The Man in the Rain

5 min read

Story Premise 5 min read (947 words)

"The winter after our uncle drowned, the house on Maple Street felt like a held breath. My mother moved through rooms with the silence of a ghost, and my father spent hours staring at the frozen lake. We were a family of statues, except for little Eva, who was only two and didn’t understand why […]"

The winter after our uncle drowned, the house on Maple Street felt like a held breath. My mother moved through rooms with the silence of a ghost, and my father spent hours staring at the frozen lake. We were a family of statues, except for little Eva, who was only two and didn’t understand why everyone’s eyes were wet.

We tried to shield her from the grief, but children see what adults try to hide. A week after the funeral, as snow piled against the windows, Eva pointed at the empty armchair in the corner and said, ‘Sissy, who’s that man?’ I turned, but the chair was bare. ‘There’s no one there, sweetie,’ I said, but she kept staring, her tiny finger unwavering.

The next day, she started to cry when we passed the hallway mirror. ‘He’s angry,’ she whispered, her voice trembling. ‘The man is so angry.’ My parents dismissed it as a child’s imagination, but I couldn’t shake the cold that seeped into my bones when she spoke. I began to see things from the corner of my eye—a shadow that didn’t belong, a flicker of movement in the attic window.

Spring came, and the fear faded into the background noise of school and chores. But every time someone mentioned Uncle Mark, Eva would shrink back and chant the same word: ‘Man, man, man,’ her voice dropping into a guttural growl that didn’t belong to a two-year-old. Her eyes would go wide, unblinking, and she would point at nothing, her little hand shaking.

One evening, I was alone with Eva in the living room. A storm raged outside, and the power flickered. In a flash of lightning, she looked past my shoulder and screamed. I spun around—and there, for just a heartbeat, I saw him: a tall figure in a dripping coat, his face twisted with rage, standing between us and the kitchen door. Then the light vanished, and he was gone.

I grabbed Eva and ran to my parents’ room. When I told them what I saw, my mother’s face drained of color. She finally admitted that Uncle Mark had not drowned by accident. He had argued with my father the night before, accused him of stealing the inheritance, and stormed out into the storm. His body was found the next day, but the last words he had shouted were about revenge.

That night, we heard footsteps in the hallway, slow and heavy, like wet boots on wood. A low growl came from outside Eva’s door, and then the sound of a man whispering her name. My father grabbed a poker from the fireplace, but the door was locked. The next morning, her favorite doll was torn apart, its stuffing strewn across the floor like snow.

We called a priest, but he could do nothing. The house had become a conduit for his fury. Every night, the same words echoed from the walls: ‘Mine, mine, mine.’ Eva refused to sleep alone, and even then, she would wake screaming, her small body soaked in cold sweat.

One night, I decided to confront him. I stood in the living room, the air thick with the smell of wet earth and decay. ‘Uncle Mark,’ I said, ‘you have to let us go.’ A cold hand gripped my shoulder, and a voice like gravel scraped in my ear: ‘She sees me because you brought me here. She will be my bridge.’

I understood then. Eva’s innocence had opened a door, and he intended to step through it. The next evening, I found an old drawer, black with mold, hidden in the basement. Inside was a tarnished locket with a lock of hair and a photograph of Uncle Mark as a boy, holding a knife. A note read, ‘For the one who sees, I will return.’

I told my parents we had to leave, but my father refused, saying we couldn’t run from our shame. So I took matters into my own hands. That night, as thunder shook the house, I gathered the locket, the photograph, and a jar of river water from the spot where he’d been found. I poured the water over the photo and whispered, ‘You are gone. You are dead. Let her go.’

The lights went out. A shriek tore through the house, and I felt something shatter inside my chest. When the power came back, Eva was standing in the hallway, her face blank, her eyes black. She smiled—a smile too wide for her face—and spoke in a voice that was not her own: ‘You can’t send me back. I’m part of her now.’

We left that house a week later, moved to a city apartment with bright lights and no mirrors. Eva never spoke about the man again, but sometimes, when she plays with her dolls, she whispers to them about a friend who lives in the rain. And every time it rains, she grows quiet, staring out the window with a stillness that is not a child’s. I still see him—in reflections, in the corner of my eye, in the wet footprints that appear on the carpet after a storm. He is not gone. He just found a new home.

Last night, I heard Eva humming an old tune I couldn’t place. When I asked her where she learned it, she said, ‘Uncle Mark likes it. He says I’ll be his forever.’ I looked down at her hands, and for a moment, they seemed too long, too pale, too adult. She tilted her head and smiled. ‘Don’t worry, sissy. He likes you too.’

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