The first thing I remember about grandmother’s house was the smell of damp earth and fried spices, a combination that clung to everything like a second skin. The monsoon had just begun, and the narrow lane outside was a river of brown sludge, carrying with it the debris of the city’s underbelly. Our house, a three-story structure wedged between its neighbors, seemed to breathe with the collective life of the three families who shared its walls. In the room I shared with my mother, the window looked out not to a street, but to a cramped courtyard where a dozen tin-roofed shacks huddled together like frightened animals.
From that window, I would watch the rain batter the rusted roofs, creating a percussive symphony that drowned out the constant murmur of human existence. But there was one sound that pierced through everything, a voice that cut through the drumming rain and the drone of conversations: the woman who lived directly behind us. Every evening, as the light failed and the kerosene lamps flickered to life in the shacks, her voice would rise, shrill and relentless, screaming at her son. ‘You worthless boy! You’ll never amount to anything! Why can’t you be like your cousin?’ The words were always the same, a litany of disappointment and rage.
I never saw the boy clearly, only a thin shadow that occasionally darted across the sliver of visible space between our window and her door. He was maybe seven or eight, with a perpetually hunched posture, as if trying to make himself smaller than he was. One afternoon, during a brief lull in the rain, I saw him crouched by a puddle, his tiny fingers tracing patterns in the mud. His mother’s voice erupted from the hut, and he flinched, but didn’t move. A moment later, a shoe flew out and hit him on the back. He didn’t cry. He just lowered his head and went inside.
My grandmother, a wizened woman with eyes that had seen too much, caught me watching. She shook her head slowly, her lips pressed into a thin line. ‘That woman is cursed,’ she said, her voice barely above a whisper. ‘She lost her husband in the floods ten years ago. She blames the boy, says he brought bad luck. But it’s not the boy who’s cursed, it’s her. She’s been talking to things in the rain.’ I asked what she meant, but she just turned away, muttering about the monsoon madness.
As the weeks passed, the rains grew heavier. The streets became rivers, and the shacks behind our house began to flood. The woman’s screams grew more frantic, but the boy’s voice was never heard. I started having nightmares, dreams where the rain turned to black oil, and the boy’s face was pressed against my window, his eyes hollow, his mouth moving soundlessly. I would wake in a cold sweat, the sound of the real rain mingling with the phantom echoes of my dream.
One night, I couldn’t sleep. I crept to the window and saw the woman standing in the middle of the courtyard, her arms outstretched, facing the dark sky. The rain poured down on her, plastering her sari to her thin frame. She was chanting something, her voice low and guttural, unlike her usual shrill screams. As I watched, the boy came out of the hut, his small figure barely visible in the gloom. He walked up to her, tugging at her wet sari. She didn’t look down. Instead, she raised her hand and struck him, so hard he fell into a puddle. He lay there, not moving, the rain swallowing his small form. I wanted to scream, to do something, but I was frozen, a silent witness to this horror.
Then, the strangest thing happened. The woman stopped chanting and looked directly at my window. Even in the dark, I could see her eyes, filled with a malevolent light. She smiled, a slow, terrible smile that bared her teeth. And she said, in a calm, clear voice that cut through the storm, ‘He’s yours now. Take him.’ The boy stirred, lifted his head, and looked up at me. His eyes were black, like voids, and his lips moved, but no sound came out. I stumbled back from the window, my heart pounding, and hid under my covers until dawn.
The next morning, the rain had stopped. The courtyard was still and silent. The woman’s shack was empty. The boy was gone. When I asked my grandmother about them, she just said, ‘They left. The monsoon has taken them.’ But I knew better. I had seen the transfer, the passing of a burden too heavy for any child to bear. Whatever the woman had been talking to in the rain, she had given it to her son, and then to me.
For years afterward, I would find myself staring at rainy windows, expecting to see that thin shadow, those black eyes. And sometimes, in the patter of drops, I would hear her voice, murmuring curses in a forgotten tongue. But the worst was the fear that one day, the rain would find me again, and the boy would come to claim what was promised.