. When I opened my eyes, the doll was standing on the floor, its head tilted at an unnatural angle.
I screamed, and then my father jolted awake, his eyes wild. He saw the doll, and a look of pure horror crossed his face. He grabbed it by the leg, marched to the window, and hurled it out into the alley below. The glass shattered, and the sound of the impact echoed in the silence. For a moment, everything was still. Then from the alley, I heard a child’s sobbing, growing fainter until it was swallowed by the night.
My mother came back, her face pale, her hands trembling. She looked at the broken window, then at me, and said, ‘It was not a toy.’ We moved out of that apartment within a week, and my father never spoke of that night again. But sometimes, when I pass an antique shop and see a porcelain doll with a cracked smile, I feel the weight of that locket disappear, and a cold whisper tells me, ‘You are mine.’